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Retour en Avant / Past Forward Biennale de la Danse Lyon - France

Retour en Avant / Past Forward Biennale de la Danse Lyon - France

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Ronald K. BrownBrooklyn-born Ronald K. Brown, praised as“one of most profound choreographers of hismo<strong>de</strong>rn-dance g<strong>en</strong>eration” by The New York Times,foun<strong>de</strong>d Evid<strong>en</strong>ce Dance Company in 1985at the age of 19. Evid<strong>en</strong>ce strives to analysethe state of society today. To address this vastsubject it <strong>de</strong>ploys a g<strong>en</strong>erous physicality and anathletic dance style that bl<strong>en</strong>ds g<strong>en</strong>res (hip-hop,jazz, and contemporary, African and c<strong>la</strong>ssicaldance). Its shows chall<strong>en</strong>ge the audi<strong>en</strong>ce,exploring societal issues such as racism, sexismand immigration-re<strong>la</strong>ted problems. Evid<strong>en</strong>ce’smain objective is to <strong>en</strong>gage in dialogue with thecommunities most affected by these problems.Brown’s fusion of traditional African dance,contemporary choreography and the spok<strong>en</strong>word yields a unique vision of the humanstruggle, with its tragedies and triumphs. Fewdance companies explore in <strong>de</strong>pth the historyof America’s b<strong>la</strong>cks. Ronald K. Brown uses themovem<strong>en</strong>t of traditional dance as a way tostr<strong>en</strong>gth<strong>en</strong> the importance of community incontemporary culture. He conquers audi<strong>en</strong>ceswith the beauty of traditional movem<strong>en</strong>t andrhythms, thus offering a new way of communicatingthrough dance.In parallel to his work as artistic director of Evid<strong>en</strong>ce,Brown is a regu<strong>la</strong>r guest choreographerand performer for leading companies such asAfrican American Dance Ensemble, Phi<strong>la</strong>danco,Cleo Parker Robinson Dance Theater and Ailey II.Walking Outthe Dark I / 2001creationWalking Out the Dark l (excerptof Walking Out the Dark) isconstructed as a danced conversationbetwe<strong>en</strong> mother, brother, sister,lover, fri<strong>en</strong>d. The piece aims to examinewhat impe<strong>de</strong>s our ability to assist oneanother in a time of need.How can the past shape the future ?The past is one of the most profound resources forthe future. We can look to history to see what hasremained the same and also how culture and s<strong>en</strong>sibilityhas evolved. Rec<strong>en</strong>t and anci<strong>en</strong>t past provi<strong>de</strong> thefoundation for all that is now.Ronald K. BrownExtra info:Fr<strong>en</strong>ch PremiereThe company performed at the1994 Bi<strong>en</strong>nalewww.evid<strong>en</strong>cedance.comOne Shot (extracts) / 2007creationOne Shot is a new work inspired by the beauty,s<strong>en</strong>se of community and legacy captured in thephotographs of noted African American photojournalist and Pittsburgh native Charles “Te<strong>en</strong>ie”Harris.Or<strong>de</strong>r My Steps / 2005 creationInspired by the 119th Psalm, Or<strong>de</strong>r My Steps isa meditation on the path of one’s life and thedifficulties of a world at war.25

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