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Retour en Avant / Past Forward Biennale de la Danse Lyon - France

Retour en Avant / Past Forward Biennale de la Danse Lyon - France

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Ong K<strong>en</strong> S<strong>en</strong>As a <strong>la</strong>w stud<strong>en</strong>t at Singapore University, K<strong>en</strong>S<strong>en</strong> was already passionate about the theatre.Upon graduating he joined TheatreWorks, aSingapore-based company foun<strong>de</strong>d in 1985and geared to new work by local artists. Fouryears <strong>la</strong>ter, he became its artistic director. K<strong>en</strong>S<strong>en</strong> focuses on the p<strong>la</strong>ce and role of traditiona<strong>la</strong>rtists in Asia and how they are evolving inmo<strong>de</strong>rn societies. His artistic output stems fromthe observation that traditional artists have acultural heritage – a real treasure that he tries tocapture and adapt for the stage, in or<strong>de</strong>r to stopKhmer culture from fading away. He adapts, butdoes not simply reproduce. He actually graspsthe ess<strong>en</strong>ce of their art: the traditional meaningof such a dance or piece of music, in what circumstancesit is performed, for what audi<strong>en</strong>ce…Th<strong>en</strong> on stage, everything becomes possible: hesweeps the rules away and juxtaposes cultureswith a contemporary f<strong>la</strong>ir while remainingfaithful to the original s<strong>en</strong>se. His work is acknowledgedby the leading international festivals(in Japan, Europe and the United States), a suremeasure of success and quality.The Continuum: Beyond theKilling Fields / 2001 creationThis docum<strong>en</strong>tary performance tells the truelife story of eighty-year-old Em Theay, masterof royal c<strong>la</strong>ssical dance in Cambodia. Em Theaysurvived the scourge of the Khmer Rouge, teachingher skills to the national troupe after thetrauma. This is a unique form of dance wherewom<strong>en</strong> cross-dress to p<strong>la</strong>y male roles. This storyof dance, which g<strong>en</strong>erations of mothers havepassed to their daughters, becomes all the morehorrific wh<strong>en</strong> one learns that nine out t<strong>en</strong> royaldancers, musicians, actors, p<strong>la</strong>ywrights, poetsand artists were killed by Pol Pot in his fanatica<strong>la</strong>ttempt to set his country back to year zero. EmTheay, oft<strong>en</strong> known as the “t<strong>en</strong>th dancer”, theone who survived, tells her story. Persecuted forbeing an artist, she never falters; today she isa consci<strong>en</strong>ce, a memory of the gash that toreCambodia apart. And 25 years on, the countryis still waiting for its war-crime trials to becompleted.Extra info:Fr<strong>en</strong>ch premierewww.theatreworks.org.sg55

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