11.07.2015 Views

Retour en Avant / Past Forward Biennale de la Danse Lyon - France

Retour en Avant / Past Forward Biennale de la Danse Lyon - France

Retour en Avant / Past Forward Biennale de la Danse Lyon - France

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Pierre RigalA sportsman by training (hewas a member of the Fr<strong>en</strong>chjunior athletics team in 1992)and an image-maker who hasdirected films and docum<strong>en</strong>tariesamong other pieces (he is agraduate of the École Supérieured’Audiovisuel in Toulouse), Pierre Rigalwas a <strong>la</strong>tecomer to contemporarydance: during his <strong>de</strong>gree he crossed pathswith Bernardo Montet, M<strong>la</strong>d<strong>en</strong> Materic, WimVan<strong>de</strong>keybus and Boris Charmatz. He <strong>la</strong>terdanced for Swiss choreographer Gilles Jobin inUn<strong>de</strong>r Construction and The Moebius Strip. InNovember 2003, in Toulouse, he foun<strong>de</strong>d hisown company, Compagnie <strong>de</strong>rnière minute, andbecame its artistic director. In 2004 he conceivedand performed his first work, staged by Auréli<strong>en</strong>Bory: Érection is a masterful solo at the intersectionof dance and vi<strong>de</strong>o art, in which he tellsthe long story of Man, from crouch to uprightstance. Two years <strong>la</strong>ter, he created a new workwith Auréli<strong>en</strong> Bory, Arrêts <strong>de</strong> jeu, inspired by thememory of a televised soccer match, the semifinalof the 1982 World Cup.Press / 2008 creationA choreographic tragedy, or the disturbing strang<strong>en</strong>essof the ordinary, Press stages the image ofmo<strong>de</strong>rn man in his imm<strong>en</strong>se banality and <strong>en</strong>igmaticcomplexity. The body of this product-individual,an unsettling dandy, is transformed bythe standardised sequ<strong>en</strong>ce of his own reflexes,but also by the cogs of his narrow vital space.Perhaps cons<strong>en</strong>tingly, he finds himself captive ina near-empty room. The mechanical modificationsof this physical and m<strong>en</strong>tal <strong>en</strong>vironm<strong>en</strong>tact on his body, forcing him to constantly adapthis position and movem<strong>en</strong>t. He is thus drawninto an absurd and distressing impasse…How can the past shape the future?Our perspective on the past is hazy : it gives us atrem<strong>en</strong>dous ability to adapt and an imm<strong>en</strong>se forceto survive; but also a <strong>de</strong>ep prop<strong>en</strong>sity to <strong>de</strong>struct andself-<strong>de</strong>struct. Humanity is unable, or unwilling, to curbits expansionist urge, to contain its bellicose impulses,to protect its <strong>en</strong>vironm<strong>en</strong>t, to reverse the trajectoriesof inequality. Our purpose, as <strong>de</strong>fined by our learningsfrom the past, can only be a choice; a radical, profoundand viol<strong>en</strong>t choice; a choice able to thwart this threat<strong>en</strong>inglimitation.Pierre RigalExtra info:www.pierrerigal.net69

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