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36 | Dragoş Gh. Năstăsoiu, Anna Adashinskaya<br />

very unlikely for a calculation mistake to have occurred.<br />

The epigraphic material of the monument is simultaneously<br />

rich and scarce. On the one hand, it provides for a diversity<br />

of hands, which is surprising for the church’s<br />

modest size, and on the other hand, the number of inscriptions<br />

belonging to each hand is quantitatively reduced. These<br />

facts make the analysis of the material very difficult. 84<br />

Moreover, there is no instance when all the signs of the alphabet<br />

are included in the writing of a single master and,<br />

therefore, our observations have only a preliminary and partial<br />

character. Noteworthy is the fact that none of the scribes<br />

was a Slavic speaker, nor were they proficient in the grammar<br />

of Old Church Slavonic. All inscriptions are characterized<br />

by misspellings, omitted letters, case disagreements<br />

and quite exotic abbreviations which are atypical for Slavonic<br />

titla.<br />

Following the paleographical exam and comparison of<br />

handwritings, it was noticed that some letters have unique<br />

features (Fig. 17). 85 The letter л in the inscription of the<br />

holy kings of Hungary has its long, upper part resembling<br />

the Greek λ, a feature which is missing in all other handwritings<br />

(Fig. 7-8, 17).<br />

Several manners of writing have been noted for the<br />

letter u. Some letters are composed of two curves crossing<br />

twice, both in their upper and lower parts (the lay characters’<br />

inscriptions in the votive composition of the nave,<br />

Fig. 17, or the scene of St. Nicholas with Arius in the<br />

sanctuary, Fig. 17-18), whereas others are composed of a<br />

single, continuous line written from left to right with a<br />

downward loop. u in the main dedicatory inscription is<br />

again composed of a single, continuous line, but is written<br />

in opposite direction (i.e., from right to left) and has the<br />

left curve more fallen (Fig. 4-5, 17).<br />

¸ has distinctive features: the letters in the Hungarian<br />

holy kings’ inscriptions have a tall, vertical line and another<br />

wavy, horizontal line (Fig. 7-8, 17); ¸ in the dedicatory in-<br />

Letter л<br />

Letter оу<br />

Letter ¸<br />

Letter ú<br />

Letter i<br />

Letter о<br />

Letter м<br />

Letter е<br />

Titla<br />

Holy Kings<br />

inscription:<br />

St. Helena’s<br />

inscription:

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