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Quark to InDesignCS3 Conversion Guide - InDesign User Group

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what else should I know about<br />

transparency?<br />

Dragging and dropping effects.<br />

You can easily transfer transparency<br />

settings from one object <strong>to</strong><br />

others by dragging and dropping.<br />

To drag and drop effects, select an<br />

object or a graphic <strong>to</strong> which transparency<br />

effects are applied. The<br />

Effects panel identifies the object<br />

attributes—Object, Stroke, Fill, Text,<br />

or Graphic—<strong>to</strong> which effects are<br />

applied by displaying an “fx” label<br />

<strong>to</strong> the right of the attribute. Drag<br />

an “fx” label on<strong>to</strong> another object <strong>to</strong><br />

transfer effects settings. (Note: When<br />

you drag and drop effects, Blending<br />

Mode and Opacity are not transferred;<br />

only Pho<strong>to</strong>shop effects, such<br />

as Drop Shadow, Inner and Outer<br />

Glow, and so on, are transferred.)<br />

Knockout groups. When a group<br />

of objects is selected and you select<br />

the Knockout <strong>Group</strong> option in the<br />

Effects panel, every object in the<br />

group knocks out the other objects<br />

in the group. Blending modes and<br />

opacity applied <strong>to</strong> individual objects<br />

in the group are ignored relative <strong>to</strong><br />

other objects in the group, while<br />

objects beneath the selected group<br />

are still visible relative <strong>to</strong> the group,<br />

and are affected by the blending<br />

modes or opacity settings applied <strong>to</strong><br />

objects within the group and <strong>to</strong> the<br />

group as a whole.<br />

In the example on the left, a bevel and<br />

emboss effect is applied <strong>to</strong> the stroke of a<br />

text frame. At right, the effect was applied <strong>to</strong><br />

three other text frames by dragging the fx<br />

icon (<strong>to</strong> the right of stroke) in the Effects<br />

panel and dropping it on<strong>to</strong> the frames.<br />

tips:<br />

wORkIng wIth tRAnsPAREnCY<br />

• If you apply settings in the Effects dialog box without first selecting an object,<br />

each object you draw subsequently will have those new settings applied.<br />

• Select the Isolate Blending option in the Effects panel <strong>to</strong> restrict blending modes<br />

so they affect only the selected group. Objects beneath the group won’t interact<br />

with the blending modes applied <strong>to</strong> objects in the group.<br />

these examples demonstrate the knockout group feature. In both examples, the green<br />

frame on the left is behind a group of four empty frames <strong>to</strong> which opacity values are applied.<br />

At left, knockout group is not selected, and the opacity values applied <strong>to</strong> the frames in the<br />

group affect the other objects in the group as well as the underlying green frame. At right,<br />

knockout group is selected, and the frames in the group are knocked out of other objects in<br />

the group (that is, the opacity values are ignored and the objects are opaque, relative <strong>to</strong> each<br />

other) but retain their opacity relative <strong>to</strong> the underlying green frame.<br />

Creative Effects 51

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