Processing: Creative Coding and Computational Art

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or possibly even a complete crash of your program. You’ll experiment with these properties in later chapters. For now, there are two simple curves worth looking at that will help you code organic motion—one describes acceleration and the other deceleration. Figures 4-8 and 4-9 show an acceleration curve and a deceleration curve, with time on the x-axis and distance on the y, as in the previous linear example. Figure 4-8. Acceleration curve Figure 4-9. Deceleration curve COMPUTER GRAPHICS, THE FUN, EASY WAY 127 4
PROCESSING: CREATIVE CODING AND COMPUTATIONAL ART 128 Notice that the acceleration curve is concave, like the front of a spoon, while the shape of the deceleration curve is convex. As you look at the figures, think about how much distance is being covered over what time period. Is distance increasing more rapidly than time or vice versa, and is the rate of change constant, increasing, or decreasing at different parts of the curve? Is the curve smooth and continuous? The graph shows smooth acceleration and deceleration beginning at point (0, 0), meaning that no time or distance have elapsed. In Figures 4-8 and 4-9, I divided each of the curves into four straight segments, between the white points. These straight segments, approximating the curve, are called secant lines. By looking at the slope of these lines, labeled m1 through m4, you can predict how the rate of speed is changing in the graphs. It is also possible to more precisely calculate the slope of each of these secant lines by using the x and y components of the points at the ends of each of the secant lines and dividing the change in the two y components (∆ y) by the change in the two x components (∆ x). For example, to calculate the slope of the first secant line (m1) in the deceleration curve, you can do the following: m1 = ∆ y / ∆ x m1 = 30 – 0 / 1 – 0 m1 = 30 If you take the time to calculate the remaining slopes of m2, m3, and m4, you’ll get 10, 5, and 3.33, respectively. Since this is a deceleration curve, it makes sense that the slopes of the secant lines decrease over time. (Of course, it’s a lot less work to simply guess how the rate of change is affected based on how vertical the secant lines are.) It is a little confusing thinking about rate of change vs. speed. Speed is the rate of motion, which is simpler to think about. Speed is simply distance divided by time. If I move a rectangle 30 pixels in 3 seconds, the rectangle is moving 10 pixel per second (pps); that’s its speed. For example, the following simple Processing sketch moves a rectangle across the screen at approximately 30 pps: //linear motion int w = 20; int h = 10; int x = 0; int y; void setup(){ size(400, 400); y = height/2; frameRate(30); } void draw(){ background(255); rect(x++, y, w, h); }
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IrA GreenberG CreATe CoDe ArT, vIsu
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Processing: Creative Coding and Com
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CONTENTS AT A GLANCE Foreword . . .
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CONTENTS Foreword . . . . . . . . .
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CONTENTS viii The joy of math . . .
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CONTENTS x Applying OOP to shape cr
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CONTENTS xii Environment . . . . .
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FOREWORD If you are like me (and th
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ABOUT THE AUTHOR With an eclectic b
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ACKNOWLEDGMENTS I am very fortunate
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INTRODUCTION Welcome to Processing:
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INTRODUCTION xxii Intended audience
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INTRODUCTION xxiv Setting up Proces
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INTRODUCTION xxvi Hopefully by now
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INTRODUCTION xxviii Figure 3. Scree
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INTRODUCTION xxx New or changed cod
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1 CODE ART
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The problem with a Photoshop filter
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Figure 1-3. Example of ancient art
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then jump 400 years to 1614 and Joh
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fertile imagination remained intact
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As an aside, it’s worth observing
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John Whitney Sr., 1918-1995 John Wh
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algorithms. To learn more about Coh
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landfill/), and Feed (www.potatolan
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periodicals such as Art Journal, Wi
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And many more . . . While I have in
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2 CREATIVE CODING
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I think what was reinforced for me
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customized commands, and run loops.
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of code that work like processing m
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introduced to become larger, more c
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Without getting too geeky, the main
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A framework is just a concept for b
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algorithm in a math class in high s
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frame. The loop keeps running and k
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the time to play at whatever level
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} pts[counter2].y-yg); xg*=-1; coun
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The overall movement was good, but
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Obviously, there are a lot of thing
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} } // generates organic looking br
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3 CODE GRAMMAR 101
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Your first program In most programm
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message comes up on the bar in the
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Since the getBreed() method would r
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Variables Variables are essential t
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It’s because strict typing helps
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Stage 3 adds the gradient: /* title
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Next, I assign values to some primi
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In the first preceding example, add
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Assignment operators The only other
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Page 110 and 111: Animation is a perfect example of t
Page 112 and 113: if (hunger= starving) { eatAnything
Page 114 and 115: Ternary operator The last condition
Page 116 and 117: The items array has 50 places reser
Page 118 and 119: println(x); x += 1; } while(x
Page 120 and 121: Figure 3-4. Continuous radial gradi
Page 122 and 123: int ballCount = 500; int ballSize =
Page 124 and 125: Hopefully, you were able to success
Page 126 and 127: function call above*/ // fill(i*255
Page 128 and 129: If you run this, you should see a 1
Page 130 and 131: yspeed*=-1; } } Within the draw() f
Page 132 and 133: void checkCollisions(int xp, int yp
Page 134 and 135: createRect(50, 50, 100, 100, 20, 5,
Page 138 and 139: 4 COMPUTER GRAPHICS, THE FUN, EASY
Page 140 and 141: Some of the reasons coding graphics
Page 142 and 143: When working in a 3D coordinate sys
Page 144 and 145: plotted, the vertices are connected
Page 146 and 147: eally shines. And remember, as you
Page 148 and 149: need to be stored in memory, and th
Page 150 and 151: Within each of these application ar
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Page 154 and 155: Geometry Like algebra, geometry dat
Page 156 and 157: (second-degree) curve has one turni
Page 160 and 161: This linear motion would plot as a
Page 162 and 163: and began doubling. By step 80, the
Page 164 and 165: *Simple Repeating Wave Pattern Ira
Page 166 and 167: float waveGap = 10; float frequency
Page 168 and 169: a piece of paper and do a little mo
Page 170 and 171: Interactivity Figure 4-13. Puff Peo
Page 172: Events will be covered and implemen
Page 175 and 176: PROCESSING: CREATIVE CODING AND COM
Page 204 and 205: 6 LINES
Page 206 and 207: Figure 6-2. Two-point sketch Adding
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Streamlining the sketch with a whil
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type into the sketch. Although the
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Figure 6-7. Randomized particle spr
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Figure 6-9. Multiple randomized par
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Coding a grid To begin, I’ll show
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Notice that you can make the value
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float steps = totalPts+1; int total
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Creating space through fades Your l
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for (int j=0; j
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Figure 6-19. Yin Yang Fade sketch,
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coordinates of the line. For exampl
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Figure 6-24. End cap variation exam
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Figure 6-25. Auto Layout sketch Thi
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int xPadding = 150; int yPadding =
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Figure 6-27. Table Layout II sketch
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for (int i=0; i
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This is the same drawTable() functi
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easy. The benefit of internally rec
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I call my custom function makeRect(
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As you might suspect, anti-aliasing
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call scribble function strokeWeight
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else { } // extra line needed to at
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smooth(); float x = random(width);
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Figure 6-36. Concentric Maze sketch
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void setup(){ //these values can be
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Create a Triangle size(400, 400); b
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Figure 6-39. Create 3 Triangles ske
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Poly Pattern I (table structure) /*
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Poly Pattern II (spiral) /* Poly Pa
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Poly Pattern III (polystar) /* Poly
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Figure 6-46. Poly Pattern III (poly
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7 CURVES
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size(200, 200); background(255); in
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You should notice some familiar str
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int margin = height/15; strokeWeigh
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Figure 7-8. Revealing the points ma
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* Curves II Ira Greenberg, December
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lower particle speed ySpeed[i]*=gra
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Figure 7-11. Curves simulating a fo
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Figure 7-13. Damping effect on curv
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particle style strokeWeight(strokeS
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By using functions to organize a pr
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for (int i=0; i
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Figure 7-18. Generating a curve wit
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float x = 0, y = 0; int loopLimit =
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concentric circles size(200, 200);
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Pie charts, although valuable as vi
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curve() and bezier() The next two P
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Next is an interactive example that
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Figure 7-27. Interpolating a Bézie
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ezier(350, 100, 400, 150, 350, 250,
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Figure 7-30. Spline curve using Pro
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curve segments noFill(); // comment
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control handles fill(255); ellipse(
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Figure 7-32. bezier() vs. bezierVer
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curveVertex(92+x, 15); curveVertex(
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strokeWeight(.75); stroke(0); rectM
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Figure 7-35. Bézier Ellipse sketch
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I included one last example (shown
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curveTightness(tightness); beginSha
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Summary Curves, and the math behind
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PROCESSING: CREATIVE CODING AND COM
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10 COLOR AND IMAGING
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left squares fill(255, 120, 0); rec
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the color. Up to this point in the
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} radius*=ratio; ratio-=.1; } } els
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Figure 10-4. Alpha sketch In this e
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A quick review of creating transfor
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* Nematode - stage 1 Ira Greenberg,
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Figure 10-8. Nematode sketch (stage
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Figure 10-9. Finished Nematode sket
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the decreasing wavelengths of the i
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values, just to illustrate the poss
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lerpColor() uses the same approach
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I want to mention two final points
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column for (int i=x; i
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needs to be increased, as radius in
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Figure 10-19. Wave Gradient sketch
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for (int i=0; i
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Figure 10-23. Load an Image sketch
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The image() function has an extra f
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In the last example, I created an a
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Figure 10-27. Simple Image Encrypti
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Figure 10-28. Pixilate sketch The n
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Figure 10-30. Tint sketch Speeding
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* Tint (using bitwise operations) C
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the book that a primitive type is d
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The mask works like an alpha channe
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ect(random(width), random(height),
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This last sketch couldn’t be simp
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separate out and invert component c
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Figure 10-39. GRAY Filter sketch Th
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adius is set high, the blurring can
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lend() PImage Method sketch // both
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Figure 10-45. blend() Function with
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The next sketch utilizes some for l
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In the last example, I used Process
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Inheritance In OOP, inheritance des
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AXIS_VERTICAL from outside the Grad
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y axis if(axis == AXIS_VERTICAL){ f
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calculate differences between color
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c7 = color(0); c8 = color(255); r1
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In the “Imaging” section, you d
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12 INTERACTIVITY
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} public void mouseClicked(MouseEve
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void setup(){ size(400, 400); // in
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initialize x, y x = width/2.0; y =
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float friction = .85; float[]jitter
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nodeYPos = append(nodeYPos, mouseY)
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As usual, I declare global variable
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are filled with black. Using the in
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} } } } } // bottom display window
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color btnUpState = color(200, 200,
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float xSpeed = 0; color movingSquar
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xSpeed-=.2; btn1Background = btnDow
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mouse trails if (isTrailable){ fill
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isTrailsSelected, which changes the
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shapes. The following example, in s
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set initial button background color
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also makes the code a little harder
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stroke(200); rect(eraserBtn[0], era
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} sliderValue = (sliderHandle[0]-sl
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if (!isBrushSelected){ if (mouseX>b
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selection can be active at a time.
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ectBackground = color(255, 0, 0); }
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is smaller (vertically) than the en
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keys 2-8 control number of edges fo
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strokeWeight(strokeWt); float angle
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Summary We began this chapter compa
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A PROCESSING LANGUAGE API
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http://processing.org/. My main obj
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its binary equivalent. I used some
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part of the article as well. My sug
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Example 1: A Java approach void set
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The combination of these two struct
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Example 3: Creating a honeycomb gra
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Conditionals Conditionals and the r
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Shape // top and bottom boundaries
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You’ll notice that by default, th
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start dragging if flag true for (in
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pushMatrix(); rotateY(-frameCount*P
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egular polygon size(400, 400); smoo
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texture(images[3]); vertex(w, -h/2,
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lots of arrays float[]x = new float
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Keyboard Figure A-9. Box Springs sk
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entering CMD). When using a command
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hour hand strokeWeight(2); stroke(5
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In the next example, I use beginRec
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Transformations include moving, sca
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float ang; int rows = 20; int cols
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vertex(-w/2 + shiftX, -h/2 + shiftY
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Lights The Lights section includes
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system, you can try lowering the re
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ankAngle+=bankSpeed; vert = -600 +z
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Setting The Setting section include
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ellipseMode(CORNER); fill(200, 200,
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of this part of the API. These myst
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Image The Image section relates ver
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Loading & Displaying The Loading &
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these elements is the creation of a
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Typography Processing utilizes mult
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This will output a list of all the
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“Operators” will hopefully soun
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The noise() function is an advanced
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B MATH REFERENCE
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After multiplying, you can reduce t
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Here’s an example: When dividing,
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Figure B-1. Using a right triangle
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Here’s how the process works: pic
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In Figure B-5, the point p is at 45
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ect (px, py, 5, 5); stroke(100); li
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manipulation is one area in which b
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the number, as shown in the followi
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Here’s the output: c1 in binary =
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This sketch outputs the following:
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I’m not going to provide examples
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simple-looking paint bucket tool in
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Figure B-7. Color variations filter
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INDEX 776 SYMBOLS AND NUMERICS /* a
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INDEX 778 beginShape function, 209
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INDEX 780 clipping planes, frustum,
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INDEX 782 naming conventions/rules,
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INDEX 784 functions, 440 loadPixels
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INDEX 786 filter function, 452-459
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INDEX 788 minute, 708 modelX/modelY
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INDEX 790 H haptics, 108 has-a rela
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INDEX 792 MouseListener interface,
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INDEX 794 M Mac keyboard shortcuts,
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INDEX 796 classes, 304, 321 constan
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INDEX 798 coding in 3D, 616 mapping
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INDEX 800 procedures see functions
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INDEX 802 Hybrid Shape, 366, 368 Hy
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INDEX 804 radians, converting betwe
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INDEX 806 Nematode sketch, 411, 413
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INDEX 808 text Orbiting Text sketch
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INDEX 810 VERY_HIGH option, encrypt
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