Processing: Creative Coding and Computational Art

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and began doubling. By step 80, the output had surpassed the diameter of the known universe—but it goes way beyond that. In fact, each step from 80 to 100 is another doubling in size—my head’s beginning to hurt, and I think you get the point. Trigonometry COMPUTER GRAPHICS, THE FUN, EASY WAY The Latin word trigonometry, coined in the 16th century, was formed from three Greek words that translate to “three-angle measure,” and simply means the study of triangles. This is precisely what trig was used for in the second century BC, when the astronomer Hipparchus of Rhodes created one of the first tables of trigonometry values (it was called a table of chords back then). Unfortunately, most of Hipparchus’s work has been lost, and we mostly know of him through the writings of others, especially Ptolemy, who based much of his work on Hipparchus’s earlier work. Ptolemy, you may remember, is the guy who said that Earth was at the center of the universe, which was eventually refuted by Copernicus 1,400 years later. Hipparchus apparently used his chord tables to help him predict things like eclipses, star positions, distance to the moon, and the length of a year, which he predicted to within 6.5 minutes. I think it’s time we give Hipparchus his due. Hipparchus’s reputation aside, solving for angles and sides of triangles is not terribly inspiring, and precisely what contributed to my dazed stare out the classroom window when I first studied it. Since ancient times (even before I was in junior high school), trig has emerged as a fundamental tool in many fields, from astronomy to architecture to engineering to 3D gaming, and yes, also to code art. Trig is much more than the study of triangles; it figures significantly in the study of waves, impacting our understanding of sound, radio, and light, among other physical phenomena. Trigonometry is also really simple. I know this may sound odd, but aside from having to learn a couple scary Greek symbols and basic theory, trig is really just an extension of the Pythagorean theorem (at least the part of trig you’ll need). Although some basic theory is helpful to begin to grasp the full power of trigonometry, it is possible to begin playing with the trig functions almost immediately, learning experientially as you experiment with them. The trig functions that you’ll mostly use are sine, cosine, and tangent. There are a few others you’ll look at later on in the book, but an amazing amount of stuff can be done with just these three. I like to think of the trig functions almost as dabs of paint on my palette. I begin playing with the trig dabs, inserting different values here and there, and watching what happens. Sometimes I end up with really long and convoluted expressions, completely outside of my understanding, that make engaging, beautiful images or animations; other times I get a garbled mess. Part of the fun is in not exactly knowing what you’re going to get. Fortunately, as an artist, I can get away with this aesthetically driven, semi-clueless approach to trig. I also can’t help wondering, had math been taught this way when I was in school, perhaps I would have enjoyed math class more and done less window gazing. Interestingly, as I’ve gotten older, I’ve found the more I play with stuff like trig, the more interested I get in understanding the underlying theory. I also think this aesthetic approach to learning math increases retention, especially for artists. 131 4
PROCESSING: CREATIVE CODING AND COMPUTATIONAL ART 132 The best way to get a sense of what trig can do is to see it in action. The three code examples that follow are not intended as a lesson on trig in Processing—that begins in Chapter 6. These examples are intended just to, hopefully, spark your latent zeal for trig (or at least make you hate it less). I don’t intend newbie coders to be able to follow the code in these examples (yet). The first trig example is of a simple repeating sine curve that creates a wave pattern, as shown in Figure 4-10. Figure 4-10. Repeating sine curve
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IrA GreenberG CreATe CoDe ArT, vIsu
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Processing: Creative Coding and Com
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CONTENTS AT A GLANCE Foreword . . .
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CONTENTS Foreword . . . . . . . . .
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CONTENTS viii The joy of math . . .
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CONTENTS x Applying OOP to shape cr
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CONTENTS xii Environment . . . . .
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FOREWORD If you are like me (and th
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ABOUT THE AUTHOR With an eclectic b
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ACKNOWLEDGMENTS I am very fortunate
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INTRODUCTION Welcome to Processing:
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INTRODUCTION xxii Intended audience
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INTRODUCTION xxiv Setting up Proces
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INTRODUCTION xxvi Hopefully by now
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INTRODUCTION xxviii Figure 3. Scree
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INTRODUCTION xxx New or changed cod
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1 CODE ART
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The problem with a Photoshop filter
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Figure 1-3. Example of ancient art
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then jump 400 years to 1614 and Joh
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fertile imagination remained intact
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As an aside, it’s worth observing
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John Whitney Sr., 1918-1995 John Wh
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algorithms. To learn more about Coh
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landfill/), and Feed (www.potatolan
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periodicals such as Art Journal, Wi
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And many more . . . While I have in
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2 CREATIVE CODING
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I think what was reinforced for me
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customized commands, and run loops.
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of code that work like processing m
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introduced to become larger, more c
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Without getting too geeky, the main
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A framework is just a concept for b
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algorithm in a math class in high s
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frame. The loop keeps running and k
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the time to play at whatever level
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} pts[counter2].y-yg); xg*=-1; coun
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The overall movement was good, but
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Obviously, there are a lot of thing
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} } // generates organic looking br
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3 CODE GRAMMAR 101
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Your first program In most programm
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message comes up on the bar in the
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Since the getBreed() method would r
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Variables Variables are essential t
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It’s because strict typing helps
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Stage 3 adds the gradient: /* title
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Next, I assign values to some primi
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In the first preceding example, add
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Assignment operators The only other
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* title: Bouncing Ball description:
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Animation is a perfect example of t
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Page 114 and 115: Ternary operator The last condition
Page 116 and 117: The items array has 50 places reser
Page 118 and 119: println(x); x += 1; } while(x
Page 120 and 121: Figure 3-4. Continuous radial gradi
Page 122 and 123: int ballCount = 500; int ballSize =
Page 124 and 125: Hopefully, you were able to success
Page 126 and 127: function call above*/ // fill(i*255
Page 128 and 129: If you run this, you should see a 1
Page 130 and 131: yspeed*=-1; } } Within the draw() f
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Page 138 and 139: 4 COMPUTER GRAPHICS, THE FUN, EASY
Page 140 and 141: Some of the reasons coding graphics
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Page 154 and 155: Geometry Like algebra, geometry dat
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Page 164 and 165: *Simple Repeating Wave Pattern Ira
Page 166 and 167: float waveGap = 10; float frequency
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Page 170 and 171: Interactivity Figure 4-13. Puff Peo
Page 172: Events will be covered and implemen
Page 175 and 176: PROCESSING: CREATIVE CODING AND COM
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Figure 6-7. Randomized particle spr
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Figure 6-9. Multiple randomized par
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Coding a grid To begin, I’ll show
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Notice that you can make the value
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float steps = totalPts+1; int total
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Creating space through fades Your l
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for (int j=0; j
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Figure 6-19. Yin Yang Fade sketch,
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coordinates of the line. For exampl
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Figure 6-24. End cap variation exam
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Figure 6-25. Auto Layout sketch Thi
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int xPadding = 150; int yPadding =
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Figure 6-27. Table Layout II sketch
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for (int i=0; i
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This is the same drawTable() functi
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easy. The benefit of internally rec
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I call my custom function makeRect(
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As you might suspect, anti-aliasing
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call scribble function strokeWeight
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else { } // extra line needed to at
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smooth(); float x = random(width);
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Figure 6-36. Concentric Maze sketch
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void setup(){ //these values can be
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Create a Triangle size(400, 400); b
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Figure 6-39. Create 3 Triangles ske
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Poly Pattern I (table structure) /*
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Poly Pattern II (spiral) /* Poly Pa
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Poly Pattern III (polystar) /* Poly
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Figure 6-46. Poly Pattern III (poly
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7 CURVES
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size(200, 200); background(255); in
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You should notice some familiar str
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int margin = height/15; strokeWeigh
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Figure 7-8. Revealing the points ma
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* Curves II Ira Greenberg, December
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lower particle speed ySpeed[i]*=gra
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Figure 7-11. Curves simulating a fo
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Figure 7-13. Damping effect on curv
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particle style strokeWeight(strokeS
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By using functions to organize a pr
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for (int i=0; i
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Figure 7-18. Generating a curve wit
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float x = 0, y = 0; int loopLimit =
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concentric circles size(200, 200);
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Pie charts, although valuable as vi
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curve() and bezier() The next two P
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Next is an interactive example that
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Figure 7-27. Interpolating a Bézie
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ezier(350, 100, 400, 150, 350, 250,
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Figure 7-30. Spline curve using Pro
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curve segments noFill(); // comment
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control handles fill(255); ellipse(
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Figure 7-32. bezier() vs. bezierVer
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curveVertex(92+x, 15); curveVertex(
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strokeWeight(.75); stroke(0); rectM
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Figure 7-35. Bézier Ellipse sketch
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I included one last example (shown
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curveTightness(tightness); beginSha
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Summary Curves, and the math behind
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PROCESSING: CREATIVE CODING AND COM
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10 COLOR AND IMAGING
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left squares fill(255, 120, 0); rec
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the color. Up to this point in the
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} radius*=ratio; ratio-=.1; } } els
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Figure 10-4. Alpha sketch In this e
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A quick review of creating transfor
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* Nematode - stage 1 Ira Greenberg,
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Figure 10-8. Nematode sketch (stage
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Figure 10-9. Finished Nematode sket
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the decreasing wavelengths of the i
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values, just to illustrate the poss
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lerpColor() uses the same approach
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I want to mention two final points
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column for (int i=x; i
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needs to be increased, as radius in
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Figure 10-19. Wave Gradient sketch
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for (int i=0; i
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Figure 10-23. Load an Image sketch
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The image() function has an extra f
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In the last example, I created an a
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Figure 10-27. Simple Image Encrypti
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Figure 10-28. Pixilate sketch The n
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Figure 10-30. Tint sketch Speeding
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* Tint (using bitwise operations) C
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the book that a primitive type is d
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The mask works like an alpha channe
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ect(random(width), random(height),
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This last sketch couldn’t be simp
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separate out and invert component c
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Figure 10-39. GRAY Filter sketch Th
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adius is set high, the blurring can
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lend() PImage Method sketch // both
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Figure 10-45. blend() Function with
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The next sketch utilizes some for l
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In the last example, I used Process
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Inheritance In OOP, inheritance des
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AXIS_VERTICAL from outside the Grad
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y axis if(axis == AXIS_VERTICAL){ f
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calculate differences between color
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c7 = color(0); c8 = color(255); r1
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In the “Imaging” section, you d
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12 INTERACTIVITY
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} public void mouseClicked(MouseEve
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void setup(){ size(400, 400); // in
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initialize x, y x = width/2.0; y =
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float friction = .85; float[]jitter
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nodeYPos = append(nodeYPos, mouseY)
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As usual, I declare global variable
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are filled with black. Using the in
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} } } } } // bottom display window
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color btnUpState = color(200, 200,
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float xSpeed = 0; color movingSquar
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xSpeed-=.2; btn1Background = btnDow
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mouse trails if (isTrailable){ fill
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isTrailsSelected, which changes the
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shapes. The following example, in s
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set initial button background color
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also makes the code a little harder
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stroke(200); rect(eraserBtn[0], era
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} sliderValue = (sliderHandle[0]-sl
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if (!isBrushSelected){ if (mouseX>b
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selection can be active at a time.
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ectBackground = color(255, 0, 0); }
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is smaller (vertically) than the en
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keys 2-8 control number of edges fo
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strokeWeight(strokeWt); float angle
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Summary We began this chapter compa
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A PROCESSING LANGUAGE API
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http://processing.org/. My main obj
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its binary equivalent. I used some
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part of the article as well. My sug
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Example 1: A Java approach void set
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The combination of these two struct
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Example 3: Creating a honeycomb gra
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Conditionals Conditionals and the r
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Shape // top and bottom boundaries
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You’ll notice that by default, th
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start dragging if flag true for (in
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pushMatrix(); rotateY(-frameCount*P
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egular polygon size(400, 400); smoo
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texture(images[3]); vertex(w, -h/2,
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lots of arrays float[]x = new float
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Keyboard Figure A-9. Box Springs sk
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entering CMD). When using a command
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hour hand strokeWeight(2); stroke(5
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In the next example, I use beginRec
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Transformations include moving, sca
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float ang; int rows = 20; int cols
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vertex(-w/2 + shiftX, -h/2 + shiftY
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Lights The Lights section includes
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system, you can try lowering the re
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ankAngle+=bankSpeed; vert = -600 +z
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Setting The Setting section include
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ellipseMode(CORNER); fill(200, 200,
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of this part of the API. These myst
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Image The Image section relates ver
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Loading & Displaying The Loading &
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these elements is the creation of a
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Typography Processing utilizes mult
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This will output a list of all the
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“Operators” will hopefully soun
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The noise() function is an advanced
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B MATH REFERENCE
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After multiplying, you can reduce t
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Here’s an example: When dividing,
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Figure B-1. Using a right triangle
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Here’s how the process works: pic
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In Figure B-5, the point p is at 45
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ect (px, py, 5, 5); stroke(100); li
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manipulation is one area in which b
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the number, as shown in the followi
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Here’s the output: c1 in binary =
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This sketch outputs the following:
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I’m not going to provide examples
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simple-looking paint bucket tool in
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Figure B-7. Color variations filter
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INDEX 776 SYMBOLS AND NUMERICS /* a
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INDEX 778 beginShape function, 209
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INDEX 780 clipping planes, frustum,
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INDEX 782 naming conventions/rules,
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INDEX 784 functions, 440 loadPixels
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INDEX 786 filter function, 452-459
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INDEX 788 minute, 708 modelX/modelY
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INDEX 790 H haptics, 108 has-a rela
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INDEX 792 MouseListener interface,
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INDEX 794 M Mac keyboard shortcuts,
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INDEX 796 classes, 304, 321 constan
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INDEX 798 coding in 3D, 616 mapping
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INDEX 800 procedures see functions
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INDEX 802 Hybrid Shape, 366, 368 Hy
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INDEX 804 radians, converting betwe
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INDEX 806 Nematode sketch, 411, 413
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INDEX 808 text Orbiting Text sketch
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INDEX 810 VERY_HIGH option, encrypt
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