Processing: Creative Coding and Computational Art

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Polymorphism Polymorphism sounds a lot worse than it really it is; it just means assuming multiple forms or shapes. Whether you realize it or not, you’re already very familiar with how polymorphism works. For example, imagine you and a friend decide to spend one Sunday building a birdhouse. You’d probably want some tools—say, a screwdriver and a saw. These tools don’t have much in common with one another except their general classification as tools. In OOP speak, we could say that each tool has two types: the type Tool and also its more specific type (Screwdriver or Saw). As you’re building the birdhouse, your friend is holding a screw and asks you to pass him a tool. Unless you’re a prankster, you pass him the screwdriver. Even though your friend didn’t specify which tool; the context determined which was appropriate. Also, since both the screwdriver and the saw are tools, there was no risk (when he asked for a tool) of you passing him a ham sandwich or whatever. This dynamic binding between a more general classification (tool) and a specific object (screwdriver), based on context, is precisely how polymorphism works in OOP. In technical terms, polymorphism in Processing/Java is based on the JVM’s ability to be able to link a method to a specific class’s implementation on the fly, making it possible for a well-designed program to actually expand and grow over time, without necessarily going back into the source code. For example, let’s say you created a video game that included creatures who could each cast different magical spells. Using polymorphism, it would be possible to code a system that could handle any number of creatures, including new ones you added after the main game engine was complete—without ever having to go back into the engine’s source code. Here’s a very simple code example of this scenario that you can run in Processing: // polymorphism example using inheritance void setup(){ Creature c = new Creature(); Ogre o = new Ogre(); Elf e = new Elf(); Engine eng = new Engine(); eng.addCreature(c); eng.addCreature(o); eng.addCreature(e); } //superclass class Creature{ void castSpell(){ println("nothing to say"); } } //subclass 1 class Ogre extends Creature{ void castSpell(){ println("I miss ya donkey"); } } OBJECT-ORIENTED PROGRAMMING 329 8
PROCESSING: CREATIVE CODING AND COMPUTATIONAL ART 330 //subclass 2 class Elf extends Creature{ void castSpell(){ println("Gotta make the cookies"); } } /* game engine--with embedded superclass reference in the addCreature() method */ class Engine{ void addCreature(Creature c){ c.castSpell(); } } In the example, the Ogre and Elf classes each extend the Creature class. Through this inheritance relationship, any Ogre and Elf objects instantiated will now also be of the secondary type Creature. Thus, it would be perfectly legal to assign new Ogre and Elf objects to variables declared of type Creature. Creature o = new Ogre(); Creature e = new Elf(); However, as you continue to expand this example, you’ll want the Ogre and Elf objects to be assigned to variables of type Ogre and Elf, respectively—so if you tried using the preceding superclass assignment lines (which would work for now), make sure you put them back to what they were: Ogre o = new Ogre(); Elf e = new Elf(); This capability of unrelated objects (created from different classes) to have a relationship through a common parent class (which each class extends) allows you to create moreflexible programs. For example, if you create a game that includes the Ogre and Elf creatures, inside the game engine you’d either have to hard-code reference variables for each of the creatures, or use a common extended class. For only two creatures, either option might be fine. However, what if your game included 20 creatures, or even the capability for players to create their own creatures? The last thing you’d want to do is to keep going into your game engine code and adding new reference variables every time a player created a new creature. Rather, by including a common superclass reference variable in your engine, you could simply require players creating a new creature class to extend your base Creature superclass. This would allow your game to scale up, without you’re ever having to touch the game engine source code. Besides including a reference to the superclass in your game engine, you’d also need common methods within the Creature superclass and all the individual subclasses. In my last example, notice the common castSpell() method within the Creature superclass and both the Ogre and Elf subclasses. These methods have identical signatures (same name and parameter list). However, their implementations (the code between the curly braces of the methods) are different. As I mentioned earlier, one of the benefits of inheritance is
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IrA GreenberG CreATe CoDe ArT, vIsu
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Processing: Creative Coding and Com
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CONTENTS AT A GLANCE Foreword . . .
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CONTENTS Foreword . . . . . . . . .
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CONTENTS viii The joy of math . . .
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CONTENTS x Applying OOP to shape cr
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CONTENTS xii Environment . . . . .
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FOREWORD If you are like me (and th
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ABOUT THE AUTHOR With an eclectic b
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ACKNOWLEDGMENTS I am very fortunate
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INTRODUCTION Welcome to Processing:
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INTRODUCTION xxii Intended audience
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INTRODUCTION xxiv Setting up Proces
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INTRODUCTION xxvi Hopefully by now
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INTRODUCTION xxviii Figure 3. Scree
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INTRODUCTION xxx New or changed cod
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1 CODE ART
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The problem with a Photoshop filter
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Figure 1-3. Example of ancient art
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then jump 400 years to 1614 and Joh
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fertile imagination remained intact
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As an aside, it’s worth observing
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John Whitney Sr., 1918-1995 John Wh
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algorithms. To learn more about Coh
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landfill/), and Feed (www.potatolan
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periodicals such as Art Journal, Wi
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And many more . . . While I have in
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2 CREATIVE CODING
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I think what was reinforced for me
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customized commands, and run loops.
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of code that work like processing m
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introduced to become larger, more c
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Without getting too geeky, the main
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A framework is just a concept for b
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algorithm in a math class in high s
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frame. The loop keeps running and k
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the time to play at whatever level
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} pts[counter2].y-yg); xg*=-1; coun
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The overall movement was good, but
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Obviously, there are a lot of thing
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} } // generates organic looking br
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3 CODE GRAMMAR 101
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Your first program In most programm
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message comes up on the bar in the
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Since the getBreed() method would r
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Variables Variables are essential t
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It’s because strict typing helps
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Stage 3 adds the gradient: /* title
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Next, I assign values to some primi
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In the first preceding example, add
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Assignment operators The only other
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* title: Bouncing Ball description:
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Animation is a perfect example of t
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if (hunger= starving) { eatAnything
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Ternary operator The last condition
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The items array has 50 places reser
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println(x); x += 1; } while(x
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Figure 3-4. Continuous radial gradi
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int ballCount = 500; int ballSize =
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Hopefully, you were able to success
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function call above*/ // fill(i*255
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If you run this, you should see a 1
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yspeed*=-1; } } Within the draw() f
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void checkCollisions(int xp, int yp
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createRect(50, 50, 100, 100, 20, 5,
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4 COMPUTER GRAPHICS, THE FUN, EASY
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Some of the reasons coding graphics
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When working in a 3D coordinate sys
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plotted, the vertices are connected
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eally shines. And remember, as you
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need to be stored in memory, and th
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Within each of these application ar
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don’t realize you’re doing it
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Geometry Like algebra, geometry dat
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(second-degree) curve has one turni
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or possibly even a complete crash o
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This linear motion would plot as a
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and began doubling. By step 80, the
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*Simple Repeating Wave Pattern Ira
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float waveGap = 10; float frequency
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a piece of paper and do a little mo
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Interactivity Figure 4-13. Puff Peo
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Events will be covered and implemen
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PROCESSING: CREATIVE CODING AND COM
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6 LINES
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Figure 6-2. Two-point sketch Adding
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Streamlining the sketch with a whil
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type into the sketch. Although the
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Figure 6-7. Randomized particle spr
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Figure 6-9. Multiple randomized par
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Coding a grid To begin, I’ll show
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Notice that you can make the value
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float steps = totalPts+1; int total
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Creating space through fades Your l
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for (int j=0; j
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Figure 6-19. Yin Yang Fade sketch,
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coordinates of the line. For exampl
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Figure 6-24. End cap variation exam
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Figure 6-25. Auto Layout sketch Thi
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int xPadding = 150; int yPadding =
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Figure 6-27. Table Layout II sketch
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for (int i=0; i
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This is the same drawTable() functi
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easy. The benefit of internally rec
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I call my custom function makeRect(
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As you might suspect, anti-aliasing
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call scribble function strokeWeight
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else { } // extra line needed to at
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smooth(); float x = random(width);
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Figure 6-36. Concentric Maze sketch
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void setup(){ //these values can be
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Create a Triangle size(400, 400); b
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Figure 6-39. Create 3 Triangles ske
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Poly Pattern I (table structure) /*
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Poly Pattern II (spiral) /* Poly Pa
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Poly Pattern III (polystar) /* Poly
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Figure 6-46. Poly Pattern III (poly
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7 CURVES
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size(200, 200); background(255); in
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You should notice some familiar str
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int margin = height/15; strokeWeigh
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Figure 7-8. Revealing the points ma
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* Curves II Ira Greenberg, December
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lower particle speed ySpeed[i]*=gra
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Figure 7-11. Curves simulating a fo
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Figure 7-13. Damping effect on curv
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particle style strokeWeight(strokeS
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By using functions to organize a pr
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for (int i=0; i
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Figure 7-18. Generating a curve wit
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float x = 0, y = 0; int loopLimit =
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concentric circles size(200, 200);
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Pie charts, although valuable as vi
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curve() and bezier() The next two P
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Next is an interactive example that
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Figure 7-27. Interpolating a Bézie
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10 COLOR AND IMAGING
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left squares fill(255, 120, 0); rec
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the color. Up to this point in the
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} radius*=ratio; ratio-=.1; } } els
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Figure 10-4. Alpha sketch In this e
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A quick review of creating transfor
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* Nematode - stage 1 Ira Greenberg,
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Figure 10-8. Nematode sketch (stage
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Figure 10-9. Finished Nematode sket
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the decreasing wavelengths of the i
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values, just to illustrate the poss
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lerpColor() uses the same approach
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I want to mention two final points
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column for (int i=x; i
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needs to be increased, as radius in
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Figure 10-19. Wave Gradient sketch
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for (int i=0; i
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Figure 10-23. Load an Image sketch
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The image() function has an extra f
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In the last example, I created an a
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Figure 10-27. Simple Image Encrypti
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Figure 10-28. Pixilate sketch The n
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Figure 10-30. Tint sketch Speeding
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* Tint (using bitwise operations) C
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the book that a primitive type is d
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The mask works like an alpha channe
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ect(random(width), random(height),
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This last sketch couldn’t be simp
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separate out and invert component c
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Figure 10-39. GRAY Filter sketch Th
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adius is set high, the blurring can
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lend() PImage Method sketch // both
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Figure 10-45. blend() Function with
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The next sketch utilizes some for l
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In the last example, I used Process
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Inheritance In OOP, inheritance des
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AXIS_VERTICAL from outside the Grad
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y axis if(axis == AXIS_VERTICAL){ f
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calculate differences between color
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c7 = color(0); c8 = color(255); r1
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In the “Imaging” section, you d
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12 INTERACTIVITY
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} public void mouseClicked(MouseEve
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void setup(){ size(400, 400); // in
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initialize x, y x = width/2.0; y =
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float friction = .85; float[]jitter
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nodeYPos = append(nodeYPos, mouseY)
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As usual, I declare global variable
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are filled with black. Using the in
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} } } } } // bottom display window
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color btnUpState = color(200, 200,
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float xSpeed = 0; color movingSquar
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xSpeed-=.2; btn1Background = btnDow
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mouse trails if (isTrailable){ fill
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isTrailsSelected, which changes the
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shapes. The following example, in s
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set initial button background color
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also makes the code a little harder
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stroke(200); rect(eraserBtn[0], era
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} sliderValue = (sliderHandle[0]-sl
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if (!isBrushSelected){ if (mouseX>b
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selection can be active at a time.
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ectBackground = color(255, 0, 0); }
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is smaller (vertically) than the en
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keys 2-8 control number of edges fo
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strokeWeight(strokeWt); float angle
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Summary We began this chapter compa
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A PROCESSING LANGUAGE API
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http://processing.org/. My main obj
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its binary equivalent. I used some
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part of the article as well. My sug
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Example 1: A Java approach void set
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The combination of these two struct
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Example 3: Creating a honeycomb gra
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Conditionals Conditionals and the r
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Shape // top and bottom boundaries
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You’ll notice that by default, th
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start dragging if flag true for (in
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pushMatrix(); rotateY(-frameCount*P
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egular polygon size(400, 400); smoo
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texture(images[3]); vertex(w, -h/2,
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lots of arrays float[]x = new float
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Keyboard Figure A-9. Box Springs sk
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entering CMD). When using a command
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hour hand strokeWeight(2); stroke(5
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In the next example, I use beginRec
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Transformations include moving, sca
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float ang; int rows = 20; int cols
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vertex(-w/2 + shiftX, -h/2 + shiftY
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Lights The Lights section includes
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system, you can try lowering the re
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ankAngle+=bankSpeed; vert = -600 +z
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Setting The Setting section include
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ellipseMode(CORNER); fill(200, 200,
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of this part of the API. These myst
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Image The Image section relates ver
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Loading & Displaying The Loading &
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these elements is the creation of a
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Typography Processing utilizes mult
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This will output a list of all the
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“Operators” will hopefully soun
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The noise() function is an advanced
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B MATH REFERENCE
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After multiplying, you can reduce t
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Here’s an example: When dividing,
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Figure B-1. Using a right triangle
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Here’s how the process works: pic
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In Figure B-5, the point p is at 45
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ect (px, py, 5, 5); stroke(100); li
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manipulation is one area in which b
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the number, as shown in the followi
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Here’s the output: c1 in binary =
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This sketch outputs the following:
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I’m not going to provide examples
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simple-looking paint bucket tool in
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Figure B-7. Color variations filter
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INDEX 776 SYMBOLS AND NUMERICS /* a
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INDEX 778 beginShape function, 209
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INDEX 780 clipping planes, frustum,
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INDEX 782 naming conventions/rules,
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INDEX 784 functions, 440 loadPixels
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INDEX 786 filter function, 452-459
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INDEX 788 minute, 708 modelX/modelY
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INDEX 790 H haptics, 108 has-a rela
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INDEX 792 MouseListener interface,
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INDEX 794 M Mac keyboard shortcuts,
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INDEX 796 classes, 304, 321 constan
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INDEX 798 coding in 3D, 616 mapping
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INDEX 800 procedures see functions
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INDEX 802 Hybrid Shape, 366, 368 Hy
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INDEX 804 radians, converting betwe
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INDEX 806 Nematode sketch, 411, 413
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INDEX 808 text Orbiting Text sketch
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INDEX 810 VERY_HIGH option, encrypt
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