Processing: Creative Coding and Computational Art

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I’m not going to provide examples for the other two operators, but I’ll tell you about them. ^ is the XOR, or exclusive OR, operator. It works by comparing parallel bits, as with the first two operators. However, XOR is looking for differences. If the parallel bits are different, then the result is a one; otherwise the result is a zero. ~ is the bitwise complement and is a unary operator, meaning it works like a binary minus sign on a single operand, inverting zeros to ones and vice versa. Putting it all together Finally returning to the original bitwise color expression, float r = myColor >> 16 & 0xFF;, you should now have some sense of what is happening in the expression. The last mystery to solve is the bit mask 0xFF. A bit mask is just a pattern of bits used to perform some type of operation on another binary value, using one of the bitwise operators you just looked at. The bit mask value itself (0xFF) hopefully looks familiar to you, as it’s just a number expressed in hexadecimal notation (base 16). Remember, colors are commonly represented as hexadecimal values. The 0x part of 0xFF tells the compiler that the characters FF should be evaluated in base 16. Since F is the highest value in base 16 (equal to 15 in decimal), FF evaluates to 15 * 16 1 + 15 * 16 0 = 255, which you’ll remember is the same thing as 11111111 (in base 2). For those of you who actually like this bit-mathy stuff, break the binary value 11111111 into two even groups of four bits and then evaluate each separately in base 2. Compare the results to the hexadecimal value 0xFF. Do you see the relationship between the binary and hexadecimal values? Finishing up this long discussion, you now have all the ingredients to understand the bitwise color expression myColor >> 16 & 0xFF. Next is a description of how the expression actually returns the red component of a color. I’ll begin by creating a new color: color myColor = color(200, 190, 75, 255); This color looks like this in binary (please note that I divided the continuous 32-bit string into byte-sized components, for readability): 11111111 11001000 10111110 01001011 Performing the 16-bit right shift on the number yields the following: 11111111111111111111111111001000 Next I’ll use the bitwise AND operator and bit mask 0xFF (11111111 in binary). Remember, the & operator works by comparing the parallel bits. If the bits are both 1, then the result for that place is a one. All other results evaluate out to zero. MATH REFERENCE 769 B
PROCESSING: CREATIVE CODING AND COMPUTATIONAL ART 770 11111111111111111111111111001000 & 00000000000000000000000011111111 00000000000000000000000011001000 Removing the extra zeros on the left of the number, we’re left with 11001000, which in decimal notation is equal to 200—the value of the red component. You can (of course) also use bitwise operations to extract the green, blue, and alpha values from the color, using the following expressions: int g = myColor >> 8 & 0xFF; int b = myColor & 0xFF; int a = myColor >> 24 & 0xFF; Finally, to put the individual color component values back together into a packed 32-bit integer, you’d use the left shift operator and the bitwise OR operator, which can be done in multiple lines of code, like this: color newColor = a 8 & 0xFF; println("green = " + g); int b = myColor & 0xFF; println("blue = " + b); // build newColor from myColor components color newColor = (a
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IrA GreenberG CreATe CoDe ArT, vIsu
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Processing: Creative Coding and Com
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CONTENTS AT A GLANCE Foreword . . .
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CONTENTS Foreword . . . . . . . . .
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CONTENTS viii The joy of math . . .
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CONTENTS x Applying OOP to shape cr
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CONTENTS xii Environment . . . . .
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FOREWORD If you are like me (and th
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ABOUT THE AUTHOR With an eclectic b
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ACKNOWLEDGMENTS I am very fortunate
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INTRODUCTION Welcome to Processing:
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INTRODUCTION xxii Intended audience
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INTRODUCTION xxiv Setting up Proces
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INTRODUCTION xxvi Hopefully by now
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INTRODUCTION xxviii Figure 3. Scree
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INTRODUCTION xxx New or changed cod
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1 CODE ART
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The problem with a Photoshop filter
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Figure 1-3. Example of ancient art
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then jump 400 years to 1614 and Joh
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fertile imagination remained intact
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As an aside, it’s worth observing
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John Whitney Sr., 1918-1995 John Wh
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algorithms. To learn more about Coh
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landfill/), and Feed (www.potatolan
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periodicals such as Art Journal, Wi
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And many more . . . While I have in
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2 CREATIVE CODING
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I think what was reinforced for me
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customized commands, and run loops.
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of code that work like processing m
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introduced to become larger, more c
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Without getting too geeky, the main
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A framework is just a concept for b
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algorithm in a math class in high s
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frame. The loop keeps running and k
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the time to play at whatever level
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} pts[counter2].y-yg); xg*=-1; coun
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The overall movement was good, but
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Obviously, there are a lot of thing
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} } // generates organic looking br
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3 CODE GRAMMAR 101
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Your first program In most programm
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message comes up on the bar in the
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Since the getBreed() method would r
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Variables Variables are essential t
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It’s because strict typing helps
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Stage 3 adds the gradient: /* title
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Next, I assign values to some primi
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In the first preceding example, add
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Assignment operators The only other
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* title: Bouncing Ball description:
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Animation is a perfect example of t
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if (hunger= starving) { eatAnything
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Ternary operator The last condition
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The items array has 50 places reser
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println(x); x += 1; } while(x
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Figure 3-4. Continuous radial gradi
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int ballCount = 500; int ballSize =
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Hopefully, you were able to success
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function call above*/ // fill(i*255
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If you run this, you should see a 1
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yspeed*=-1; } } Within the draw() f
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void checkCollisions(int xp, int yp
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createRect(50, 50, 100, 100, 20, 5,
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4 COMPUTER GRAPHICS, THE FUN, EASY
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Some of the reasons coding graphics
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When working in a 3D coordinate sys
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plotted, the vertices are connected
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eally shines. And remember, as you
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need to be stored in memory, and th
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Within each of these application ar
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don’t realize you’re doing it
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Geometry Like algebra, geometry dat
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(second-degree) curve has one turni
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or possibly even a complete crash o
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This linear motion would plot as a
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and began doubling. By step 80, the
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*Simple Repeating Wave Pattern Ira
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float waveGap = 10; float frequency
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a piece of paper and do a little mo
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Interactivity Figure 4-13. Puff Peo
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Events will be covered and implemen
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PROCESSING: CREATIVE CODING AND COM
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6 LINES
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Figure 6-2. Two-point sketch Adding
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Streamlining the sketch with a whil
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type into the sketch. Although the
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Figure 6-7. Randomized particle spr
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Figure 6-9. Multiple randomized par
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Coding a grid To begin, I’ll show
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Notice that you can make the value
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float steps = totalPts+1; int total
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Creating space through fades Your l
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for (int j=0; j
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Figure 6-19. Yin Yang Fade sketch,
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coordinates of the line. For exampl
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Figure 6-24. End cap variation exam
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Figure 6-25. Auto Layout sketch Thi
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int xPadding = 150; int yPadding =
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Figure 6-27. Table Layout II sketch
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for (int i=0; i
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This is the same drawTable() functi
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easy. The benefit of internally rec
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I call my custom function makeRect(
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As you might suspect, anti-aliasing
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call scribble function strokeWeight
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else { } // extra line needed to at
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smooth(); float x = random(width);
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Figure 6-36. Concentric Maze sketch
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void setup(){ //these values can be
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Create a Triangle size(400, 400); b
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Figure 6-39. Create 3 Triangles ske
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Poly Pattern I (table structure) /*
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Poly Pattern II (spiral) /* Poly Pa
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Poly Pattern III (polystar) /* Poly
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Figure 6-46. Poly Pattern III (poly
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7 CURVES
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size(200, 200); background(255); in
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You should notice some familiar str
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int margin = height/15; strokeWeigh
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Figure 7-8. Revealing the points ma
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* Curves II Ira Greenberg, December
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lower particle speed ySpeed[i]*=gra
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Figure 7-11. Curves simulating a fo
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Figure 7-13. Damping effect on curv
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particle style strokeWeight(strokeS
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By using functions to organize a pr
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for (int i=0; i
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Figure 7-18. Generating a curve wit
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float x = 0, y = 0; int loopLimit =
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concentric circles size(200, 200);
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Pie charts, although valuable as vi
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curve() and bezier() The next two P
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Next is an interactive example that
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Figure 7-27. Interpolating a Bézie
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ezier(350, 100, 400, 150, 350, 250,
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Figure 7-30. Spline curve using Pro
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curve segments noFill(); // comment
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control handles fill(255); ellipse(
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Figure 7-32. bezier() vs. bezierVer
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curveVertex(92+x, 15); curveVertex(
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strokeWeight(.75); stroke(0); rectM
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Figure 7-35. Bézier Ellipse sketch
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I included one last example (shown
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curveTightness(tightness); beginSha
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Summary Curves, and the math behind
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10 COLOR AND IMAGING
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left squares fill(255, 120, 0); rec
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the color. Up to this point in the
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} radius*=ratio; ratio-=.1; } } els
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Figure 10-4. Alpha sketch In this e
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A quick review of creating transfor
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* Nematode - stage 1 Ira Greenberg,
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Figure 10-8. Nematode sketch (stage
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Figure 10-9. Finished Nematode sket
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the decreasing wavelengths of the i
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values, just to illustrate the poss
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lerpColor() uses the same approach
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I want to mention two final points
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column for (int i=x; i
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needs to be increased, as radius in
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Figure 10-19. Wave Gradient sketch
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for (int i=0; i
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Figure 10-23. Load an Image sketch
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The image() function has an extra f
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In the last example, I created an a
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Figure 10-27. Simple Image Encrypti
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Figure 10-28. Pixilate sketch The n
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Figure 10-30. Tint sketch Speeding
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* Tint (using bitwise operations) C
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the book that a primitive type is d
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The mask works like an alpha channe
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ect(random(width), random(height),
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This last sketch couldn’t be simp
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separate out and invert component c
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Figure 10-39. GRAY Filter sketch Th
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adius is set high, the blurring can
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lend() PImage Method sketch // both
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Figure 10-45. blend() Function with
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The next sketch utilizes some for l
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In the last example, I used Process
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Inheritance In OOP, inheritance des
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AXIS_VERTICAL from outside the Grad
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y axis if(axis == AXIS_VERTICAL){ f
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calculate differences between color
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c7 = color(0); c8 = color(255); r1
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In the “Imaging” section, you d
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12 INTERACTIVITY
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} public void mouseClicked(MouseEve
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void setup(){ size(400, 400); // in
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initialize x, y x = width/2.0; y =
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float friction = .85; float[]jitter
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nodeYPos = append(nodeYPos, mouseY)
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As usual, I declare global variable
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are filled with black. Using the in
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} } } } } // bottom display window
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color btnUpState = color(200, 200,
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float xSpeed = 0; color movingSquar
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xSpeed-=.2; btn1Background = btnDow
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mouse trails if (isTrailable){ fill
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isTrailsSelected, which changes the
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shapes. The following example, in s
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set initial button background color
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also makes the code a little harder
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stroke(200); rect(eraserBtn[0], era
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} sliderValue = (sliderHandle[0]-sl
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if (!isBrushSelected){ if (mouseX>b
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selection can be active at a time.
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ectBackground = color(255, 0, 0); }
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is smaller (vertically) than the en
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keys 2-8 control number of edges fo
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strokeWeight(strokeWt); float angle
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Summary We began this chapter compa
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A PROCESSING LANGUAGE API
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http://processing.org/. My main obj
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its binary equivalent. I used some
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part of the article as well. My sug
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Example 1: A Java approach void set
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The combination of these two struct
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Example 3: Creating a honeycomb gra
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Conditionals Conditionals and the r
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Shape // top and bottom boundaries
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You’ll notice that by default, th
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start dragging if flag true for (in
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pushMatrix(); rotateY(-frameCount*P
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egular polygon size(400, 400); smoo
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texture(images[3]); vertex(w, -h/2,
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lots of arrays float[]x = new float
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Keyboard Figure A-9. Box Springs sk
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entering CMD). When using a command
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hour hand strokeWeight(2); stroke(5
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In the next example, I use beginRec
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Transformations include moving, sca
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float ang; int rows = 20; int cols
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vertex(-w/2 + shiftX, -h/2 + shiftY
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Page 752 and 753: system, you can try lowering the re
Page 754 and 755: ankAngle+=bankSpeed; vert = -600 +z
Page 756 and 757: Setting The Setting section include
Page 758 and 759: ellipseMode(CORNER); fill(200, 200,
Page 760 and 761: of this part of the API. These myst
Page 762 and 763: Image The Image section relates ver
Page 764 and 765: Loading & Displaying The Loading &
Page 766 and 767: these elements is the creation of a
Page 768 and 769: Typography Processing utilizes mult
Page 770 and 771: This will output a list of all the
Page 772 and 773: “Operators” will hopefully soun
Page 774 and 775: The noise() function is an advanced
Page 778 and 779: B MATH REFERENCE
Page 780 and 781: After multiplying, you can reduce t
Page 782 and 783: Here’s an example: When dividing,
Page 784 and 785: Figure B-1. Using a right triangle
Page 786 and 787: Here’s how the process works: pic
Page 788 and 789: In Figure B-5, the point p is at 45
Page 790 and 791: ect (px, py, 5, 5); stroke(100); li
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Page 796 and 797: Here’s the output: c1 in binary =
Page 798 and 799: This sketch outputs the following:
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Page 804: Figure B-7. Color variations filter
Page 807 and 808: INDEX 776 SYMBOLS AND NUMERICS /* a
Page 809 and 810: INDEX 778 beginShape function, 209
Page 811 and 812: INDEX 780 clipping planes, frustum,
Page 813 and 814: INDEX 782 naming conventions/rules,
Page 815 and 816: INDEX 784 functions, 440 loadPixels
Page 817 and 818: INDEX 786 filter function, 452-459
Page 819 and 820: INDEX 788 minute, 708 modelX/modelY
Page 821 and 822: INDEX 790 H haptics, 108 has-a rela
Page 823 and 824: INDEX 792 MouseListener interface,
Page 825 and 826: INDEX 794 M Mac keyboard shortcuts,
Page 827 and 828: INDEX 796 classes, 304, 321 constan
Page 829 and 830: INDEX 798 coding in 3D, 616 mapping
Page 831 and 832: INDEX 800 procedures see functions
Page 833 and 834: INDEX 802 Hybrid Shape, 366, 368 Hy
Page 835 and 836: INDEX 804 radians, converting betwe
Page 837 and 838: INDEX 806 Nematode sketch, 411, 413
Page 839 and 840: INDEX 808 text Orbiting Text sketch
Page 841: INDEX 810 VERY_HIGH option, encrypt
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