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Mass Communication 33<br />

invited to the marriage, revealed himself by the power of his works as God<br />

hidden in man, and from the unstable history of the heathen united to<br />

himself a permanent wife. But among the music provided by the prophets<br />

to celebrate the wedding, the wine of grace was lacking. This the mother<br />

raised reproachfully with her son. (Document 1. 3. 1)<br />

Marriage symbolism reappears a little later as the theme of the six<br />

ages of the world is introduced—an interesting combination of two<br />

motifs with no necessary connection:<br />

Those six water jars, however, signify the six ages, and these ages continue<br />

to stay like empty vessels, unless filled by Christ. In each and every one of<br />

them there were not lacking prophecies of the bride and bridegroom, and<br />

these, made clear in Christ, aimed at the salvation of all the nations.<br />

In the first water jar, who is symbolized by Adam and Eve, if not Christ<br />

and the Church? And who is shown in the second, in which Noah commanded<br />

the mystical ark, if not the same Christ on the wood of the cross,<br />

joining to himself as bride the Church from all the nations? (Document<br />

1. 3. 3–4)<br />

After a rapid survey of the ages of the world, there is another<br />

passage of marriage symbolism, this time launched by the remark<br />

in the Gospel reading that the water jars held ‘two or three measures<br />

apiece’:<br />

To Christ, indeed, and his intervention on behalf of the nations, pertained<br />

the prophecies of the six water jars, each of which held twofold or threefold<br />

measures, and are signified in the foreskin and circumcision, or in the three<br />

divisions of the world, since Christ the bridegroom came to choose for<br />

himself a single bride out of every people and every kind of men, and for<br />

her he mixed the wine of grace, a wine which is pronounced good by the<br />

wine steward, that is, the chorus of holy doctors, and preferred to all the<br />

pleasures of the previous age . . . (Document 1. 3. 5)<br />

These are nice passages, but they are not enough to change the general<br />

impression of a meagre crop, especially compared to the last<br />

three medieval centuries, where there are extremely large numbers<br />

of sermons on the marriage feast of Cana pericope, a high proportion<br />

of them with much to say both about human marriage proper<br />

and about what it symbolizes.<br />

England: a special case<br />

The biggest exception to our generalization about the early Middle<br />

Ages is England, where homilies were produced in the vernacular.

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