17.06.2013 Views

Untitled

Untitled

Untitled

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

62 Chapter 1<br />

soul. Some of the credit goes to the quotations he chooses, but<br />

no source is cited for the following passage: ‘In good consent he<br />

comes: not as a lord imposing labour, not as a judge striking fear,<br />

not as a master correcting error, not as a doctor drastically curing<br />

a disease, but as a bridegroom arousing love.’ This passage too<br />

may be a quotation, of course—Guibert was derivative. In this<br />

‘model sermon’ genre it was unimportant: ecacy mattered more<br />

than originality.<br />

Even from the surviving Latin models one can guess that some<br />

developments of the ‘marriage to the soul’ image could have stimulated<br />

mental images in listeners. Pierre de Reims develops a<br />

comparison between a soul who is betrothed to but then betrays<br />

Christ and a poor girl betrothed to the son of a king but who<br />

is unfaithful to him and loses everything. As he works through<br />

the analogy, he evokes the social condition of a peasant girl. For<br />

example: ‘if she were free and responsible for herself, after all this<br />

she might still be able to get a living for herself from somewhere or<br />

other; but it is not so, because she has fallen into a great bondage.’<br />

This would be a much stronger image for listeners familiar with<br />

the stigma of servile status in thirteenth-century France than it is<br />

for a modern reader, unless the historian can reconstruct some of<br />

the lost connotations.<br />

The imagery can be very simple. Jean Halgrin talks about the<br />

soul who, forgetful of her engagement ring, does not keep the<br />

faith of marriage, when women as a rule keep their engagement<br />

ring thoughout their life. An image like this would not need<br />

to be developed: the listeners would provide their own supplementary<br />

images. A much fuller image which could have triggered<br />

associations precisely because it was analysed in greater depth<br />

was that of the ideal husband, represented by G‹erard de Mailly<br />

in the corpus analysed here and in fact quite a widespread<br />

e.g. ibid., para. 17/7/ (the motif of the beautiful captive also used by Pierre de<br />

Reims, paras. 19–20); and para. 18, a passage from St John Chrysostom which is<br />

rather fine.<br />

Ibid., para. 14.<br />

Cf. D. L. d’Avray and M. Tausche, ‘Marriage Sermons in ad status Collections<br />

of the Central Middle Ages’, in N. B‹eriou and D. L. d’Avray, with P. Cole, J.<br />

Riley-Smith, and M. Tausche, Modern Questions about Medieval Sermons: Essays<br />

on Marriage, Death, History and Sanctity (Spoleto etc., 1994), 77–134 at 94.<br />

D’Avray, Medieval Marriage Sermons: Pierre de Reims, para. 13/1/.<br />

As I tried to do in Medieval Marriage Sermons, 61–2.<br />

Jean Halgrin, Document 1. 9. 8.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!