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LOREN L. JOHNS 257<br />

At <strong>the</strong> outset a second problem is how we define symbolism. If we<br />

focus narrowly on similar signifiers in <strong>the</strong> texts, we discover at least a few<br />

specific symbols that appear in both <strong>the</strong> Apocalypse of John <strong>and</strong> <strong>the</strong><br />

Dead Sea Scrolls. Or we might broaden <strong>the</strong> focus a bit to ask how <strong>the</strong>se<br />

symbols function within <strong>the</strong> respective literatures: How <strong>and</strong> to what end<br />

are <strong>the</strong>se symbols employed? Are <strong>the</strong>re similarities in <strong>the</strong> respective roles<br />

<strong>the</strong>se symbols play in <strong>the</strong> literatures? Or we might ask if <strong>the</strong>re are patterns<br />

in which <strong>the</strong>se symbols appear or in <strong>the</strong> ways in which <strong>the</strong>y are<br />

employed. There is, for instance, a greater dependence on <strong>the</strong> symbolism<br />

of fauna in <strong>the</strong> Apocalypse <strong>and</strong> on flora in <strong>the</strong> Dead Sea Scrolls.<br />

Norman Perrin saw a clear similarity between <strong>the</strong> symbolism<br />

employed in <strong>the</strong> Apocalypse <strong>and</strong> that current in Jewish apocalyptic<br />

literature generally—especially when contrasted with <strong>the</strong> symbolism Jesus<br />

employed in his parables. Perrin 5 painted <strong>the</strong> symbolism of “Jewish apocalyptic”<br />

in broad strokes as flat, referential “steno-symbols” that “bore a<br />

one-to-one relationship to that which is depicted.” 6 In contrast, <strong>the</strong> symbolism<br />

in Jesus’ parables—especially that of his central symbol, <strong>the</strong><br />

“kingdom of God”—was “tensive.”<br />

But this distinction between steno <strong>and</strong> tensive symbol is forced, imprecise,<br />

<strong>and</strong> misleading. It also seems to reflect a ra<strong>the</strong>r uncritical assumption<br />

that whatever pertains to Jesus must somehow be superior to<br />

whatever pertains to <strong>the</strong> early Judaism of which he was a part. In<br />

response to criticism, Perrin later modified his approach. In Jesus <strong>and</strong> <strong>the</strong><br />

Language of <strong>the</strong> Kingdom, Perrin says:<br />

It now seems to me that I have pressed too hard <strong>the</strong> distinction between a<br />

“steno-” <strong>and</strong> a “tensive” symbol in <strong>the</strong> case of apocalyptic symbols. It is still<br />

a most important distinction, <strong>and</strong> it is still true that most apocalyptic symbols<br />

are steno-symbols. But it is also true that <strong>the</strong> distinction is not hard<br />

<strong>and</strong> fast, <strong>and</strong> that…some seers no doubt saw <strong>the</strong> symbols as steno-symbols<br />

while o<strong>the</strong>rs saw <strong>the</strong>m as tensive. 7<br />

5. For an analysis of Perrin’s treatment of <strong>the</strong> literature of early Judaism, see James<br />

H. Charlesworth, “The Historical Jesus in Light of Writings Contemporaneous with<br />

Him,” ANRW 25.1: 451–76; see also Calvin R. Mercer, Norman Perrin’s Interpretation of<br />

<strong>the</strong> New Testament: From “Exegetical Method” to “Hermeneutical Process” (StABH 2; Macon,<br />

GA: Mercer University Press, 1986), 83–89; <strong>and</strong> John J. Collins, “The Symbolism of<br />

Transcendence in Jewish Apocalyptic,” BR 19 (1974): 5–22.<br />

6. Norman Perrin, “Eschatology <strong>and</strong> Hermeneutics: Reflections on Method in <strong>the</strong><br />

Interpretation of <strong>the</strong> New Testament,” JBL 93 (March 1974): 11.<br />

7. Norman Perrin, Jesus <strong>and</strong> <strong>the</strong> Language of <strong>the</strong> Kingdom: Symbol <strong>and</strong> Metaphor in New<br />

Testament Interpretation (Philadelphia: Fortress, 1976), 31. Perrin clearly saw <strong>the</strong><br />

steno/tensive categories as an ei<strong>the</strong>r/or matter.

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