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268 THE DEAD SEA SCROLLS AND THE APOCALYPSE OF JOHN<br />

I shall accept <strong>the</strong>m <strong>and</strong> <strong>the</strong>y shall be my people <strong>and</strong> I shall be for <strong>the</strong>m forever.<br />

I will dwell with <strong>the</strong>m for ever <strong>and</strong> ever <strong>and</strong> will sanctify my [sa]nctuary<br />

by my glory. I will cause my glory to rest on it until <strong>the</strong> day of creation<br />

on which I shall create my sanctuary, establishing it for myself for all time<br />

according to <strong>the</strong> covenant which I have made with Jacob in Be<strong>the</strong>l. 41<br />

The symbolism of architecture seems to predominate in <strong>the</strong> <strong>scrolls</strong>.<br />

We see this, for instance, in 1QS 8.4b–10a: “eternal planting…a holy<br />

house…<strong>the</strong> foundation…<strong>the</strong> most holy dwelling [My#dwq #dwq rwsw]”<br />

(cf. Jub. 16:26), temple, holy of holies, a “tested wall, <strong>the</strong> precious cornerstone”<br />

(cf. Isa 28:16), foundation, fortress, a blameless <strong>and</strong> true<br />

house in Israel (cf. Rule of <strong>the</strong> Community [4Q259 = 4QS e 2.11–16]; Isaiah<br />

Pesher [4Q164 frag. 1]). This architectural <strong>the</strong>me is supplemented in both<br />

literatures, probably in dependence upon Isa 54:11–12, showing an<br />

interest in precious jewels (4Q164 frag. 1).<br />

But inanimate life is not <strong>the</strong> only key symbol in <strong>the</strong> <strong>scrolls</strong>. We find<br />

also many references to living water or to <strong>the</strong> river of life (Rev 22:1; 1QH<br />

16 [= 8 Sukenik].4–11), which flows from <strong>the</strong> throne. The <strong>scrolls</strong> are<br />

especially apt to envision paradise in terms of trees, lush vegetation, <strong>and</strong><br />

flowing water (cf. 1QH 16). The eschaton is characterized by a return to<br />

<strong>the</strong> garden of Eden. In both literatures, <strong>the</strong> redemption of <strong>the</strong> eschaton is<br />

portrayed in terms of <strong>the</strong> renewal of creation, even a re-creation.<br />

The most important feature of <strong>the</strong> new Jerusalem in <strong>the</strong> <strong>scrolls</strong> symbolically<br />

is <strong>the</strong> measuring of that city. Measuring serves as a symbol of God’s<br />

order <strong>and</strong> protection, a symbol of God’s presence <strong>and</strong> <strong>the</strong> surety of<br />

God’s future blessing (Rev 11:1–2; Temple Scroll; New Jerusalem). In<br />

Revelation, three things are measured: <strong>the</strong> temple, <strong>the</strong> altar, <strong>and</strong> those<br />

who worship <strong>the</strong>re (11:1).<br />

WORKS<br />

Both literatures place great emphasis on “works.” 42 Some interpreters,<br />

such as Otto Böcher, see in <strong>the</strong> Apocalypse’s equivalence of pi/stiv <strong>and</strong><br />

e1rgon a <strong>the</strong>ological novelty, perhaps an anti-Pauline polemic. The word<br />

e1rga appears in five of <strong>the</strong> seven letters to <strong>the</strong> churches in Rev 2–3. Both<br />

Revelation <strong>and</strong> <strong>the</strong> <strong>scrolls</strong> exhibit a vivid concern for a real ethical<br />

41. Geza Vermes, The Complete Dead Sea Scrolls in English (5th rev. ed.; New York:<br />

Penguin, 1997), 200.<br />

42. For “works” in Revelation, see 2:2, 5, 6, 19, 22, 23, 26; 3:1, 2, 8, 15; 9:20;<br />

14:13; 15:3 (God’s works); 16:11; 18:6; 20:12, 13; <strong>and</strong> 22:12.

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