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DENNIS T. OLSON 307<br />

<strong>and</strong> who has revealed <strong>the</strong> mysteries of <strong>the</strong> divine drama in which <strong>the</strong><br />

Qumran community plays a role (frags. 33–34, col. 1, lines 4, 21; frags.<br />

51–55, line 18; frags. 64, 69, 70–71, 76). God is <strong>the</strong> God of lights who creates<br />

<strong>and</strong> directs all creation (frag. 13, line 1; frags. 21–22, line 1; frags.<br />

29–32, line 8). These prayers express both <strong>the</strong> specially chosen <strong>and</strong> holy<br />

status of <strong>the</strong> people of God (frags. 1–6, line 20; frag. 11, line 3; frags.<br />

37–38, line 5) as well as <strong>the</strong> community’s need to confess its sin before<br />

God (frag. 81). God has revealed to <strong>the</strong> community special knowledge of<br />

<strong>the</strong> “psalms of glory” (frags. 51–55, line 9) <strong>and</strong> of <strong>the</strong> divine plan or<br />

design (frags. 51–55, line 13). Much of <strong>the</strong> vocabulary in <strong>the</strong> prayers is<br />

suggestive of distinctive <strong>the</strong>mes of o<strong>the</strong>r documents composed at<br />

Qumran: light as contrasted with darkness, “we, his holy people,” “for our<br />

knowledge,” “<strong>the</strong> sons of <strong>the</strong> covenant,” frequent mention of “st<strong>and</strong>ards of<br />

light,” “God of lights,” “Holy Ones,” “<strong>the</strong> Holy One of Holy Ones,” “<strong>the</strong><br />

Sons of Righteousness,” “<strong>the</strong> lots of light,” “<strong>the</strong> priesthood,” “<strong>the</strong> armies of<br />

divine beings,” “his wondrous works,” <strong>and</strong> “lots of darkness.”<br />

The daily blessings of 4Q503 bear strong resemblance to prose<br />

prayers in <strong>the</strong> Hebrew Bible, especially <strong>the</strong> biblical genre of <strong>the</strong> “indirect<br />

cultic blessing of God.” This genre is characterized by a passive participial<br />

form of <strong>the</strong> verb “to bless,” followed by <strong>the</strong> name of God <strong>and</strong> a predicative<br />

clause giving <strong>the</strong> reason for <strong>the</strong> praise of God. An example of a<br />

biblical prayer in this genre is Solomon’s prayer at <strong>the</strong> dedication of <strong>the</strong><br />

first temple in Jerusalem in 1 Kgs 8:56: “Blessed be <strong>the</strong> Lord, who has<br />

given rest to his people Israel according to all that he promised; not one<br />

word has failed of all his good promise, which he spoke through his servant<br />

Moses.” The corresponding typical form of <strong>the</strong> prayer in 4Q503<br />

begins, “Blessed be <strong>the</strong> God of Israel who…” In addition to this frequent<br />

“indirect cultic blessing of God,” <strong>the</strong> Qumran morning <strong>and</strong> evening<br />

prayers also include a few examples of <strong>the</strong> “direct cultic blessing of God”<br />

in which <strong>the</strong> deity is directly addressed in second person ra<strong>the</strong>r than in<br />

indirect third person. An example is 4Q503 frags. 33–34, line20:<br />

“[Bless]ed are you, O God of Israel, who has established…” This form of<br />

<strong>the</strong> direct cultic blessing has been characteristic of traditional Jewish<br />

prayer since <strong>the</strong> rabbinic period (e.g., “Blessed are you, O Lord our God,<br />

King of <strong>the</strong> universe…”). The prayers in 4Q503 demonstrate that this<br />

form of direct cultic blessing was already in place at Qumran.<br />

The major difference between <strong>the</strong> biblical prayers <strong>and</strong> <strong>the</strong> prayers of<br />

4Q503 is <strong>the</strong> time of day when <strong>the</strong> prayers are said. In <strong>the</strong> Hebrew Bible,<br />

generic language in Prayers for Festivals does not point “clearly to Qumran authorship”<br />

(177). For evidence of distinctively Qumranic terms <strong>and</strong> <strong>the</strong>mes in <strong>the</strong> Prayers for<br />

Festivals, see Charlesworth <strong>and</strong> Olson, “Prayers for Festivals.”

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