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The Supreme Doctrine - neo-alchemist

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Chapter Twenty-Two<br />

THE COMPENSATIONS<br />

THE man who has not attained realisation, animated by the need to be<br />

absolutely as-a-distinct-being, cannot accept his existence such as it is.<br />

This impossibility is not due, as one might suppose at first, to the fact<br />

that individual existence is passed under a constant menace of partial or total<br />

destruction, for man's essential need is a need to 'be' absolutely and not to<br />

'exist' perpetually; it is a need of infinite eternity and not of indefinite<br />

duration. Were illness and death definitely avoided man would be not less<br />

constrained by his need to be absolutely, to refuse his existence such as he<br />

knows it. What is inacceptable to man in his existence is not that the outer<br />

world menaces this existence, but that everything he perceives is not<br />

conditioned by his individual existence while that remains unconditioned.<br />

Man, because he is virtually capable of living his identity with the Absolute<br />

Principle, cannot accept the sleep of this identity; he cannot allow that he is<br />

not the First Cause of the Universe. But he cannot perceive his real and<br />

essential unity with the First Cause of the Universe as long as he lives in the<br />

belief that he is only his psycho-somatic organism, as long as he is identified<br />

only with this organism.<br />

However, man accepts his existence, in fact, since he forces himself to<br />

maintain it. He accepts it, in fact, because, if he knows that his organism is<br />

not the motor centre of the Universe, his imagination preserves him from<br />

feeling it by recreating in his mind a universe centred on himself. <strong>The</strong><br />

imaginative film masks the intolerable vision, saves the man from this vision.<br />

But it only saves him from it during the moments in which it functions; the<br />

danger remains and has to be conjured incessantly by a continuous<br />

imaginative activity. Imagination mitigates the distress without being able to<br />

destroy it.<br />

Our imagination, this function which creates in us an imaginative film<br />

that is not based on the real present, is therefore our compensating function;<br />

it is the function which fabricates our compensations. Our compensations are<br />

systems of images which we borrow from our sensory and mental<br />

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