The Supreme Doctrine - neo-alchemist
The Supreme Doctrine - neo-alchemist
The Supreme Doctrine - neo-alchemist
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Chapter Nine<br />
THE ZEN UNCONSCIOUS<br />
THE psychological consciousness of the natural man contains<br />
perpetually two different layers of perception; it pays attention to two<br />
different orders of things. <strong>The</strong> natural man's attention is continually<br />
held on two planes of perception; it is divided between these two planes. It is<br />
a mistake to suppose that one can only pay attention to one thing at a time;<br />
one continually pays attention to two things at a time; but, as we are about to<br />
see, in two different ways.<br />
On the first plane of perception the attention is held by particular<br />
aspects of the outside world, effectively present or rendered present by the<br />
imaginative film. On this plane I live, in duration, my particular dispute,<br />
qualitatively changing all the time, with the Not-Self.<br />
On the other plane of perception my attention is held by the situation, at<br />
the moment, of the hearing of my profound general lawsuit between 'to be'<br />
and 'not to be'. This action is always the same, so this plane of perception is<br />
qualitatively entirely monotonous. If, on this plane, things change<br />
unceasingly also, it is quantitatively. My state therein is more or less 'white'<br />
(impression of 'being') or 'black' (impression of 'not being'). Apart from these<br />
fluctuations between the white and the black there occur quantitative<br />
fluctuations between calm and agitation; we will return later to these two<br />
kinds of fluctuation.<br />
It is interesting to study the relations which exist between these two<br />
planes. <strong>The</strong> plane of my particular perceptions, or surface plane, depends (in<br />
so far as my imagination influences thereon my perception of the outside<br />
world or re-creates on it aspects of the outside world) on the plane of my<br />
profound general perception, that is to say, on my state. A white state peoples<br />
my imaginative film with positive forms, a black state peoples it with<br />
negative forms. An agitated state accelerates my imaginative film, a calm<br />
state slows it down. Apart from that this surface plane evidently depends also<br />
on outside circumstances.<br />
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