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Beyond Time - Linguistics - University of California, Berkeley

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without affecting its temporal structure:<br />

(9) Clause types in Labov & Waletzky (1967)<br />

a. Narrative clauses: cannot be displaced without affecting temporal structure<br />

b. Restricted clauses: can be displaced through part <strong>of</strong> the narrative<br />

c. Free clauses: can be placed anywhere throughout the narrative<br />

Once all clauses are assigned to one <strong>of</strong> these categories, the narrative’s underlying sequence<br />

can be determined by moving all clauses to the beginning <strong>of</strong> their displacement sets.<br />

The method for narrative analysis outlined in Labov & Waletzky (1967) was used by those<br />

authors to describe “oral versions <strong>of</strong> personal experience”, which they argue are the most<br />

straightforward to analyze. However, their methodology has been successfully implemented<br />

in other types <strong>of</strong> narrative, perhaps most notably by Fleischman (1990) in her analysis <strong>of</strong><br />

tense and aspect as narrative devices in a variety <strong>of</strong> languages and genres from a wide time<br />

span. My analysis method, outlined in 1.4 below, also largely follows Labov & Waletzky<br />

(1967) and Labov’s subsequent work on narrative. Tools from the framework <strong>of</strong> Longacre<br />

(1996), particularly those related to peak marking, are also employed.<br />

1.2.5.3 Tense and aspect in narrative<br />

Regardless <strong>of</strong> the controversy over “basic” functions <strong>of</strong> TA forms vis-à-vis their narrative/discourse<br />

roles (1.2.3), it is apparent from research on a number <strong>of</strong> languages that<br />

both tense and aspect are used to fulfill a variety <strong>of</strong> goals in narrative discourse. Fleischman<br />

(1990) frames these uses in terms <strong>of</strong> markedness: when a tense or aspect occurs that is<br />

marked for a particular quality or qualities within narrative, it is likely there to perform a<br />

function related to those qualities.<br />

As noted above, in Old French texts, the Simple Past and Narrative Present may alternate<br />

within a narrative, without an immediately apparent distinction. Both are used<br />

to describe “temporally ordered, punctual, past events in the narrative foreground” (Fleischman<br />

1985:870) However, closer investigation shows that when a Simple Past interrupts a<br />

series <strong>of</strong> sentences given in Narrative Present, there is also an interruption <strong>of</strong> the temporally<br />

sequential narrative flow to give or repeat background information (Fleischman 1985).<br />

Fleischman goes on to examine the Preterit (=past perfective) in terms <strong>of</strong> its markedness<br />

for various referential, textual, expressive, and metalinguistic functions, as in table 1.5.<br />

Crucial here are markedness for reality status at the expressive level, and grounding at<br />

the textual level. Because the past perfective is in many languages “the expected (unmarked)<br />

tense for reporting events”, it is not used to foreground events in narrative (–foreground),<br />

and narrated events described in the past perfective are taken as realis (within the narrative<br />

world), although in non-narrative contexts, past tenses are <strong>of</strong>ten used to indicate distance<br />

and non-reality (Fleischman 1990:57). 23<br />

23 Note that Fleischman (1990:ch. 6) takes a different view from that <strong>of</strong> e.g. Hopper (1979a), who defines<br />

foregrounded parts <strong>of</strong> a narrative as those that give the main story line, in contrast to the (backgrounded)<br />

parts that give background information or otherwise comment on the story line. For Fleischman, foreground-<br />

26

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