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Beyond Time - Linguistics - University of California, Berkeley

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Figure 1.15: Representation without domain dissociation: P-domain<br />

analysis, I attempt to systematically identify the role <strong>of</strong> each narrative clause accordingly,<br />

and I explore these roles qualitatively as appropriate. I label clauses according to their<br />

narrative clause type <strong>of</strong> narrative, restricted, and free. In my quantitative analysis (see<br />

1.4.2), I collapse restricted and free clauses into a single category, because they both differ<br />

from narrative clauses in being able to be displaced without changing the basic storyline.<br />

Also used in narrative analysis are Fleischman’s 1990 four “levels <strong>of</strong> the linguistic system”<br />

in narrative, including referential, textual, expressive, and metalinguistic.<br />

I use the term episode to describe narrative “scenes” or subparts, which I have subjectively<br />

identified within each narrative, determined by which subparts comprise their own<br />

units. Each episode may be considered a mini-narrative in itself, with a beginning, middle,<br />

and end. Fleischman (1990:199-200) notes that<br />

Even for minimally complex narrative the linearization [<strong>of</strong> chosen narrative material]<br />

is not a simple matter <strong>of</strong> packaging information into standardized units<br />

<strong>of</strong> action and lining them up seriatim along a time line like a string <strong>of</strong> beads<br />

. . . [T]he beads <strong>of</strong> narrative are not all uniform; some are more salient than others<br />

. . . Moreover, they are not spaced evenly along the string; typically they<br />

are grouped in clusters corresponding to the “episodes”, “scenes”, and “macroevents”<br />

into which narratives are subdivided, the boundaries between these units<br />

being marked by linguistic signals (Fleischman 1990:199-200).<br />

Fleischman further notes that tense and aspect categories play a major role in marking<br />

these boundaries. This observation proves true both in qualitative and quantitative studies<br />

<strong>of</strong> Totela narrative. Other devices that mark episode boundaries in Totela may include<br />

prosodic breaks, and the use <strong>of</strong> interjections, though neither is investigated systematically<br />

in this study.<br />

1.3.7 Examples and sources<br />

In examples, the main forms discussed in the chapter (or, in chapter 2, the section) at hand,<br />

are underlined throughout to make them easy for readers to locate. Other phenomena under<br />

42

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