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Copyright by Laura Mareike Sager 2006 - The University of Texas at ...

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<strong>The</strong> interpret<strong>at</strong>ion <strong>of</strong> Rembrandt painting the God <strong>of</strong> De<strong>at</strong>h is based on the<br />

d<strong>at</strong>ing <strong>of</strong> the painting to 1669, the year <strong>of</strong> his de<strong>at</strong>h, but is invalid<strong>at</strong>ed with the re-<br />

d<strong>at</strong>ing to 1662. Likewise, the identific<strong>at</strong>ion <strong>of</strong> Rembrandt with Democritus<br />

painting Heraclitus does not take into account his role as painter but only his<br />

laughing expression. 192 By contrast, Blankert’s detailed analysis <strong>of</strong> Rembrandt as<br />

Zeuxis explains convincingly how this self portrait fits into a tradition <strong>of</strong> literary<br />

references to Zeuxis and into Rembrandt’s concept <strong>of</strong> himself as artist and his art.<br />

Moreover, the earliest mention <strong>of</strong> the painting, in 1761 when the painting was<br />

probably still in its original st<strong>at</strong>e, identifies it as “Rembrandt painting an old<br />

woman […] <strong>by</strong> himself” (qtd. in Blankert 34). Although Democritus is the “best<br />

known laughing figure in Dutch seventeenth-century iconography,” there is one<br />

literary reference th<strong>at</strong> depicts the painter, Zeuxis laughing while painting an old<br />

woman: De verborum signific<strong>at</strong>ione, a dictionary assembled in Augustus’ time <strong>by</strong><br />

Marcus Verrius Flaccus (ibid. 35). More significantly, Karel van Mander’s<br />

Schilder-Boeck, a handbook for Dutch artists, narr<strong>at</strong>es a relevant anecdote:<br />

“Zeuxis is said to have departed from his life while laughing immoder<strong>at</strong>ely,<br />

choking while painting a funny, wrinkled old woman in the flesh” (ibid.). And<br />

according to Blankert, this was not an isol<strong>at</strong>ed reference, but recurred in other<br />

sources as well. Moreover, Rembrandt’s pupil Arent de Gelder painted the same<br />

subject in 1685, and critics have noted many similarities between the two works<br />

(ibid 34; Rembrandt 216-29).<br />

192 <strong>The</strong> Greek philosopher Democritus (460-371BCE) was already in Antiquity called the<br />

“laughing philosopher” because <strong>of</strong> his teachings. He held th<strong>at</strong> the highest goal is happiness, which<br />

consists in serenity <strong>of</strong> the soul and is best achieved through moder<strong>at</strong>ion and a balanced and<br />

harmonious life. Cf. “Demokritos,” Philosophisches Wörterbuch, ed. Georgi Schischk<strong>of</strong>f<br />

(Stuttgart: Alfred Kröner Verlag, , 1991) 124.<br />

168

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