Copyright by Laura Mareike Sager 2006 - The University of Texas at ...
Copyright by Laura Mareike Sager 2006 - The University of Texas at ...
Copyright by Laura Mareike Sager 2006 - The University of Texas at ...
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<strong>The</strong> interpret<strong>at</strong>ion <strong>of</strong> Rembrandt painting the God <strong>of</strong> De<strong>at</strong>h is based on the<br />
d<strong>at</strong>ing <strong>of</strong> the painting to 1669, the year <strong>of</strong> his de<strong>at</strong>h, but is invalid<strong>at</strong>ed with the re-<br />
d<strong>at</strong>ing to 1662. Likewise, the identific<strong>at</strong>ion <strong>of</strong> Rembrandt with Democritus<br />
painting Heraclitus does not take into account his role as painter but only his<br />
laughing expression. 192 By contrast, Blankert’s detailed analysis <strong>of</strong> Rembrandt as<br />
Zeuxis explains convincingly how this self portrait fits into a tradition <strong>of</strong> literary<br />
references to Zeuxis and into Rembrandt’s concept <strong>of</strong> himself as artist and his art.<br />
Moreover, the earliest mention <strong>of</strong> the painting, in 1761 when the painting was<br />
probably still in its original st<strong>at</strong>e, identifies it as “Rembrandt painting an old<br />
woman […] <strong>by</strong> himself” (qtd. in Blankert 34). Although Democritus is the “best<br />
known laughing figure in Dutch seventeenth-century iconography,” there is one<br />
literary reference th<strong>at</strong> depicts the painter, Zeuxis laughing while painting an old<br />
woman: De verborum signific<strong>at</strong>ione, a dictionary assembled in Augustus’ time <strong>by</strong><br />
Marcus Verrius Flaccus (ibid. 35). More significantly, Karel van Mander’s<br />
Schilder-Boeck, a handbook for Dutch artists, narr<strong>at</strong>es a relevant anecdote:<br />
“Zeuxis is said to have departed from his life while laughing immoder<strong>at</strong>ely,<br />
choking while painting a funny, wrinkled old woman in the flesh” (ibid.). And<br />
according to Blankert, this was not an isol<strong>at</strong>ed reference, but recurred in other<br />
sources as well. Moreover, Rembrandt’s pupil Arent de Gelder painted the same<br />
subject in 1685, and critics have noted many similarities between the two works<br />
(ibid 34; Rembrandt 216-29).<br />
192 <strong>The</strong> Greek philosopher Democritus (460-371BCE) was already in Antiquity called the<br />
“laughing philosopher” because <strong>of</strong> his teachings. He held th<strong>at</strong> the highest goal is happiness, which<br />
consists in serenity <strong>of</strong> the soul and is best achieved through moder<strong>at</strong>ion and a balanced and<br />
harmonious life. Cf. “Demokritos,” Philosophisches Wörterbuch, ed. Georgi Schischk<strong>of</strong>f<br />
(Stuttgart: Alfred Kröner Verlag, , 1991) 124.<br />
168