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Line 6 Bass POD xt Live User Manual - MIDI Manuals

Line 6 Bass POD xt Live User Manual - MIDI Manuals

Line 6 Bass POD xt Live User Manual - MIDI Manuals

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Stomp, Mod & Delay/Verb Models • Stomp Modelsdistortion that a distortion box would create when boosting input level to your amp).We’ve provided you with a number of stompbox compression options in <strong>Bass</strong> <strong>POD</strong>XT<strong>Live</strong>, so you can squash your signal ’til the cows come home.Auto WahIn a class of its own, the Auto Wah is the perfect choice when you want to funk it up.For complete detail, see Auto Wah on page 6•10.6 • 4SynthsThese effects give you a wealth of tones inspired by synthesizers of the past, present andfuture. To get the most out of them, there are some things that are handy to know, allof which are covered in glorious detail under the heading Synth and Filter Effectson page 6•16.And now it’s time to meet our Stomp models, starting with those overdrives anddistortions:<strong>Bass</strong> OverdriveThis model was inspired by our look at the Tech 21 <strong>Bass</strong> Sans Amp, plus a few e<strong>xt</strong>raliberties taken by the <strong>Line</strong> 6 sound design team. The Sans Amp is famous for deliveringa very quiet and crisp signal under all circumstances, while also serving up a verydistinct distortion. Is pleasingly metallic quality makes it a favorite with the Post-Metalcrowd and Industrial bands, and producers in all genres of music have come to favor the<strong>Bass</strong> Sans Amp for crunching up loops. The <strong>Bass</strong> Overdrive covers the same sort ofterritory, with a bit of a uniquely <strong>Line</strong> 6 bent. Choose this distortion for your bass orany other signal and it will immediately become a very close and furry friend.* All product names are trademarks of their respective owners, which are in no way associated oraffiliated with <strong>Line</strong> 6. These product names, descriptions and images are provided for the sole purposeof identifying the specific products that were studied during <strong>Line</strong> 6’s sound model development.

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