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Line 6 Bass POD xt Live User Manual - MIDI Manuals

Line 6 Bass POD xt Live User Manual - MIDI Manuals

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Stomp, Mod & Delay/Verb Models • Reverb ModelsChambersBack in the day, there was no such thing as digital reverb. But people still wanted to beable to add more ‘room’ to the sounds they were recording. Someone got the bright ideaof building a big empty room where sound bounced around nicely. They stuck a speakerin there, fed the sounds that needed loving through said speaker, and arrangedmicrophones to pick up all the resulting ambience so it could be mixed back in with themusic. These early reverb chambers all had a different personality, and some studio’sreputations were made based on their individual reverb sound.Rich ChamberA rich chamber great for making that crunch tone even fatter.ChamberTypical of a studio chamber, this reverb goes well with just about anything.CavernousOkay, so it does get bigger than Large Hall. Fire this verb up and get set for a longnight of dandelion dreams.6 • 27PlatesPlate reverbs were the first type of ‘mechanical’ reverb. The basic design includes a bigsteel plate or sheet of gold foil with some sort of speaker driving it, and usually multiplepickups to capture the vibrations of the plate.Slap PlateThis reverb dishes up the vibe of early rock and roll recordings, like Sam Phillips’great work at Sun Studios. Thank you very much.Vintage PlateA classic plate reverb that you won’t forget.Large PlateWell with Large Hall and Cavernous lying around, we just had to dish up a big ol’ Plateof goodness. This one makes a great bed of reverb for playing over and washes up realgood with soap and water.

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