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WEATHER STATIONS

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immensity of water and said hollowly<br />

that never in his life, since he<br />

sailed boats here as a<br />

schoolboy, had he experienced<br />

the like on the Alster, never had it<br />

happened before, not even in a dream,<br />

in which everything is possible, was it<br />

possible. Too quickly for the darting pupils<br />

to follow, the river rolled under the Fuhlsbütteler<br />

railway bridge southward to the Free and<br />

Hanseatic city. I saw three plastic<br />

canisters and pictured a raft<br />

you could build with them.<br />

High water, said the stunned<br />

neighbor. Floods. They’d always<br />

happened, summer or winter,<br />

in the fall or especially in the spring,<br />

as soon as the snowmelt descended on Stormarn.<br />

But this here, the black water masses, such<br />

a draggled park, never, really, no.<br />

Forced into stone embankments, the Alster<br />

flows past the Rödingsmarkt and the Herrlichkeit<br />

and joins the Elbe between Hamburger Neustadt and<br />

the Portugiesenviertel. Six hours it takes for steamers,<br />

freighters and tankers to reach the sea along the<br />

deep-dredged channel. The three canisters,<br />

a raft that will never be built, since I am<br />

not Tom Sawyer or Huckleberry Finn<br />

and my favorite river is not the Mississippi, but<br />

a stream by which I often linger to gaze at the water<br />

and reflect on the meaning of poetry, these three<br />

pathetic empty plastic containers drift for<br />

weeks from the railway bridge into the<br />

brackish Elbe between St. Pauli,<br />

Finkenwerder and Glückstadt.<br />

Their plastic, cast, molded,<br />

punched and glued in a factory in,<br />

let’s say, Hangzhou, before being shipped to<br />

Hamburg along with millions of identical milky white<br />

canisters, requires, unless it’s ground to bits,<br />

around 850 years to decompose and<br />

vanish from the earth, as long a span of time<br />

as the two Alster lakes have existed in the middle<br />

of Hamburg. Though no doubt what is true<br />

of the soul is true of plastic. Never,<br />

never does it vanish for good.<br />

In a poem in his collection Rare Earths,<br />

Arne Rautenberg, from Kiel, transforms the<br />

oceans’ infestation of plastic into art, into his art,<br />

for which he expresses his thanks (to the tides, the<br />

PLASTIC SEA<br />

13

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