WEATHER STATIONS

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and no less in the previous years 300 tonnes by the age of 30 and I’m not planning to die just yet (even though there are people who plan it for me at times) several nice trucks a little suburban house made of carbon dioxide, waste and smoke and all of it is mine mine mine mine my precious just imagine that I’m saying it like Gollum we even look alike I’ve erected a monument more durable than brass and so did you to each his own Mordor and to some a bit of others’ as well Translated by Anna Hyde 24 <strong>WEATHER</strong> <strong>STATIONS</strong>: WRITING CLIMATE CHANGE
MEMORIES OF AN ISLAND Xiaolu Guo, London Island 1. North Sentinel Island In the film, there is an island. Since I saw it fifteen years ago, this faded colour documentary has haunted me. It was shot from a small boat, off the coast of the island. The occupants of the boat were there to record the behaviour of the island’s inhabitants. In the gaze of the camera’s long lens, naked tribal men are frantically running along the beach. And our civilized modern documentary makers watch them from the sea — afraid to set foot on shore. When I think about these images, they remind me of the early anthropological films of Robert J. Flaherty or Jean Rouch. The violent dance of the islanders remains forever a symbol of innocence in my memory. They are members of the Sentinelese People, and they lived on North Sentinel Island in the Indian Ocean’s Andaman archipelago. With thousands of years of isolation from the world, their hostile attitude towards outsiders was famous. Stark, black, Africanlooking, lean with strong legs, they ran like leopards across grassland. You can tell this even from the blurred images shot from a distant camera on a boat. As well as the cameraman, there were three other men in the boat, including a thoughtful-looking Indian anthropologist. The trip was intended to be a ‘Contact Expedition’ with the tribe on the island. But it didn’t work out like that. In the documentary, you can see the tribal people growing more and more angry as the boat gets closer to the island. They raise their spears and scream at the approaching filmmakers. It looks as if they are going to launch their weapons at the invaders. The camera keeps filming these gesticulating natives. Occasionally, the islanders fire a shower of arrows at the boat people. The boat stays on the wavy, windy sea, in deep, treacherous water, which can’t easily be accessed by any swimming natives. The thoughtful-looking anthropologist says something to his colleague, then the colleague begins to shout incomprehensible language to the islanders, whilst, in a vain gesture of friendliness, he raises two coconuts and a few bananas. We modern audiences understand this sort of body language easily, but it MEMORIES OF AN ISLAND 25
Page 1 and 2: WEATHER STATIONS WRITING CLIMATE CH
Page 3 and 4: Co-Funded by the Culture Programme
Page 5 and 6: CONTENTS Introduction to Project Wr
Page 7: anger and enthusiasm’ - bringing
Page 10 and 11: So it winds its way, the darkly gli
Page 12 and 13: So it winds its way, the darkly gli
Page 14 and 15: motion of the waves, and to the ult
Page 16 and 17: that can barely be seen. If algae o
Page 18 and 19: I’m reading as much as I can abou
Page 20 and 21: forgotten, is that more people died
Page 22 and 23: I’ve erected a monument more dura
Page 26 and 27: doesn’t work for the Sentinelese
Page 28 and 29: to a little patch of land, and ther
Page 30 and 31: Oisín McGann 30 WEATHER STATIONS:
Page 32 and 33: LET’S WALK Tony Birch, Melbourne
Page 34 and 35: I often felt angry over the poisoni
Page 36 and 37: Like so many things in life, I didn
Page 38 and 39: down a dead chestnut tree. Apart fr
Page 40 and 41: THE OBLITERATION OF THE DÜSSELDORF
Page 42 and 43: HOW I DIDN’T STOP GLOBAL WARMING
Page 44 and 45: uilding to deliver it. Most of them
Page 46 and 47: Admittedly winter this year is part
Page 48 and 49: THE TERN Tony Birch, Melbourne For
Page 50 and 51: Scientists have tracked that bird t
Page 52 and 53: were arranged in labelled glass jar
Page 54 and 55: sand and swallowed them. ‘Home?
Page 56 and 57: Tekk opens one eye. He observes thi
Page 58 and 59: silent gaze, the young Nanook picks
Page 60 and 61: ‘Did you see that? Hans? That bla
Page 62 and 63: ocks, a huge white body gradually a
Page 64 and 65: Europeans. Nor can he involve himse
Page 66 and 67: I said to the German people, we cal
Page 68 and 69: But only our young Nanook knows tha
Page 70 and 71: 70 WEATHER STATIONS: WRITING CLIMAT
Page 72 and 73: AFTERWARDS Xiaolu Guo, London A Lon
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10 THINGS I HAVE LEARNED DURING MY
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FINDING REASONS TO GIVE A DAMN Ois
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Whether in Dublin, London, Melbourn
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In my eyes, [language] is the conne
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the stories of people from the past
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We owe it to young people, not only
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86 WEATHER STATIONS: WRITING CLIMAT
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The earth is in a cry for help. Our
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DAHAB, EGYPT A DAY AT THE REEF OF T
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WHEN I WAS THEN Madeleine Jolliffe
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Ahead lies the river, its shimmerin
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GLOBAL WARNING - SUBSTATION SLAM An
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The sun wants to tell me something,
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THE CLASSROOM Manuel Plonsky Romain
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MARTIN LUTHER KING JR: “OUR LIVES
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RAMAN’S RAP Raman Sing Firhouse C
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close the storm was. I don’t thin
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BELIEVE Maxine Huntsman Footscray C
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with, ‘What happened?’ After lo
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114 WEATHER STATIONS: WRITING CLIMA
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This is not my sky. Not any sky I
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This is not my sky. Not any sky I
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But on my way to school I am reassu
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OUTSIDE - AN EXTRACT Michéal Eastw
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Global warming, pollution’s growi
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THE GRAMPIANS Javier Diaz Footscray
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Creating her kingdom, Knowing the u
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TURTLE Olivia Burmeister Footscray
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I was speaking to a friend recently
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literature, the new emerges, and in
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ABOUT THE SUBSTATIONS In Ireland -
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literature and storytelling to enga
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including the French Prix Relay du
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ABOUT THE TRANSLATORS All partners
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Kaja Malanowska, Daniel Odija, Anna
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IMAGE CREDITS p21 p30 p35 p47 p69 p
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DANKSAGUNG Wetterstationen bedankt
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internationales literaturfesival be
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EINFÜHRUNG Viele sagen, dass der K
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wirtschaftlichen Grundsätzen. Dies
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So schlängelt sie dahin, die dunke
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Binnenalster (abgetrennt erst viel
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um aufs Wasser zu blicken und nachz
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um Lucy Woodall vom Natural History
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Ich lese über die politischen und
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nicht einfach ein neues Phänomen o
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ich habe ein Denkmal errichtet daue
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300 Tonnen bis ich dreißig werde u
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Kollegen, der daraufhin beginnt, de
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3. Coochiemudlo Island Vor nicht al
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für eine unglaubliche Geschichte d
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GLAS WASSER Jaś Kapela, Warschau m
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sagen würde, dass ich dabei versag
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Oisín McGann 188 WETTERSTATIONEN:
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Wie mit so manchen Dingen im Leben
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nicht riesig, und solange ich es sc
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DIE AUSLÖSCHUNG DES DÜSSELDORFER
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WIE ICH DIE GLOBALE ERWÄRMUNG NICH
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funktionieren. Es hat mich zwar gen
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ein belegtes Brot von Zuhause mitbr
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Roman schrieb. Aber ich habe seit m
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Wissenschaftler haben den Vogel zu
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„Scheiße“, flüsterte Jack zu
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als ein Sturm aufzog. Während heft
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1. Der junge Inuk schläft ruhig in
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gibt zu verstehen, dass sie sich wo
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Am Nachmittag geht er also mit Tekk
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„Machen Sie sich da mal keine Sor
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voller Trauer, doch ein Funken Hoff
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Er legt sich ins Bett und drückt w
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sicherlich auch, wie viel er der St
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und ich hab dann den Deutschen erkl
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DANACH Xiaolu Guo, London Eine in L
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10 DINGE, DIE ICH GELERNT HABE, ALS
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SICH EINEN DRECK DARUM SCHEREN? VIE
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Ob in Dublin, London, Melbourne, Po
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Sie [die Sprache] ist in meinen Aug
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Welche Erfahrung war die wichtigste
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Wir schulden es den jungen Leuten n
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244 WETTERSTATIONEN: KLIMAWANDEL SC
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Die Erde schreit um Hilfe. Die Haut
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DAHAB, ÄGYPTEN EIN TAG AM RIFF DES
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ALS ICH DAMALS WAR Madeleine Jollif
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Vor mir liegt der Fluss, dessen sch
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GLOBALE WARNUNG - LYRIK-SLAM DER AU
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Die Sonne will mir etwas sagen, jet
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DAS KLASSENZIMMER Manuel Plonsky Ro
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MARTIN LUTHER KING JR.: „UNSER LE
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RAMAN’S RAP Raman Sing Firhouse C
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Der Regen hörte nicht auf. Schulen
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GLAUBEN Maxine Huntsman Footscray C
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auchen immer noch sechs Runs, um zu
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272 WETTERSTATIONEN: KLIMAWANDEL SC
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NAHRUNGSSUCHE Luca Cernaz Footscray
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MEIN STÜCK HIMMEL Réamoinn Ó hAi
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SONNENFINSTERNIS AM ROMAIN-ROLLAND-
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ist, zu errichten. Was für Instrum
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meine Schultern hielt, mir tief in
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IHRE MAJESTÄT, DIE KÖNIGIN - UNSE
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Tränen, die sie geweint hatte, sam
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Vor kurzem unterhielt ich mich mit
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of Translation steht das Thema Übe
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Kunsteinrichtungen Australiens etab
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Erzählen mit dem realen, lokalen u
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die in dieser Region tätig sind (a
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und Reisejournalen. Bonné hat mehr
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ÜBER DIE ÜBERSETZER Alle Beteilig
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Przekładaniec. 2011 war er einer d
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BILDNACHWEISE p173 p183 p188 p202 p
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PODZIĘKOWANIA Zespół Stacji Pogo
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internationales literaturfesival be
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WPROWADZENIE Zdaniem wielu zmiana k
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OPISAĆ ZMIANĘ KLIMATU - PISARZE-R
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MORZE PLASTIKU Mirko Bonné, Berlin
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przy nodze, spojrzał na zakole Als
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nieopakowanym, nieokablowanym świe
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POWRACANIE [KOLEJNE] Tony Birch, Me
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na życie planety nie powinno się
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EXEGI MONUMENTUM Jaś Kapela, Warsz
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w poprzednich nie mniej 300 ton do
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Film opatrzony jest staromodną nar
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przykładem wyspy. Jest niewielka;
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Oisín McGann 341
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CHODŹMY NA SPACER Tony Birch, Melb
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edukacja obywateli. Kampania odnios
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KREMACJA Oisín McGann Nie mam pewn
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Zajęło to cały dzień i trzeba b
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O SPUSTOSZENIU HOFGARTEN W DÜSSELD
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JAK NIE ZATRZYMAŁEM GLOBALNEGO OCI
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kupiłem sobie drożdżówkę i obw
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stanowi poważniejszy wkład w glob
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RYBITWA Tony Birch, Melbourne Od po
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skórzastej brunatnicy. Nie spieszy
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Czekał na moją reakcję, ale ja n
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Przez moment byłby lekko rozczarow
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TYSIĄC SŁÓW NA ŚNIEG Xiaolu Guo
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który mógłby odkręcić. Przesuw
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niedobrze. - Ponieważ to oni cię
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dopytuje się gorączkowo, odwracaj
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dwaj dozorcy nagle rozpraszają Knu
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„Drodzy delegaci Piątej Konferen
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kontaktu - Hans, który słyszał c
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Oisín McGann 381
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REFLEKSJE PISARZY REFLEKSJE PISARZY
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środowisku i tym, jak udaje się p
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cieplarnianych, czyli więcej niż
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do których muszą dotrzeć, istnie
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BYĆ MOŻE OSTATNIA SZANSA NA WSPÓ
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Czy pisarze mogą przyczynić się
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WAGA SŁOWA Tony Birch, Melbourne G
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wiele osób zostało zepchniętych
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OPISAĆ ZMIANĘ KLIMATU - PODSTACJE
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WODY ZAWSZE ZA MAŁO Rita Paz Arts
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przepływają nad nami. Ale niektó
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405
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WIDOK NA RZEKĘ Eliza Lucid Footscr
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WSPOMNIENIE Bella Amodeo Arts and M
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PÓŹNE LETNIE POPOŁUDNIE Lukas Ho
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wyjątkiem ciebie“. Tłumaczę mu
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Ziemia jest w takim stanie, że ży
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DESZCZ Alisa Seddon Firhouse Commun
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GLOBALNE OSTRZEŻENIE - SLAM PODSTA
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WODA I KRYKIET PO PROSTU NIE DAJĄ
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GLOBALNE OSTRZEŻENIE - SLAM PODSTA
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SINGAPUR, SINGAPUR Kim Burkart Roma
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To nie moje niebo. Pierwszy raz tak
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To nie moje niebo. Pierwszy raz tak
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Na pewno nie tylko mnie spadł wię
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NA ZEWNĄTRZ FRAGMENT Michéal East
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Globalne ocieplenie i zanieczyszcze
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GRAMPIANY Javier Diaz Footscray Cit
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Tworząc jej panowanie Poprzez zaga
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ŻÓŁW Olivia Burmeister Footscray
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MY Z ZACHODU Mo Konteh Arts and Med
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O PARTNERACH Free Word, Londyn Free
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szkołach, ogródkach, stadionach p
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O PODSTACJACH W Irlandii - Colaiste
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owo zmieniać, aby działać bardzi
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i esejów. Otrzymał za swoją twó
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O TŁUMACZACH Wszyscy partnerzy byl
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w Londynie. Przetłumaczyła ponad
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WYKAZ ILUSTRACJI p332 p341 p346 p35
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