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Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory

by Phillip Allsworth-Jones

by Phillip Allsworth-Jones

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88 / Chapter 7.<br />

Figure 21. Great Pedro Bay (E4): Pottery characteristics.<br />

1956, 1965). In the light of Howard’s remarks, Marian de Wolf reexamined<br />

the material she had excavated from Windsor (A19) in 1933, <strong>and</strong> she decided<br />

that this too belonged to the newly defined style (de Wolf 1953). The potsherds<br />

were thick, coarse, <strong>and</strong> heavy. Howard suggested that they came from relatively<br />

large vessels, although he had no complete specimen to prove the point. According<br />

to him, “the massiveness of the Montego Bay ware allows sufficient space on<br />

the rim surfaces to permit decoration” (Howard 1950:145), which was usually<br />

in the form of deep, bold incisions. By rim surfaces, Howard evidently meant<br />

fillets, or what de Wolf referred to as “reinforced rims” (de Wolf 1953:Figure<br />

85n–o). “Application is often combined with incision to produce zoomorphic<br />

forms” (Howard 1965:Figure 1b). As mentioned in Chapter 2, Howard’s work<br />

was carried on by V<strong>and</strong>erwal, his excavations at Fairfield <strong>and</strong> Hartfield (J1) being<br />

particularly important in this context. His “modes” 5 <strong>and</strong> 6 (incisions on fillets<br />

<strong>and</strong> incisions on the tops of applied clay strips) were determined to be characteristic<br />

of the Montego Bay style, or as he termed it, the “Fairfield complex.”<br />

Both authors suggested, though they were not able to prove it, that the Montego<br />

Bay style was relatively late, <strong>and</strong> that it had probably evolved out of the

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