Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory
by Phillip Allsworth-Jones
by Phillip Allsworth-Jones
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Aboriginal Indian Remains in <strong>Jamaica</strong> by J. E. Duerden / 279<br />
habitants knows anything of the history of the carving. A local celebrity, over<br />
80 years of age, <strong>and</strong> rejoicing in the name of “Prince William,” remembers seeing<br />
it when a boy.<br />
As contributing to the human likeness advantage has been taken of a vertical<br />
projection, covered with stalactitic matter, on the wall of the gorge. Upon this,<br />
deep incisions have been made to distinguish the various regions of the body; a<br />
circular one marks the extent of the face, <strong>and</strong> others the eyes, nose, <strong>and</strong> mouth.<br />
Incisions are further found in various places below; but are not of sufficient definiteness<br />
to allow of their import being accurately determined, the face [49] being<br />
the most characteristic portion. A receding area above the face is probably<br />
only a part of the original natural form of the projection. A fractured surface on<br />
one side may represent where an arm has been broken off. The body terminates<br />
inferiorly much like the surrounding stalactitic covered projections. The total<br />
length is 5 feet 6 inches, the length of the face 14 inches, the diameter of the<br />
circular eye sockets 1 3/4 inches, the distance between their centres 3 inches.<br />
The depth of the grooves varies throughout from 1/2 to 3/4 of an inch. The<br />
greater part of the surface was evidently smooth at one time, but is now, as is<br />
also the case with the surface of the incisions, considerably roughened <strong>and</strong> pitted<br />
by weathering <strong>and</strong> solution, denoting considerable antiquity.<br />
For the photograph from which the figure is taken, <strong>and</strong> also for that on Plate<br />
VII, figure 2, the markings on the rock had been carefully traced with a charcoal<br />
pencil so as to render, in the shade, a good negative possible.<br />
Pantrepant, Trelawny<br />
Pantrepant is a large property in Trelawny, beyond the Good Hope estate, <strong>and</strong><br />
belongs to Mr. A. Townend. It is on the borders of the Cockpit country, about<br />
nine miles from the sea, <strong>and</strong> 387 feet above the sea- level. In slavery days it was a<br />
celebrated sugar- estate, but is now used largely for cattle- grazing. The location<br />
of the carving is in one of the wildest <strong>and</strong> most picturesque parts of the property<br />
on the side of a hill, with the Martha Brae river running below. The white<br />
Tertiary limestone here begins to be rugged <strong>and</strong> precipitous, as in the typical<br />
parts of the Cockpit country near, <strong>and</strong> shows the result of very considerable<br />
weathering action. From the house on the property, the approach to the carving<br />
is through the old Negro village, then for some distance through ruinate pasture,<br />
<strong>and</strong> afterwards up the rugged side of a hill where one’s way through the<br />
bush had to be cut in advance. The primary object of the visit, which accidentally<br />
led to the discovery, was to examine the accumulation of bones dropped<br />
on the floor of an archway in the limestone rock, from an owl’s nest. The hill<br />
here is very precipitous, <strong>and</strong> a natural archway leads through a projecting portion.<br />
The abundant crevices <strong>and</strong> recesses in the sides <strong>and</strong> roof of the archway