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Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory

by Phillip Allsworth-Jones

by Phillip Allsworth-Jones

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92 / Chapter 7.<br />

Port Morant<br />

The creation of a separate cultural variant of this name was suggested by Lt.<br />

Comm. J. S. Tyndale- Biscoe, following his investigations at Bowden (O9),<br />

which he described as “an Arawak kitchen midden with an individuality all<br />

its own,” on account of its style of pottery decoration ( Tyndale- Biscoe 1960a,<br />

1960b, 1962). The decoration was apparently made with “a square- pointed<br />

stick, which was poked into the clay at an angle,” <strong>and</strong> this decoration was confined<br />

to the shoulder of the pot rather than the rim.<br />

There were “two styles, one a single line of punctations, <strong>and</strong> the other a zigzag.”<br />

The Lee Collection unfortunately does not include any material from<br />

Bowden, but the two styles do occur at other sites on St. Thomas, <strong>and</strong> they<br />

are illustrated in Figure 24. The zigzag design on the left comes from Braham<br />

(O17) <strong>and</strong> the line of punctations on the right comes from Belvedere #4 (O18).<br />

An examination of the material from St. Thomas in the Lee Collection suggests<br />

that apart from Bowden seven other sites in the parish may tentatively be compared<br />

with it. These sites are as follows: Spanish Wood (Duckenfield) (O2),<br />

Creighton Hall (O8), Orange Park (O10), Hillside (O13), Braham (O17),<br />

Belvedere #4 (O18), <strong>and</strong> Green Wall (O12). V<strong>and</strong>erwal conducted excavations<br />

at Bowden <strong>and</strong> Spanish Wood, but nothing is known of the results. The material<br />

from these sites in the Lee Collection is not very abundant, the most important<br />

being Spanish Wood (O2) <strong>and</strong> Hillside (O13), with 324 <strong>and</strong> 196 artifacts<br />

respectively.<br />

With due caution, Spanish Wood may be taken as an example of this material<br />

in terms of total statistics <strong>and</strong> in terms of the attributes recorded in the<br />

Decorative Techniques Table. Altogether the collection includes 297 ceramic<br />

pieces; 10 stone celts; 13 chert flakes, tools, <strong>and</strong> cores; <strong>and</strong> four other lithics. Included<br />

in the ceramic pieces, there are 215 rim sherds, 59 body sherds, 31 lugs<br />

(both independent <strong>and</strong> otherwise), four h<strong>and</strong>les, four fragments of griddles,<br />

<strong>and</strong> one other item. The individuality of the site (<strong>and</strong> others like it) is shown<br />

not so much in the characteristics to which Tyndale- Biscoe drew attention, but<br />

in three other very noticeable traits: the comparatively frequent use of impression<br />

rather than incision, the relatively common practice of decorating the tops<br />

of the rims (rather than the fillets), <strong>and</strong> the frequent appearance of beveled rims<br />

(decorated <strong>and</strong> plain) on unrestricted simple vessels. These characteristics were<br />

reflected in the analysis. The decorated rim sherds include 53 with plain fillets,<br />

none with decorated fillets, <strong>and</strong> 10 with decorated tops. Impression as a proportion<br />

of decorated shoulders <strong>and</strong> lugs accounts for 18 out of 57 at this site,

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