Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory
by Phillip Allsworth-Jones
by Phillip Allsworth-Jones
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262 / Appendix D.<br />
volcanic rock, so abundant in many parts of the isl<strong>and</strong>, is mixed with the clay<br />
in large proportions. Only occasionally do any of the fragments effervesce with<br />
acid, showing that few free calcareous particles are present. The vessels were no<br />
doubt baked in a fire; but there is no appearance of fusion of the materials.<br />
Ornamentation. The ornamentation of the vessels is mostly of a simple character,<br />
in none is there any attempt at any pattern of curved lines. In many<br />
merely indented lines or dots, or combinations of the two, were made upon the<br />
surface by some stylus, while the clay was in a soft condition; often the lines are<br />
deeply hatched. In others there is a projecting rim or fillet where the upper part<br />
of the vessel becomes turned in. This is strongly indented, becoming crenate in<br />
the basin represented in Figure 6, Plate V. A flattened fillet may form a zigzag<br />
or chevron pattern. The h<strong>and</strong>les exhibit the furthest attempt at ornamentation.<br />
Some of the best of these are among the material from the Norbrook <strong>and</strong> the<br />
Cranbrook kitchen- middens. See Plate III, opposite, <strong>and</strong> Figure X.<br />
The general characters of the <strong>Jamaica</strong>n aboriginal vessels may be briefly<br />
summed up as follows: Circular or oval in outline; generally shallow, with an<br />
inturned upper part; nearly always rounded at the base; margin often thickened<br />
by an additional fillet of clay; h<strong>and</strong>les either luted on or formed as a prolongation<br />
of the ends, generally simple in character, but with gradations leading up<br />
to more ornamental types; occasionally perforated at the h<strong>and</strong>les for suspension;<br />
ornamentation, with exception of the h<strong>and</strong>les, limited to dots, straight<br />
indented lines, <strong>and</strong> fillets; surface unglazed, blackish, dirty red or yellow in colour,<br />
often with construction or smoothing marks upon it; clay varying in fineness,<br />
<strong>and</strong> generally mixed with pulverized siliceous minerals.<br />
A few representative examples of the <strong>Jamaica</strong>n pottery, along with other objects,<br />
were sent to Prof. O. T. Mason for his valuable opinion, <strong>and</strong> for comparison<br />
with the large American <strong>and</strong> West Indian collections under his charge<br />
at the Smithsonian Institution. He has kindly replied as follows: “I have today<br />
examined with great care the specimens you sent me <strong>and</strong> give you the benefit of<br />
the study. The fragments of pottery lie [39 is Plate III] [40] between the Porto<br />
Rican <strong>and</strong> that of Florida to Carolina. The angular margin (such as is shown<br />
in Figures 1 <strong>and</strong> 3 in Plate V) is found in Porto Rico <strong>and</strong> Florida; in Porto Rico<br />
there is more elaboration of design culminating in the labyrinth.<br />
The <strong>Jamaica</strong>n heads are possibly of parrots, with outspread wings; the Porto<br />
Rico h<strong>and</strong>les are of monkeys <strong>and</strong> men, very boldly executed. No such h<strong>and</strong>les<br />
are now in the Florida collection. On the whole <strong>Jamaica</strong> seems to be a connecting<br />
link between Porto Rico <strong>and</strong> Florida.”<br />
Uses. The uses to which the <strong>Jamaica</strong>n pottery was put were no doubt mainly<br />
in connection with the preparation of food <strong>and</strong> other domestic functions, much<br />
of it showing the blackening produced by fire. The fragments obtained from<br />
the kitchen- middens must be regarded as discarded broken examples, no longer<br />
of any service.