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Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory

by Phillip Allsworth-Jones

by Phillip Allsworth-Jones

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96 / Chapter 7.<br />

Figure 26. White Marl (S1): Pottery characteristics.<br />

duced two remarkably complete reconstructed griddles (illustrated at CC15.2<br />

<strong>and</strong> 3). Not including the complete vessels, the three caves produced a total of<br />

693, 38, <strong>and</strong> 73 potsherds <strong>and</strong> a few lithic artifacts. Apart from these three, the<br />

most remarkable cave with material in the collection probably is Image Cave<br />

(MC3), which was mapped by Lee in 1966 (AJ 1966, 11:1 <strong>and</strong> 1967, 5:2).<br />

The most notable artifact found here was “a crudely whittled hardwood spindle<br />

which may be of Arawak manufacture <strong>and</strong> which would have been used for<br />

spinning cotton” (AJ 1966, 11:1), now housed at the Institute of <strong>Jamaica</strong> (Appendix<br />

29). Lee thought it possible that this might be the same cave as “Spots,”<br />

where Rebello’s famous carved wooden “images” were found in 1792. The remainder<br />

of the caves do not contain a great deal of material, except for New<br />

Mountain Cave (WC3), which has 254 ceramic pieces. The majority is in<br />

St. Elizabeth parish. Once again, there is unevenness in distribution, <strong>and</strong> some<br />

important caves, for example, White Marl Cave #1 (SC5) are entirely absent<br />

(St. Clair 1970).<br />

In summing up the pottery, which formed the main element in his White<br />

Marl style, Howard concluded that it was in general “remarkably homogeneous,”<br />

constituting “a relatively undifferentiated <strong>and</strong> conservative tradition”

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