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Pre-Colombian Jamaica: Caribbean Archeology and Ethnohistory

by Phillip Allsworth-Jones

by Phillip Allsworth-Jones

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Cultural Variants / 93<br />

Figure 24. The Port Morant style (O17, O18).<br />

the remaining 39 being mostly incised. Twenty- two vessel shapes could be reconstructed,<br />

including 10 restricted carinate, two restricted simple, <strong>and</strong> 10 unrestricted<br />

simple. The material is illustrated in the CD- ROM at the entry for<br />

Spanish Wood (O2.1–15). The characteristics of the assemblage are also summarized<br />

in diagrammatic form in Figure 25.<br />

It is clear that further investigation is needed to confirm the validity of the<br />

Port Morant variant. A detailed study of V<strong>and</strong>erwal’s material from Spanish<br />

Wood <strong>and</strong> Bowden would be a first step in this direction, <strong>and</strong> new excavations<br />

at these or others of the sites listed by Lee would also be required. But Tyndale-<br />

Biscoe’s suggestion does have merit, <strong>and</strong> in the meantime this cultural variant<br />

may be regarded as having the same kind of status as Montego Bay.<br />

White Marl<br />

This is the predominant style represented on the isl<strong>and</strong>. All the other sites (157<br />

middens <strong>and</strong> 60 caves) are placed in this group by default, so it may be something<br />

of a ragbag, but the group as such is certainly a reality. Howard proposed<br />

the term White Marl for it, “since it is at this site that the style appears in its<br />

most characteristic <strong>and</strong> complete form <strong>and</strong> it is here that its development can<br />

be traced over a period of several centuries” (Howard 1965:252). Among other<br />

things, Howard noted the following features that defined the pottery, the main<br />

constituent in the style (Howard 1950:135–154; 1956:49–54). Incision, application,<br />

punctation, <strong>and</strong> modeling were employed as decorative techniques

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