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Ernest Dichter Papers - Hagley Museum and Library

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HISTORY (cont’d)<br />

Accession 2407<br />

ERNEST DICHTER PAPERS<br />

A more comprehensive attack was launched by Vance Packard in his 1957 book The<br />

Hidden Persuaders, who arraigned <strong>Dichter</strong> as “the most famed” practitioner of<br />

techniques that promoted mass consumption <strong>and</strong> self-indulgence <strong>and</strong> manipulated<br />

consumers into buying things they never wanted or needed. Ironically, Packard’s attack<br />

served as the perfect endorsement for potential clients, increasing <strong>Dichter</strong>’s business <strong>and</strong><br />

his stature. <strong>Dichter</strong> himself responded with a presentation of his own views in Strategy of<br />

Desire in 1960. Whatever one thinks of <strong>Dichter</strong>’s own beliefs, his report interviews<br />

show his consumer subjects to be critical <strong>and</strong> skeptical, often brutally so, <strong>and</strong> capable of<br />

distinguishing what worked for them from advertising hype.<br />

The attack by Betty Friedan in The Feminine Mystique in 1963 was less easily<br />

deflected. <strong>Dichter</strong>’s quasi-Freudian psychology, adherence to the notion of separate<br />

spheres, <strong>and</strong> personal view of women as male help-meets could not be reconciled with<br />

any version of feminism. <strong>Dichter</strong> had long divided female consumers into three classes.<br />

The “career woman,” even if lacking an actual career, might dream of one <strong>and</strong> felt bored<br />

<strong>and</strong> frustrated by housework. At the opposite end of the spectrum, the “pure housewife”<br />

reveled in traditional domestic duties. As a result, neither was likely to be a receptive<br />

consumer of household goods, the first being indifferent <strong>and</strong> the second committed to the<br />

doctrine of “do it yourself.” <strong>Dichter</strong> favored (or perhaps created) the happy medium of<br />

the “balanced woman,” who enjoyed housekeeping, yet engaged in or at least thought<br />

about some activities outside the domestic circle. The “balanced woman” was the perfect<br />

mark for advertisers, because they could entice her to try some supposedly labor-saving<br />

product that would allegedly increase her free time, while at the same time playing on her<br />

guilt at not being a more dedicated homemaker <strong>and</strong> her desire to meld domesticity <strong>and</strong><br />

creativity. So in a famous study for General Mills, <strong>Dichter</strong> advised them to remove the<br />

powdered eggs <strong>and</strong> milk from Bisquick, a biscuit or cake mix which needed only water,<br />

on the grounds that it eliminated the last bit of creativity in cooking. The “balanced<br />

woman” could be won over by being made an active (but not too active) participant<br />

through adding the real eggs <strong>and</strong> milk herself.<br />

On the crest of his American successes, <strong>Dichter</strong> took his approach back to Europe.<br />

Here he encountered varying blends of resistance <strong>and</strong> acceptance depending upon a given<br />

country’s general stance on the larger issues of “Americanization.” Where cultural<br />

resistance was highest, in Paris (1958) <strong>and</strong> Rome (1959), <strong>Dichter</strong>’s branch offices were<br />

small <strong>and</strong> short-lived, although he continued to do some work for French clients out of<br />

New York.<br />

6

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