The cultural context of biodiversity conservation - Oapen
The cultural context of biodiversity conservation - Oapen
The cultural context of biodiversity conservation - Oapen
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<strong>The</strong> <strong>cultural</strong> <strong>context</strong> <strong>of</strong> <strong>biodiversity</strong> <strong>conservation</strong><br />
In terms <strong>of</strong> further symbolic representation, the centre <strong>of</strong> the cornfield symbolises the<br />
entire milpa in the same way as the milpa symbolises the community, and in a wider<br />
sense even the entire cosmic <strong>context</strong> (Hatse & De Ceuster 2001b: 90). Responsible<br />
human action is carried out with consciousness <strong>of</strong> this linkage. Successful farming depends<br />
on maintaining a harmonious relation with cosmic forces through a series <strong>of</strong> rituals<br />
associated with agrarian activities. Gómez and Pacay Caal remark that Mayan<br />
farmers are convinced that for a good harvest, not only knowledge and experience but<br />
also »the heart <strong>of</strong> a good person« (2003: 204) are needed. And it is for achieving this<br />
state <strong>of</strong> being that performing rituals is considered imperative. Commonly, the agrarian<br />
rituals are performed as prayers directed at the four cardinal directions, each being<br />
associated with a specific colour. As an elder informant in San Benito explains, these<br />
divisions <strong>of</strong> the world build the four corners <strong>of</strong> the universe. <strong>The</strong> east, where the sun<br />
rises, is associated with red and the beginning <strong>of</strong> life as divine entity. <strong>The</strong> south, where<br />
›the air comes in‹, is associated with yellow. <strong>The</strong> west, where the sun sets, is associated<br />
with black and the north where ›the air goes out‹, is associated with white. 48 <strong>The</strong> four<br />
corners are thought <strong>of</strong> as a seat <strong>of</strong> the guardians <strong>of</strong> the field, preventing the entrance<br />
<strong>of</strong> animals and adverse forces that could damage the crops. <strong>The</strong> terrestrial surface is<br />
distributed into sectors that part from an imaginary centre and extend toward the four<br />
directions. Bound to this spatial pattern is the chronological significance <strong>of</strong> each <strong>of</strong><br />
the diverse cosmic sectors. As in many other religious traditions, the Q'eqchi' consider<br />
time to be linked to celestial movements. Rather than being an abstract concept, temporality<br />
meets with an eternal dynamic <strong>of</strong> space and is perceived as a cyclical motion.<br />
In ancient times, Carrasco (1990) argues, time was closely observed and each day was<br />
considered loaded with celestial and divine influences that determined the inner character<br />
and destiny <strong>of</strong> a person and actions carried out at specific times. According to<br />
the findings <strong>of</strong> Villa Rojas (1988), the attitude toward the temporal dimension <strong>of</strong> human<br />
existence continues to operate as a determinant factor on all levels <strong>of</strong> daily life.<br />
<strong>The</strong> principle <strong>of</strong> balance has both spatial and temporal correlates in celestial movements<br />
and the agri<strong>cultural</strong> cycle.<br />
<strong>The</strong> notion that life on earth and the larger cosmos are interconnected is reflected<br />
in a deeply practical knowledge <strong>of</strong> the celestial sphere that the Maya have developed<br />
and passed down from generation to generation. <strong>The</strong> entire agri<strong>cultural</strong> life is organised<br />
around the cyclical appearance and regular motion <strong>of</strong> the sun, moon and the<br />
stars. Among the Q'eqchi', the farmers read the apparent yearly journey <strong>of</strong> the sun, following<br />
its daily position rising or setting along the horizon to schedule their agri<strong>cultural</strong><br />
and ceremonial activities or to predict the best times to gather wild foods or to<br />
go hunting. Similarly, revolving cyclical patterns <strong>of</strong> the moon define activities related<br />
to the milpa. Throughout the agri<strong>cultural</strong> year, the farmers asses the issue <strong>of</strong> crop tim-<br />
48 <strong>The</strong> directional symbolism dates back to the Popol Vuh. For details, see Villa Rojas (1988). With<br />
regard to the symbolism <strong>of</strong> colours, blue and green are also considered important colours as they<br />
signify the sky, the environment and the centre (Flores Arenales 2001: 54).