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The cultural context of biodiversity conservation - Oapen

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Introduction<br />

agri<strong>cultural</strong> practices and the indigenous worldview gives an account <strong>of</strong> extensive<br />

fieldwork recently undertaken in rural communities <strong>of</strong> Alta Verapaz. Another revealing<br />

study from anthropology, realised by Carlos Flores Arenales (1999), informs about<br />

the post-war situation as faced by the Q'eqchi' population. In documenting a collaborative<br />

filmmaking experience, his work is one <strong>of</strong> the first endeavours to perceptively examine<br />

the <strong>cultural</strong> effects <strong>of</strong> social change due to the political violence that has dominated<br />

the entire <strong>cultural</strong> setting in the past decades. He presents a commendable outline<br />

on the actual process <strong>of</strong> identity reconstruction. <strong>The</strong> theme <strong>of</strong> identity has also<br />

been pronounced by Almudena Hernando Gonzalo (1999), who takes a different ethnographic<br />

view by exploring <strong>cultural</strong> perceptions <strong>of</strong> landscape among the Q'eqchi'.<br />

With regard to issues related to protected area management, it can be said that<br />

relatively few scholars have conducted studies in the area. In comparison to the<br />

northern lowlands, where much <strong>of</strong> the recent work has been undertaken, the Q'eqchi'<br />

heartland gained less attention. So far, no account focusing on the <strong>cultural</strong> <strong>context</strong> <strong>of</strong><br />

<strong>biodiversity</strong> <strong>conservation</strong> has been provided that would integrate questions <strong>of</strong> global<br />

range with issues <strong>of</strong> national relevance and an analysis <strong>of</strong> local knowledge as realised<br />

in the present work. Given this gap, the study also intends to contribute to the ongoing<br />

discussion on <strong>conservation</strong>al approaches by taking into account social and spiritual<br />

aspects <strong>of</strong> indigenous resource use systems. Beyond their mere documentation, the<br />

study explicitly emphasises the need to consider the impact <strong>of</strong> national policies in the<br />

historic <strong>context</strong>. In this sense, the applied approach is motivated by an ex-centric intention<br />

as it adopts a decentralised perspective on different knowledge dimensions.<br />

1.4 <strong>The</strong> conceptual scheme<br />

Unconscious values and hidden agendas will need to be brought into the light <strong>of</strong> critical review. (Metzner<br />

1993: 168)<br />

In general terms, it has been stated by Richard Howitt that for many indigenous people,<br />

the landscape in which they live is a »seamless fabric <strong>of</strong> physical, spiritual and <strong>cultural</strong><br />

threads« (2001: 173). Anthropological engagement attempts to unravel these<br />

multiple threads and to document how knowledge and its modes <strong>of</strong> representation<br />

connect into some larger whole. This venture presents considerable analytical difficulties,<br />

since the study raises questions <strong>of</strong> how people view, know and use their environment<br />

and touches on the most far-reaching ideas about reality and meanings. <strong>The</strong><br />

challenging encounter with these highly complex phenomena informed the undertaking<br />

<strong>of</strong> ›weaving together‹ the multi-layered threads to address various spatial and temporal<br />

scales. In organising these threads, the structure <strong>of</strong> the thesis is intended to highlight<br />

the point that the study <strong>of</strong>fers a significant way <strong>of</strong> linking levels <strong>of</strong> analysis. Research<br />

at each level feeds into, and illuminates findings <strong>of</strong> other levels. However, dealing<br />

with material and symbolic dimensions <strong>of</strong> social phenomena means inevitably to<br />

deal with complexity that <strong>of</strong>ten makes conventional narrative styles difficult to write<br />

13

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