The cultural context of biodiversity conservation - Oapen
The cultural context of biodiversity conservation - Oapen
The cultural context of biodiversity conservation - Oapen
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<strong>The</strong> <strong>cultural</strong> <strong>context</strong> <strong>of</strong> <strong>biodiversity</strong> <strong>conservation</strong><br />
Such world renewal ceremonies, as he continues, are ceremonial cycles based on the<br />
understanding that people have to continue to remember and perpetuate essential<br />
ecological relationships through the life <strong>of</strong> individual community members and the<br />
generations that will follow. Through the cyclical repetition <strong>of</strong> rituals, people traditionally<br />
maintain the memory <strong>of</strong> their <strong>cultural</strong> worldview, reproducing the relationship<br />
to their places in each generation. Once people break these cycles <strong>of</strong> remembering,<br />
they tend to forget essential life-sustaining relationships. In his discussion dealing with<br />
perceptions <strong>of</strong> nature among indigenous peoples throughout the Americas, he refers<br />
to »a dual existence« in the postmodern world, which he further elucidates as follows:<br />
At times, it resembles a kind <strong>of</strong> schizophrenia characterized by constantly trying to adapt ourselves to<br />
a mainstream social, political, and <strong>cultural</strong> system that is not our own. We are constantly faced with<br />
living in a larger society that does not really understand or respect our traditional life symbols, our ecological<br />
perspectives, our understandings <strong>of</strong> relationship to the land, our traditional ways <strong>of</strong> remembering<br />
to remember who we are (2001: 634).<br />
Among others, the cyclical repetition <strong>of</strong> the milpa cycle is a way <strong>of</strong> ›remembering to<br />
remember‹. Milpa farming combines multiple functions. As has been shown, the shifting<br />
cultivation is not only important in economic terms but simultaneously <strong>of</strong> major<br />
<strong>cultural</strong> significance because the peasant farmers follow traditional patterns which<br />
provide them with a feeling <strong>of</strong> belonging and identity. Based on the perception <strong>of</strong><br />
maize as essence <strong>of</strong> life, the local subsistence production provides social security.<br />
Through annual repetition, identity is lived collectively in all daily activities related to<br />
agri<strong>cultural</strong> production and associated processes. In this way, the origin <strong>of</strong> culture is<br />
retraced and, as Hatse and De Ceuster put it, the world is recreated continually by<br />
humans »in miniature« (2001a: 44). Human society and the agri<strong>cultural</strong> process are<br />
seen as set within and dependent upon the cosmic cycles that ensure the process <strong>of</strong><br />
plant fertilisation, ripening, harvest, decay, death and rebirth. This view, as described<br />
by Carrasco, implies that the Maya not only consider the plants and seeds as in need<br />
<strong>of</strong> regeneration, but that the entire cosmos depends on various processes <strong>of</strong> rebirth;<br />
the world is in a continual process <strong>of</strong> sowing and harvesting, which is conceived <strong>of</strong> as<br />
»a long performance« that hopefully will never end (1990: 98ff.).