Anatolian Civilizations and Historical Sites - TEDA
Anatolian Civilizations and Historical Sites - TEDA
Anatolian Civilizations and Historical Sites - TEDA
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ANATOLIAN CIVILIZATIONS:10x19 antik kentler 8/1/11 10:51 AM Sayfa<br />
162<br />
not of marriageable age. More recently scholars have preferred to see in<br />
the winged females the other bird-women of mythology, the Sirens,<br />
carrying the souls of the dead, in the form of children, to the Isles of the<br />
Blessed. The seated figures are then members of the dynastic family;<br />
formerly Hera <strong>and</strong> Aphrodite were recognized on the west side, <strong>and</strong><br />
Artemis with her hound on the east. All the reliefs were originally<br />
colored, chiefly in red <strong>and</strong> blue, traces of which were visible at the time<br />
of the discovery. On the back of the relief-slabs were painted crosses <strong>and</strong><br />
other symbols, suggesting that at some time the grave chamber was used<br />
as a refuge by some Christian anchorite.<br />
To the rear of these monuments is an agora dating from the Roman Period.<br />
On the corner facing the tombs is a Byzantine basilica. Behind the<br />
2 nd century AD agora at a north east angle is the famous Xanthian Obelisk.<br />
‘Obelisk’ is not in fact a good name for it, as it is simply a pillar-tomb of<br />
perfectly normal type. The upper type has suffered a good deal of<br />
damage, but many of the fragments have been recovered by the<br />
excavators; they show that the tomb possessed the usual grave chamber,<br />
enclosed like the Harpy Tomb by slabs with reliefs showing the dead man,<br />
surely one of the dynasts, victorious over his enemies. The topmost block<br />
of the roof bears marks of the feet of a statue, no doubt the dynast himself.<br />
But the fame of the monument derives from the inscription which covers<br />
all four faces of the stone; it is the longest Lycian inscription known,<br />
running to over 250 lines. Linguistically it falls into three parts; beginning<br />
on the south side it continues on the east <strong>and</strong> part of the north side in the<br />
normal Lycian language; then follows a poem of twelve lines in Greek; but<br />
the rest of the north side <strong>and</strong> whole of the west is couched in that strange<br />
form of Lycian which appears elsewhere only on a tomb in Antiphellos.<br />
As was said above, the Lycian language is little understood apart from the<br />
frequently repeated epitaph formulae; the present inscription, on the<br />
other h<strong>and</strong>, evidently gives a narrative account of the dead hero's<br />
exploits, <strong>and</strong> is still undeciphered. It does, however, contain a number of<br />
recognizable proper names, from which the approximate date <strong>and</strong> some<br />
idea of the contents may be gathered. The hero in question is called, in<br />
the Lycian <strong>and</strong> in the Greek, son of Harpagus (not of course the Persian<br />
general of the 6 th century); his own name is lost in both places, but he<br />
appears to be the Xanthian dynast, known from the coins, who appears<br />
several times elsewhere in the inscription in the Lycian form Kerei. In the<br />
Greek epigram, he is said to have been a champion wrestler in his youth,<br />
to have sacked many cities, slain seven Arcadian Hoplites in a day, set up