Anatolian Civilizations and Historical Sites - TEDA
Anatolian Civilizations and Historical Sites - TEDA
Anatolian Civilizations and Historical Sites - TEDA
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ANATOLIAN CIVILIZATIONS:10x19 antik kentler 8/1/11 10:51 AM Sayfa<br />
220<br />
built by Miletos, together with the Vedius baths in Ephesos are<br />
examples which reflect the magnificence of this architecture.<br />
Sculptures which decorated the cool room of the Faustina’s Bath<br />
are exhibited at ‹stanbul Archaeological Museum today. Mosaics<br />
mostly feature mythological scenes, but there were also mosaics<br />
which had geometrical patterns. Today, the remnants of these<br />
monumental bath structures can be seen in Ephesos, Perge, Side,<br />
Aspendos <strong>and</strong> Aphrodisias. Furthermore, we encounter the most<br />
beautiful examples of frescoes decorating the houses of the rich<br />
among the hillside houses of Ephesos <strong>and</strong> villas in Ant<strong>and</strong>ros,<br />
which gave an insight into the development of the art of painting<br />
during the period.<br />
Roman theaters were not leaned against a hill, unlike in the<br />
Hellenistic Period, but they were established on arches <strong>and</strong> vaults.<br />
However, the architects in Anatolia preferred to lean the theaters<br />
on a slope even during the Roman Period. In the Theater of<br />
Aspendos, which was one of the spectacular structures of the<br />
Roman Period, arches <strong>and</strong> vaults-that were newly developed by<br />
the Romans-were used <strong>and</strong> it was also leaned on a hill. This is an<br />
indicator that the older systems were also used besides the new<br />
systems. In Roman theaters, the two-storey wall forming the stage<br />
is elevated, aiming to separate the audience from the outer world<br />
<strong>and</strong> direct their attention to the theatrical play. Side entrances,<br />
which were diagonal during the Hellenistic Period, became vertical<br />
during the Romans, <strong>and</strong> the horseshoe-shaped orchestra was<br />
transformed into a semicircle. In the former theaters, the audience<br />
was also able to watch a view, whereas in the Roman theaters, the<br />
audience was disconnected from outside. The Romans created a<br />
distinction by decorating the stage of the theater with the most<br />
beautiful examples of architecture <strong>and</strong> sculptures. The theaters in<br />
Aspendos <strong>and</strong> Perge are the best examples of this. Sculptures<br />
decorating the stage section in the theater of Perge are so rich that<br />
there is a separate Perge Hall in Antalya Museum.<br />
Romans also did not ignore the theaters left from the Hellenistic<br />
Period, but they repaired <strong>and</strong> used them, as we see in the Theaters<br />
of Miletos <strong>and</strong> Priene. During the Roman Period, amphitheaters<br />
where gladiators <strong>and</strong> wild animals fought were not very popular.<br />
They were still built in some cities. While imitating the works of art<br />
of the Classical <strong>and</strong> Hellenistic Periods, Roman sculptures also