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Anatolian Civilizations and Historical Sites - TEDA

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ANATOLIAN CIVILIZATIONS:10x19 antik kentler 8/1/11 10:51 AM Sayfa<br />

was made the king of Sidon by Alex<strong>and</strong>er; consequently he adorned<br />

his own sarcophagus with embossments of Alex<strong>and</strong>er to express his<br />

gratitude.<br />

Rodos sculpture of Helios, the sculpture of Aphrodite (Milo) found in<br />

Melos, <strong>and</strong> the sculpture of Tykhe who held the fate of the cities at her<br />

h<strong>and</strong>s are the colossal works created during this age. The most<br />

famous sculpture of Tykhe was created for Antiocheia-the capital of<br />

Seleucoses-by Eutyhides, who was the student of Lysippos. The<br />

Crouching Aphrodite sculpture by Doidalses, who worked in<br />

Nicomedia (center of the Kingdom of Bithynia), was important in that<br />

it provided depth.<br />

When the King of Egypt Euergetes expelled the pundits from<br />

Alex<strong>and</strong>ria in the 2 nd century BC, The Kingdom of Pergamon received<br />

them with open arms, thus the city became the center of science of<br />

that age. Besides the King’s palace, the antique sources suggest that<br />

a library including 200.000 parchment rolls was established. This<br />

spectacular library was given to the Egyptian queen as a gift by<br />

Antonius in 41 BC, <strong>and</strong> was later burnt by the Romans. Furthermore,<br />

Pergamon had a significant place in sculpture <strong>and</strong> a school of<br />

sculpture was formed here. The bronze sculptures of Attalos I,<br />

reflecting his victory against the Galatians, can be recognized by their<br />

Roman replicas made from marble. An important one among these is<br />

the sculpture of the Galatian who first killed his wife <strong>and</strong> then thrust<br />

his sword in to himself, so as not to be taken as a prisoner. The Zeus<br />

Altar that is currently in Berlin has embossments measuring 120 m. in<br />

length <strong>and</strong> 2.30 m. in height which display the battles of giants <strong>and</strong><br />

gods with exaggerated motions, flitting clothes, hairy heads, bearded<br />

faces, <strong>and</strong> excessively muscled bodies. All of these characteristics<br />

reflect the style of the Pergamon sculpture school. Emotional<br />

expressions are prominent with Pergamon-style sculptures.<br />

Furthermore, glamorous works were created by playing with the<br />

shade <strong>and</strong> light.<br />

The main themes of the Hellenistic Period were the mythological pairs<br />

as well as children <strong>and</strong> people in the street. Around the end of the<br />

2 nd century BC, the Pergamon school became weaker, the Middle<br />

Hellenistic Period came to an end, <strong>and</strong> the Late Hellenistic Period<br />

started. This period had a picturesque character, while the majority of<br />

the themes were taken from every day life. The sculptures were<br />

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