1. First steps in Reaktor Core - Native Instruments

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I.29. EQ > Static Filter > 2-pole static LP 2-pole static lowpass filter. The F input specifies the cutoff frequency in Hz and the Res input specifies the resonance (0..1). I.30. EQ > Static Filter > 2-pole static LS 2-pole static low-shelving filter. The F input specifies the cutoff frequency in Hz, the Res input specifies the resonance (0..1), and the B input specifies the low frequency boost in dB. I.31. EQ > Static Filter > 2-pole static N 2-pole static notch filter. The F input specifies the cutoff frequency in Hz and the Res input specifies the resonance (0..1). I.32. EQ > Static Filter > 2-pole static Pk 2-pole static peak filter. The F input specifies the cutoff frequency in Hz, the Res input specifies the resonance (0..1), and the B input specifies the center frequency boost in dB. 202 – REAKTOR CORE
I.33. Oscillator > 4-Wave Mst Generates 4 phase-locked audio waveforms. The oscillator pitch is specified by the P input (as a MIDI note number), can be modulated by the PM input (in semitones, exponential) and by the FM input (in Hz, linear). The pulse width is specified by the PW input (range –1..0..1, affects only the pulse waveform). This oscillator can oscillate at negative frequencies and additionally offers a synchronization output for 4-Wave Slv oscillator. I.34. Oscillator > 4-Wave Slv Generates 4 phase-locked audio waveforms. The oscillator pitch is specified by the P input (as a MIDI note number), can be modulated by the PM input (in semitones, exponential) and by the FM input (in Hz, linear). The pulse width is specified by the PW input (range –1..0..1, affects only the pulse waveform). This oscillator can oscillate at negative frequencies and can be synchronized to another 4-Wave Mst/Slv oscillator. The SncH input controls the synchronization hardness (0 = no sync, 1 = hard sync, 0…1 = various degrees of soft sync). A synchronization output for another 4-Wave Slv oscillator is also provided. REAKTOR CORE – 203
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REAKTOR CORE Tutorial
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Table of Contents 1. First steps in
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Appendix D. Core cell ports .......
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H.7. Audio Mix-Amp > Gain (dB) ....
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H.88. Logic > GT / IGT ............
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1. First steps in Reaktor Core 1.1.
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You may also want to save core cell
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1.3. Using core cells in a real exa
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1.4. Basic editing of core cells No
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You can shrink them back by right-c
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or design of the module. Generally,
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And here is an example of an event
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converter. As a result, our control
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The VCF section could be promising,
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There’s only one kind of module y
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As the name implies (and the info t
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Now you can type some text into the
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Instead of a nasty looking diagonal
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Some types of processing, mixing fo
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mix it with the delayed signal. Bec
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0.02ms at 44.1kHz, even less at hig
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The Latch and Bool C types of ports
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In the value field type a new value
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modules in the same way we did earl
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2.5. Using audio as control signal
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some primary-level event signals us
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is always at full amplitude. At 1 t
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The Gate2L, AND, and L2Gate modules
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Here is a picture of a continuous s
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3.3. Simultaneous events Consider t
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3.4. Processing order As you have s
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Event Inputs send core events to th
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Of course, in this particular case
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Now move the knob and watch the out
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4.2. Object Bus Connections Object
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As mentioned, the above structure i
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constants would send their values a
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4.4. Building an event accumulator
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� ��
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Now the reset works as specified. T
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output values. Let’s try that wit
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Should any files be found in this C
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The name “Modulation”, although
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5. Audio processing at its core 5.1
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5.2. Sampling rate clock bus A coup
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We have already seen a structure bu
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connections will be marked as inval
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As you can see, the clock input of
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left which we cannot see from the o
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samples, we have to produce several
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5.6. Other bad numbers Denormal num
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6.28319 is 2*π, which is then divi
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6. Conditional processing 6.1. Even
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In this version, the 0 output of th
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First we are going to build the cir
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default means use whatever precisio
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Switching between float and integer
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The output and all built-in modules
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The OBC chain at the bottom keeps t
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The speed of the number change in t
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And now the connection: The upper i
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This macro internally has an Index
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The four Write [] modules will take
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In general, you should also take ca
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� ��
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The size property of the array can
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So we include another macro for wra
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A new dialog will appear: What you
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Formal output precision Now that we
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9. Building optimal structures As a
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9.3. Numerical operations Floating
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Appendix A. Reaktor Core user inter
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Appendix B. Reaktor Core concept B.
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Appendix C. Core macro ports C.1. I
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Appendix D. Core cell ports D.1. In
Page 151 and 152: F.3. Math > - Produces the differen
Page 153 and 154: F.12. Bit > Bit OR Performs the bit
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Page 157 and 158: connected to the sidechain input. T
Page 159 and 160: Appendix G. Expert macros G.1. Clip
Page 161 and 162: G.12. Math > sqrt Square root appro
Page 163 and 164: G.24. Memory > Read [] Reads a valu
Page 165 and 166: Appendix H. Standard macros H.1. Au
Page 167 and 168: H.8. Audio Mix-Amp > Invert Inverts
Page 169 and 170: H.15. Audio Mix-Amp > XFade (lin) A
Page 171 and 172: H.22. Audio Shaper > Sine Shaper 4
Page 173 and 174: H.30. Control > Ctl Pan “Pans”
Page 175 and 176: H.38. Convert > ms2sec Converts the
Page 177 and 178: to positive. The allowed RM values
Page 179 and 180: H.53. EQ > Static Filter > 1-pole s
Page 181 and 182: H.62. EQ > Static Filter > 2-pole s
Page 183 and 184: H.70. Event Processing > Ctl2Gate C
Page 185 and 186: H.79. LFO > Random LFO Generates a
Page 187 and 188: H.88. Logic > GT / IGT Compares the
Page 189 and 190: Generates 4 phase-locked audio wave
Page 191 and 192: H.105. Oscillators > Quad Osc Gener
Page 193 and 194: H.112. VCF > Diode Ladder Diode-lad
Page 195 and 196: I.4. Audio Shaper > Parabol Sat Sim
Page 197 and 198: I.10. Control > Par Ctl Shaper Appl
Page 199 and 200: I.17. EQ > HighShelf EQ 1-pole high
Page 201: I.25. EQ > Static Filter > 2-pole s
Page 205 and 206: I.39. Oscillator > MultiWave Osc Ge
Page 207 and 208: I.44. VCF > 2 Pole SV x3 S 2-pole s
Page 209 and 210: Index A Array module ..............
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1. First steps in Reaktor Core - Native Instruments

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