xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

Si, amaRlebuli sawyisis da misi realuri gamomsaxvelobis
interpretaciaSi iCens Tavs.
biZina kvernaZis ,,iyo mervesa welsa” axali sityvaa qar-
Tul saopero xelovnebaSi. rogorc scenuri ganxorcilebis,
ise musikaluri dramaturgiis TvalsazrisiT, igi erovnuli
operis manmade uCveulo hibriduli nawarmoebia, romelmac
qarTuli operis sinamdvileSi gansakuTrebuli simwvaviT wamoWra
musikisa da dramis urTierTmimarTebis problema da
qarTul sinamdvileSi saopero xelovnebis axali xedva daamkvidra.
gamoyenebuli literatura:
1. axmeteli m., ,,Teatris absoluturoba da avtonomiuroba
unda vaRiaroT’’, J. ,,sabWoTa xelovneba” 1985, #4
2. managaZe x., biZina kvernaZis opera ,,iyo mervesa welsa”. sadiplomo
naSromi. Tbilisis saxelmwifo konservatoria,
Tbilisi, 1990
3. WilaZe T., iakob curtavelis ,,SuSanikis wameba”. ciskari,
1977., #5
4. janaSia n., ,,SuSanikis wameba”, istoriul-wyaroTmcodneobiTi
gamokvleva. Tb., 1980
5. janeliZe d., qarTuli Teatris istoria. wigni I xalxuri
sawyisebi. Tb., 1983
Khatuna Managadaze
,,There was in the Eighth Year” by Bidzina
Kvernadze — Musical-Dramatic Peculiarities
Summary
“There was in the Eighth Year” by Bidzina Kvernadze is the new
word in Georgian opera art. Due to the stage incarnation and from the
musical-dramatic viewpoint this is a hybrid work which was unusual in
national opera art before. With special sharpness of interrelations
between music and drama it brought the new view of opera art in
Georgian reality.
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