xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

elementebis daufleba. naSromi Seicavs rogorc Teorias, asvee
praqtikul savarjiSoebs.
236
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Actor’s Inner Psychotechnics
Summary
Vladimer Bibileishvili
The basis of teaching actor’s mastership is student’s attention,
fantasy, stage relation and fact evaluation of actor’s inner psychotechnics
and mastering stage relations. Coping with these elements thoroughly is
the foundation of an actor’s mastership. Right on this stage the person of
student-actor is developing, the human essence that plays an important
role in upbringing. Research paper includes theory as well as practical
exercises.