xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

Preparing Stages for Singers
Summary
Tamaz Tseriashvili
Acquiring the mastership of vocal art is a very extensive and hard
process. The goal of the given paper is to discuss the issues which are in
relation with the technical means of vocal teaching and scene forms
connected with the perspectives of high musical school (conservatory
or musical academy) and later with the possibilities of opera studio.
The present work deals with the practical advice of pedagogue –
singer, which makes it possible to make mastering performancetechnical
base of vocal art for students. This process includes the
academic period from the initial stage including opera studio.
Technical base (physiological and aesthetic aspects) requires to
study the vocal and stage habits properly and fundamentally, they are:
different kinds of breath, articulation, working on projection and
phrasing, developing the habits of stage mastership, stage movement,
working on the stage applying accessories, singing hygiene, working on
speech, working on score, singer’s psychology and anatomy.
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