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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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gamoyenebuli literatura:<br />

1. gogua d., qarTuli kamerul-instrumentuli ansamblis<br />

ganviTarebis ZiriTadi etapebi. J. ,,sabWoTa xelovneba”<br />

#7 Tb., 1972<br />

2. davlianiZe e., profesori ana TulaSvili. Tb., 2003<br />

3. dafqviaSvili T., kamerul-instrumentuli ansamblebi<br />

da maTi Sesrulebis ZiriTadi principebi. Tb., ,,xelovneba”,<br />

1989<br />

4. donaZe v., qarTuli sabWoTa musikis istoriis narkvevebi.<br />

Tb., ,,ganaTleba”, 1975<br />

5. kvirkvelia n., ,,60-80-iani wlebis qarTuli kamerulinstrumentuli<br />

ansamblebis interpretaciis problemebisaTvis”.<br />

disertacia, Tb., 1975<br />

6. lisovski n., ,,musikaluri kalendari”, almanaxi #3,<br />

1890<br />

7. mSveliZe a., samusiko ganaTleba saqarTveloSi Tb.,<br />

,,xelovneba”, 1976<br />

8. Мильштеин И., - К. Н. Игумнов М., 1975<br />

Tea Gogotishvili<br />

The Ways and Characteristics of Development of Georgian<br />

Chamber-Ensemble Art<br />

Summary<br />

Georgian people’s rich traditions, great spiritual demand, talent,<br />

refined taste, high artistic level of Folk or professional music are<br />

prerequisites for developing of perspectives and future progress of Georgian<br />

music (including chamber ensemble music).<br />

85

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