xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

Khatuna Ninidze
Problems of Interpretation on the Example of France Schubert’s
Creative Work
(Introduction and Variations for Flute and Fortepiano
Composition 160)
Summary
Performance art has two branches, it is either composer’s coauthor or
it is mechanical constructor of reproduction in the note writing of existed
technique. Between these boundaries there are lots of features and still there
are two kinds of class pianists: the first one who can hear and feel music by
internal hearing, intone them internally until they perform them as they can
hear internally; (under finger or in the orchestra); others learn compositions
by eyes, analyze their construction and hear only by the time when it sounds
in the sounds or instruments. The first ones know what they will hear and
the others always predict.
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