04.06.2013 Views

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

144<br />

Manuel De Phallia's Composing Style and His<br />

Importance in Spanish Musical Culture<br />

Summary<br />

Ketevan Razmadze<br />

Spanish composer school made an important contribution to<br />

European music. At the boundaries of XIX-XX centuries, in the epoch of<br />

modernist changes, Spanish musical culture was able to revive its past<br />

glory, as the result of influence of different genres especially “French<br />

Impressionism”. An inspirer of this idea was a musician-theorist Philippe<br />

Pedrel, successors - his own apprentices: Isaac Albeniz and Enrique<br />

Granados and Manuel De Phallia later. With his creative work he managed<br />

to revive inviolable wealth of southern Spanish musical-instrumental<br />

folklore and preserve artistic balance and national traditions.<br />

The interest towards creative work of Manuel De Phallia is caused by<br />

his very interesting pattern of folklore, his vocal-instrumental work for part<br />

and piano “7 Spanish Songs”. They are not generally Spanish but exactly<br />

Andalusian, Mersian and Asterial. His national and genre peculiarities are<br />

emphasized as well.<br />

Such kind of attitude towards folk music and possible connection<br />

between Spanish-Caucasian music prompted me to discuss and analyze this<br />

composition in details in the future. At first I am presenting this work<br />

“Manuel De Phallia's Composing Style and his Importance in Spanish<br />

Musical Culture”, which represents a general review of Manuel De<br />

Phallia’s work and his style using material available for me. It should be<br />

underlined that the literature connected with musical knowledge concerning<br />

Manuel De Phallia is very rare and such kind of material is not available in<br />

Georgian at all.<br />

In transitional period of XX-XXI centuries, at the background of<br />

numerous novelties and modern genres I think that it is still urgent to take<br />

care of Georgian aspiration, traditions and national folklore. That is why I<br />

have considered the above mentioned work interesting for the readers.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!