xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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52 suraTi #2 Ile import D:\ FILMI\ kadri 01.avi FileimportD:\ ANTROPOLOGIURI FILMI\kadri 02.avi File import D:\ ANTROPOLOGIURI FILMI\XMA\diqtori.wav Fileimport D:\ ANTROPOLOGIURI FILMI\MUSIKA\ track. mp3 FileimportD:\ANTROPOLOGIURI FILMI\SURATEBI\saxli.jpg FileimportD:\ANTROPOLOGIURI FILMI\SURATEBI\saxli.bmp importirebis Semdeg programaSi aris yvela is faili, rac filmis montaJs esaWiroeba. reJisori memontaJes miu- TiTebs amowerili saWiro kadrebis taimkodebs. kadrebis SerCeva xdeba marcxena monitorSi. amave monitorSi biblio- Tekidan unda moTavsdes saWiro kadri mausis saSualebiT, marcxena Rilakze xelis gauSveblad. Semdeg xdeba saWiro kadris moniSvna da Camotana videobilikze, xolo diqtoris
xma ganTavsdeba audiobilikze. swored xmasTan SesabamisobaSi unda moxdes videomasalis Camotana da ganlageba videobilikebze. zusti koreqtireba aqve xdeba. videomasala videobilikze erT zolze Tanmimdevrulad ganlagebuli sura- Tebis saxiTaa warmodgenili, rac bilikze arsebuli videomasalis vizualuri aRqmis maCvenebels sakmaod zrdis (ix. suraTi #3). suraTi #3 samontaJo magidaze montaJis procesi xorcieldeba instrumentebis daxmarebiT, romlebic ganlagebulia magidis marjvena mxares. xmis mixedviT kadrebis awyoba sagrZnoblad aadvilebs montaJis process. xmaze Sesabamisi kadrebis ganlagebiT droc izogeba da Sromac Sedegiania. Tumca, arsebobs sapirispiro meTodi, rodesac eTnologs da reJisors urCevnia 53
Page 1 and 2: saqarTvelos ganaTlebisa da mecniere
Page 3 and 4: xelovnebaTmcodneoba maia WiWileiSvi
Page 5 and 6: warwera gvamcnobs, rom eklesia ioan
Page 7 and 8: yobda am patara regionis ayvavebas
Page 9 and 10: darbazuli eklesia rCeba. Tumca, epo
Page 11 and 12: la abuserisZeni aq axali qvis sayda
Page 13 and 14: A amgvarad, naSromSi ganxiluli saek
Page 15 and 16: ilustraciebi xinowminda. interieri
Page 17 and 18: sofio sanikiZe zogierTi fsiqologiur
Page 19 and 20: Semdegi fsiqologiuri faqtori, romel
Page 21 and 22: ebulad mocemuli sagani, adamians ad
Page 23 and 24: eklamis pirveladi aRqmisaTvis dizai
Page 25 and 26: tipis abrebs Soris ovaluri konstruq
Page 27 and 28: kinomcodneoba roland boraSvili vsev
Page 29 and 30: swored pudovkinma, erT-erTma pirvel
Page 31 and 32: swored lui deliukis, SemdgomSi ki v
Page 33 and 34: lelur montaJs, erTdroulobis montaJs
Page 35 and 36: sofio TavaZe qarTuli kinos ZiriTadi
Page 37 and 38: nebis es dargi mZime ideologiuri ze
Page 39 and 40: ginaluri gadawyvetis niSnebs. `qarT
Page 41 and 42: saSualebaTa mravalferovneba, droisa
Page 43 and 44: sofio TavaZe gamosaxulebisa da xmov
Page 45 and 46: axalgazrda wyvilic moeqceva garemom
Page 47 and 48: ed ase gadaviRe `pastorali~ da bolo
Page 49 and 50: manuCar loria, Tengiz vadaWkoria an
Page 51: pirobiTad SevqmeniT saqaRalde D:\-d
Page 55 and 56: iseve, rogorc yvela danarCens da ma
Page 57 and 58: kulturis istoria irma bagrationi ko
Page 59 and 60: inarCunebs Tavis yvela gamovlenaSi
Page 61 and 62: Irma Bagrationi Konstantine Kapanel
Page 63 and 64: licistur da mxatvrul SemoqmedebaSi.
Page 65 and 66: ena eris kulturis saxea. enaSi Cans
Page 67 and 68: TviTSegneba da saqarTvelos samefos
Page 69 and 70: erovnuli xasiaTis aseTi Tvisebebis
Page 71 and 72: musikismcodneoba qeTevan gogolaZe,
Page 73 and 74: om musika adamians gvris garkveul s
Page 75 and 76: Tes” partituraSi, sxvadasxva sakr
Page 77 and 78: gamoyenebuli literatura: 1. gogolaZ
Page 79 and 80: la musikaluri xelovnebis am dargis
Page 81 and 82: Cndeba saqarTveloSi instrumentuli m
Page 83 and 84: dividualobaTa mravalferovneba da ga
Page 85 and 86: gamoyenebuli literatura: 1. gogua d
Page 87 and 88: am cvlilebebis fonze musikalur-Teor
Page 89 and 90: aRiarebs. mis msjelobaSi musikis Se
Page 91 and 92: Si) da sxva alterirebuli subdominan
Page 93 and 94: xaTuna managaZe biZina kvernaZis op
Page 95 and 96: ,,iyo mervesa welsas” libreto iak
Page 97 and 98: nilia mxolod sami sceniT. ukanaskne
Page 99 and 100: debis siWarbisa da musikis garegnul
Page 101 and 102: Si, amaRlebuli sawyisis da misi rea
Page 103 and 104:
artioni — h 1 (I oqtavis ,,si”
Page 105 and 106:
amave saukunis dasawyisSi operebis
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sapirispirod amisa,^Tu momRerali aR
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sis gazrdiT). igi iqceva Cveulebriv
Page 111 and 112:
gamoyenebuli literatura: 1. aTanelo
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nagani smeniT, intonireben mas Sina
Page 115 and 116:
maradiuli netareba. me davinaxe mos
Page 117 and 118:
ovnebas SeuZlia daamyaros namdvili
Page 119 and 120:
fleitis SesaZleblobebidan gamomdina
Page 121 and 122:
Khatuna Ninidze Problems of Interpr
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kompozitors saxelmwifo premia mieni
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cirdeba da amave dros, romansis for
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uli f7, romelic wydeba c-Tvis VII7-
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niul nawarmoebTa ricxvs, xolo zomeb
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ilia tradiciulad D-dur tonalobaSi d
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NNatalia Oragvelidze Aleksi Machava
Page 135 and 136:
Semoqmedebis daxasiaTeba ~es iyo fa
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is istoriaSi; saukeTeso nawils ki m
Page 139 and 140:
1900 wlidan iwyeba kompozitoris dai
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ganapiroba kompozitoris gatacebam Z
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da bolos, imisTvis, raTa manuel de
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sergei raxmaninovis romansebi nino
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feroSi SevyavarT. Sesavlidan ibadeb
Page 149 and 150:
sebSi ar SeiZleba raxmaninovi ar wa
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olo ori seria romansebisa Txz. 34.
Page 153 and 154:
Tamaz ceriaSvili momRerlis mosamzad
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taklze Tavs mobilizeba gaukeTa, igr
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la xmovnis erT simaRleze, msgavsi S
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gavlenas axdens bgeris sisufTaveze,
Page 161 and 162:
ar aris gamoricxuli, rom igive, gan
Page 163 and 164:
saopero momRerlis xma (Tavisi siZli
Page 165 and 166:
artistizmis da srulyofilebis gareSe
Page 167 and 168:
Preparing Stages for Singers Summar
Page 169 and 170:
damkvidebul naturalur wyobaSi kvint
Page 171 and 172:
stilisturi Secdomebisagan, gaafarTo
Page 173 and 174:
axis Semoqmedebis yvelaze cnobili d
Page 175 and 176:
da bolosdabolos, romeli insturmenti
Page 177 and 178:
zilbermanis muSaobas, romelic cdilo
Page 179 and 180:
irina xerJi etiudis Janris saSemsru
Page 181 and 182:
XIX-XX saukunis gamoCenili virtuozi
Page 183 and 184:
etiudi Txz. 25 #8 Des dur - orive x
Page 185 and 186:
#9 — `mogoneba” A Dur - buzoni
Page 187 and 188:
aseTi etiudi aqvs talbergs — H du
Page 189 and 190:
saxelovnebo ganaTleba vladimer bibi
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maT SeumCnevlad ekisrebaT rTuli mov
Page 193 and 194:
unda viswavloT ara marto yuradRebis
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3. vaTveliereb kedels, vimaxsovreb
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19. a) viZaxebT erT erT students, v
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yrobT, dainteresdebiT obieqtiT, Tqv
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18. vWimavT sxeulis qveda nawils we
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anze, an romelime saganze da ar gqo
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ac ukavSirdeba galaktions, Semdeg g
Page 207 and 208:
unda CavutaroT maT varjiSebi kunTeb
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kidebulebebi gaixado Tavis damokide
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mdgomareobaa, romlis dros Semsruleb
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a) saxelmZRvanelos (gwyindeba, ar g
Page 215 and 216:
5. amoviRoT binZuri Cvari vedrodan
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meqanikuri moZraobaa. Tu vambob vis
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ganisazRvreba unariT surdes is rac
Page 221 and 222:
SevajamoT Sedegebi: amrigad, scenur
Page 223 and 224:
) gavivarjiSo, g) veZeb, d) yuradRe
Page 225 and 226:
SeuZlebelia, winaaRmdeg SemTxvevaSi
Page 227 and 228:
unda Sevides urTierTobis procesSi.
Page 229 and 230:
knelma unda miiRos. xSirad signals
Page 231 and 232:
9. ori amxanagi (gogonebi an biWebi
Page 233 and 234:
sceniuri cxovrebis mcire monakveTia
Page 235 and 236:
niur saxeze muSaobas. unda gavixsen
Page 237 and 238:
sarCevi/Contents xelovnebaTmcodneob
Page 239 and 240:
Khatuna Managadaze — ,,There Was
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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