xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
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atura mxolod calmxrivi mimarTulebiT upiratesobas mianiWebda<br />
dekoratiul efeqtebs’’ (Малинковская 1990:158).<br />
interpretatoris problemebi gadaWrilia im SemTxvevaSi,<br />
rac ufro bevri informaciuli maragi aqvs nawarmoebis<br />
avtoris sulis siRrmiseuli procesebisa da sakompozicio<br />
enis Sesaxeb, rac mudmivi procesia. Tu survili aqvs sxvebisagan<br />
gansxvavebuli, ganumeorebeli iyos, riTac moxiblavs<br />
samyaros. sakuTari gzis povnis da am gzis gavlis survili<br />
mas pirovnebad aqcevs. amqveynad movlenili adamianis arseboba<br />
Ziebis mudmivi surviliT aris gamarTlebuli. WeSmaritebis<br />
migneba ar aris advili, es garkveulwilad msxverplSewirvacaa,<br />
Tumca cxovrebis ganumeorebeli sailamazis Sesacnobad<br />
gardauvali gzaa.<br />
,,profesionalizmi’’ — ,,konkretuli da zogadi cnebaa.<br />
mas ori mxare aqvs: pirveli — is aris srulyofileba, meore<br />
ki — individualuroba.’’ es azri miekuTvneba gia yanCels, romelic<br />
radio ,,muzaSi’’ mivismine. vfiqrobT, rom is Zalian<br />
zustad ganmartavs am termins. Cveni azriT, individualuroba<br />
yoveli xelovanisaTvis aris Zalzed mniSvnelovani da faseuli.<br />
da bolos, minda gavimeoro eliso virsalaZis pasuxi<br />
,,kiTxvaze, Tu rogor icvleba misi damokidebuleba kompozitorebisadmi,<br />
romlebsac is asrulebs, — gipasuxebT: ,,kerpebi<br />
kerpebad rCebian, Cemi maTdami damokidebuleba ar icvleba,<br />
maTi damokidebuleba icvleba Cemdami’’ (qavTaraZe, 1997:5).<br />
120<br />
gamoyenebuli literatura:<br />
1. naTaZe r., fsiqologiis mokle kursi, Tb., 1989<br />
2. qavTaraZe n., ,,talanti=emociuroba=inteleqti-teqnika’’<br />
Tb., 1997<br />
3. CiCerini g., mocarti, ,,ianusi’’, Tb., 1994<br />
4. Голдшмит Г., Франц Шуберт. М., ,, Музыка’’, 1962<br />
5. Малинковская А., Фортепиано-исполнителъское интонирование,<br />
М., ,,Музыка’’, 1990
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