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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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178<br />

gamoyenebuli literatura:<br />

1. Галацкая В., Музыкальная литература зарубежных стран. М,.<br />

“Музыка”, 1969<br />

2. Калинина Н., Клавирная музыка И.С. Баха в фортепианном классе. Л.,<br />

Музыка, 1974<br />

3. Мильштеин Я., Хорошо темперированный клавир И.С. Баха. М,.<br />

“Музыка”, 1967<br />

4. Швейцер А., Иоган Себастиан Бах. М,. “Музыка”, 1965<br />

I. S. Bach’s ,,Well-temperated Klavire” and Keyboard<br />

Instruments of Bach’s Period<br />

Summary<br />

Lali Chelidze<br />

In my work there is briefly presented the structure of instruments of<br />

Bach’s period and characteristics of sound arising from this structure, ways of<br />

their development which lead us to the modern keyboards and composer’s<br />

attitude to these instruments.<br />

The work gives examples of views and opinions of different musicians<br />

and researchers about for which instruments Bach wrote his works in the<br />

,,Well-temperated Klavire” and in his other works.

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