xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
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sofio TavaZe<br />
gamosaxulebisa da xmovani rigis erTianobis<br />
sakiTxisaTvis oTar ioselianis<br />
SemoqmedebaSi<br />
(filmebis: `aprilisa“ da `pastoralis“<br />
magaliTze)<br />
reJisori oTar ioseliani im kinoTaobas ganekuTvneba,<br />
romelic XX saukunis 60-ian wlebSi movida qarTul kinematografSi.<br />
oTar ioselianis Semoqmedeba mkveTrad individualuria.<br />
misTvis damaxasiaTebelia analitikuri azrovnebisa<br />
da kvlevis siRrme, gamomsaxvelobiTi saSualebebis simkacre<br />
da sisadave.<br />
oTar ioselianis kinostilistika imdenad kinematografiulia,<br />
rom Znelad emorCileba sityvier axsnas. mis filmebs<br />
axasiaTebs uCveulo dramaturgiuli struqtura, romelic<br />
ar Seicavs ekranuli Txrobis tradiciul sqemas. reJisoris<br />
yuradReba mimarTulia Tanamedroveobis yvelaze ufro<br />
siRrmiseuli, mniSvnelovani sulieri Tu zneobrivi aspeqtebisa<br />
da problemebis asaxvisaken.<br />
aRniSnul naSromSi SevexebiT gamosaxulebisa da xmovani<br />
rigis erTianobis sakiTxs, rac kinonawarmoebSi sakmaod<br />
rTuli misaRwevia da avtoris did ostatobas moiTxovs. am<br />
sakiTxs mimovixilavT oTar ioselianis filmebis: `aprilisa”<br />
da `pastoralis” magaliTze, sadac, vfiqrobT, yvelaze naTlad<br />
gamoikveTa gamosaxulebis, xmovani rigisa da sityvieri<br />
masalis bunebrivad gamTlianebis procesi.<br />
oTar ioselianis filmebSi, yvela komponenti (maT Soris<br />
sityvis funqcia), gadawyvetis mkacr formebs eqvemdebareba.<br />
reJisoris filmebis erT-erTi damaxasiaTebeli niSania<br />
— teqstis, dialogis nakleboba da maTi funqcionaluroba.<br />
mis filmebSi sityvas sainformacio da dramatuli datvir-<br />
Tvis nacvlad, — empiriuli funqciebi ekisreba, rasac reJisori<br />
amgvarad xsnis: `CemTvis mTavaria kinematografiuli<br />
moqmedeba da ara sityvebi. mayurebeli yuradRebas miapyrobs<br />
konkretul sityvebs. moqmedeba ki qmnis situacias da es<br />
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