xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II
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ebi’’, xolo harmonia ki misi aRmvsebi sxeulis rolSi gamodioda.<br />
romantikosTa periodSi melodia TamaSobs harmoniis<br />
Sinagani procesebis talRebis moZraobis rols. am dros xdeba<br />
,,melodiis warmoqmna harmoniidan’’. Kklasikosebs hqondaT<br />
harmonizirebuli melodika, romantikosebs ki piriqiT — melodizirebuli<br />
harmonia. am yvelafris realuri sazrisi, paul<br />
bekeris TqmiT, aris is, rom `romantika gaurboda realur<br />
sinamdviles da cvlida mas irealobiT, harmoniis sivrcis magiuri<br />
fantastikiT.” (CiCerini 1994: 183)<br />
melodiis da harmoniuli fonis erTobliobaSi aris<br />
Caqsovili zemoT naxsenebi azri, romelic Tavisufal wyoba-<br />
Sia mocemuli, deharmonizirebuli melodikiT, sadac grZnobis<br />
yvela mamoZravebeli Zalis proeqcia polifoniuri mravalferovnebis<br />
TanaxmierebaSi erTian, saerTo xazad aris<br />
mocemuli. individualizebuli melodiuri Caketiloba da<br />
sivrcis harmoniuli gancda — erT mTlian suraTad aris Sekruli.<br />
Suberts saidumlo gzasTan miaxloebis erT-erTi saSualebad,<br />
rogorc misi Semoqmedebidan Cans — polifoniuri<br />
musikis efeqturad gamoyeneba miaCnda, rac saintereso muzicirebisaTvis<br />
iyo aucilebeli formiT saWiro. literSeidi<br />
wers: ,,homofoniuri musika Signidan gareT asxivebs, is iTvaliswinebs<br />
msmenelebs, romlebic pasiurad emorCilebian mis<br />
zemoqmedebas. polifoniuri musika asxivebs Tavisive wiaRSi,<br />
misTvis msmeneli meore planzea. is iTxovs gacilebiT ufro<br />
met aqtiurobas da Tanamonawileobas, ris gareSec polifonia<br />
sworad ar aRiqmeba. misi momxibvleloba imaSi ki ar aris,<br />
rom bolos da bolos, metnaklebad SesZras adamiani, aramed<br />
imaSi, rom ufro aqtiuri gaxados igi, Tavad SeaZlebinos muzicireba,<br />
misces mas damoukidebeli xma, romelic iSva musikaluri<br />
mTlianobidan, aqvs Tavisi sakuTari sicocxle da<br />
mkafio ukukavSiri sxva xmebTan, romlebic masTan erTad erT<br />
mTlianobas qmnian. mxolod Tanamonawileoba xdis SesaZlebels<br />
SigniT mimarTuli polifoniuri musikis swor aRqmasa<br />
da mosmenas” (CiCerini 1994: 190).<br />
am TxzulebaSi aucilebelad xazgasasmelia monawile<br />
instrumentebis Semadgenloba (fortepiano, fleita) fortepiano-orkestri<br />
da fleita-solo. SeiZleba vivaraudoT<br />
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