xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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Tles, SevZlebT Tu ara davarwmunoT Tanamosaubre Cvens tyuilSi. Tu cxovrebaSi TviT kontroli vlindeba maSin, roca ra- Racas gamovsaxavT an vityuebiT, scenaze es grZnoba yovelTvis warmoiSoba. simarTlis grZnoba - es msaxiobis unaria Seadaros scenuri qceva cxovrebis simarTlesTan, rogorc musikaluri smena, aseve simarTlis grZnoba SeiZleba ganvaviTaroT da ganvamtkicoT specialuri savarjiSoebiT. am savarjiSoebis arsi imaSi mdgomareobs, rom movarjiSes xelSi ara aqvs araviTari sagani da moqmedebs ise, TiTqos igi epyroba naRd sagans, man es unda akeTos imdenad damajereblad, rom mayurebeli „xedavdes“ am sagnis gamosaxulebas da „grZnobdes“ mas Semsruleblis xelSi. am savarjiSoebs hqvia „fizikuri moqmedebis maxsovroba“. isini warmoadgenen saukeTeso saSualebas scenaze TviTkontrolis ganviTarebasa da ganmtkicebaSi. sceniuri rwmena am savarjiSoebSi varjiSdeba gansakuTrebulad, sad vipoviT kidev ufro did „sicrues“, vidre roca xelebSi „araferi“ ar gaqvs. savarjiSoebis safuZvelSi devs msaxiobis xelovnebis gansakuTrebuloba, scenuri rwmena - damokidebuleba pirobiTTan - rogorc upirobosTan, sicruesTan - rogorc simarTlesTan. 214 savarjiSoebi am savarjiSoebis Sesrulebis dros, unda vecadoT gavixsenoT sagnis zoma, wona, faqtura, aRvidginoT mocemuli sagnis damaxasiaTebeli wvrilmanebi. pirvel xanebSi ar unda viCqaroT, savarjiSo davamuSaoT namdvil sagnebze da vecadoT davimaxsovroT sagani (misi mdebareoba, zomebi, wona da a. S.) da SevigrZnoT Cveni damokidebuleba saganTan (mag. damokidebuleba bin- ZurTan, svelTan, mZimesTan, cxelTan da a. S.) 1. davweroT werili, gavkecoT da CavdoT konvertSi 2. SevaxvioT an gavaxvioT nayidi nivTi 3. CavicvaT da gaviwmindoT fexsacmeli 4. gavrecxoT rezinis Ceqmebi
5. amoviRoT binZuri Cvari vedrodan da davkidoT gasaSrobad 6. gavxerxoT 7. davalagoT logini 8. karadis gaReba, tansacmlis gamoReba da Cacma 9. minis gaWra 10. gadavakraT wigns qaRaldi garedan 11. gavrecxoT da gavamSraloT Wiqa 12. SevkeroT 13. davkemsoT 14. davakeroT Rili 15. davgaoT iataki da SevagrovoT aqandazze nagavi 16. davauTaoT 17. SevkeroT sakerav manqanaze 18. davbanoT bavSvi 19. gavikeToT Tmis varcxniloba 20. gavikeToT makiaJi 21. gaviparsoT wveri 22. gavixexoT kbilebi 23. davamzadoT omleti 24. SevwvaT kartofili 25. gavixadoT palto 26. gavixadoT sveli palto 27. avawyoT xorcis sakepi manqana, gavataroT xorci da movamzadoT xinkali 28. davukraT roialze 29. CavasxaT navTi lamfaSi da avanToT 30. aviRoT materia da gamovWraT kabis Targi 31. davamzadoT afTiaqSi wamali 32. vxazoT (mTeli saxazavi mowyobilobebiT) 33. davbeWdoT kompiuterze da a. S. fizikuri winaaRmdegobebis gadalaxva 34. davCexoT SeSa 35. CavaxraxnoT 215
Page 1 and 2:
saqarTvelos ganaTlebisa da mecniere
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xelovnebaTmcodneoba maia WiWileiSvi
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warwera gvamcnobs, rom eklesia ioan
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yobda am patara regionis ayvavebas
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darbazuli eklesia rCeba. Tumca, epo
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la abuserisZeni aq axali qvis sayda
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A amgvarad, naSromSi ganxiluli saek
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ilustraciebi xinowminda. interieri
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sofio sanikiZe zogierTi fsiqologiur
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Semdegi fsiqologiuri faqtori, romel
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ebulad mocemuli sagani, adamians ad
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eklamis pirveladi aRqmisaTvis dizai
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tipis abrebs Soris ovaluri konstruq
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kinomcodneoba roland boraSvili vsev
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swored pudovkinma, erT-erTma pirvel
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swored lui deliukis, SemdgomSi ki v
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lelur montaJs, erTdroulobis montaJs
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sofio TavaZe qarTuli kinos ZiriTadi
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nebis es dargi mZime ideologiuri ze
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ginaluri gadawyvetis niSnebs. `qarT
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saSualebaTa mravalferovneba, droisa
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sofio TavaZe gamosaxulebisa da xmov
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axalgazrda wyvilic moeqceva garemom
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ed ase gadaviRe `pastorali~ da bolo
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manuCar loria, Tengiz vadaWkoria an
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pirobiTad SevqmeniT saqaRalde D:\-d
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xma ganTavsdeba audiobilikze. swore
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iseve, rogorc yvela danarCens da ma
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kulturis istoria irma bagrationi ko
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inarCunebs Tavis yvela gamovlenaSi
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Irma Bagrationi Konstantine Kapanel
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licistur da mxatvrul SemoqmedebaSi.
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ena eris kulturis saxea. enaSi Cans
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TviTSegneba da saqarTvelos samefos
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erovnuli xasiaTis aseTi Tvisebebis
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musikismcodneoba qeTevan gogolaZe,
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om musika adamians gvris garkveul s
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Tes” partituraSi, sxvadasxva sakr
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gamoyenebuli literatura: 1. gogolaZ
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la musikaluri xelovnebis am dargis
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Cndeba saqarTveloSi instrumentuli m
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dividualobaTa mravalferovneba da ga
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gamoyenebuli literatura: 1. gogua d
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am cvlilebebis fonze musikalur-Teor
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aRiarebs. mis msjelobaSi musikis Se
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Si) da sxva alterirebuli subdominan
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xaTuna managaZe biZina kvernaZis op
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,,iyo mervesa welsas” libreto iak
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nilia mxolod sami sceniT. ukanaskne
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debis siWarbisa da musikis garegnul
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Si, amaRlebuli sawyisis da misi rea
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artioni — h 1 (I oqtavis ,,si”
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amave saukunis dasawyisSi operebis
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sapirispirod amisa,^Tu momRerali aR
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sis gazrdiT). igi iqceva Cveulebriv
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gamoyenebuli literatura: 1. aTanelo
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nagani smeniT, intonireben mas Sina
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maradiuli netareba. me davinaxe mos
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ovnebas SeuZlia daamyaros namdvili
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fleitis SesaZleblobebidan gamomdina
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Khatuna Ninidze Problems of Interpr
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kompozitors saxelmwifo premia mieni
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cirdeba da amave dros, romansis for
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uli f7, romelic wydeba c-Tvis VII7-
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niul nawarmoebTa ricxvs, xolo zomeb
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ilia tradiciulad D-dur tonalobaSi d
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NNatalia Oragvelidze Aleksi Machava
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Semoqmedebis daxasiaTeba ~es iyo fa
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is istoriaSi; saukeTeso nawils ki m
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1900 wlidan iwyeba kompozitoris dai
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ganapiroba kompozitoris gatacebam Z
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da bolos, imisTvis, raTa manuel de
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sergei raxmaninovis romansebi nino
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feroSi SevyavarT. Sesavlidan ibadeb
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sebSi ar SeiZleba raxmaninovi ar wa
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olo ori seria romansebisa Txz. 34.
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Tamaz ceriaSvili momRerlis mosamzad
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taklze Tavs mobilizeba gaukeTa, igr
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la xmovnis erT simaRleze, msgavsi S
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gavlenas axdens bgeris sisufTaveze,
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ar aris gamoricxuli, rom igive, gan
Page 163 and 164: saopero momRerlis xma (Tavisi siZli
Page 165 and 166: artistizmis da srulyofilebis gareSe
Page 167 and 168: Preparing Stages for Singers Summar
Page 169 and 170: damkvidebul naturalur wyobaSi kvint
Page 171 and 172: stilisturi Secdomebisagan, gaafarTo
Page 173 and 174: axis Semoqmedebis yvelaze cnobili d
Page 175 and 176: da bolosdabolos, romeli insturmenti
Page 177 and 178: zilbermanis muSaobas, romelic cdilo
Page 179 and 180: irina xerJi etiudis Janris saSemsru
Page 181 and 182: XIX-XX saukunis gamoCenili virtuozi
Page 183 and 184: etiudi Txz. 25 #8 Des dur - orive x
Page 185 and 186: #9 — `mogoneba” A Dur - buzoni
Page 187 and 188: aseTi etiudi aqvs talbergs — H du
Page 189 and 190: saxelovnebo ganaTleba vladimer bibi
Page 191 and 192: maT SeumCnevlad ekisrebaT rTuli mov
Page 193 and 194: unda viswavloT ara marto yuradRebis
Page 195 and 196: 3. vaTveliereb kedels, vimaxsovreb
Page 197 and 198: 19. a) viZaxebT erT erT students, v
Page 199 and 200: yrobT, dainteresdebiT obieqtiT, Tqv
Page 201 and 202: 18. vWimavT sxeulis qveda nawils we
Page 203 and 204: anze, an romelime saganze da ar gqo
Page 205 and 206: ac ukavSirdeba galaktions, Semdeg g
Page 207 and 208: unda CavutaroT maT varjiSebi kunTeb
Page 209 and 210: kidebulebebi gaixado Tavis damokide
Page 211 and 212: mdgomareobaa, romlis dros Semsruleb
Page 213: a) saxelmZRvanelos (gwyindeba, ar g
Page 217 and 218: meqanikuri moZraobaa. Tu vambob vis
Page 219 and 220: ganisazRvreba unariT surdes is rac
Page 221 and 222: SevajamoT Sedegebi: amrigad, scenur
Page 223 and 224: ) gavivarjiSo, g) veZeb, d) yuradRe
Page 225 and 226: SeuZlebelia, winaaRmdeg SemTxvevaSi
Page 227 and 228: unda Sevides urTierTobis procesSi.
Page 229 and 230: knelma unda miiRos. xSirad signals
Page 231 and 232: 9. ori amxanagi (gogonebi an biWebi
Page 233 and 234: sceniuri cxovrebis mcire monakveTia
Page 235 and 236: niur saxeze muSaobas. unda gavixsen
Page 237 and 238: sarCevi/Contents xelovnebaTmcodneob
Page 239 and 240: Khatuna Managadaze — ,,There Was
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM II

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