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de os acontecimentos que eles experienciam serem feitos contra eles<<strong>br</strong> />
mesmos, são as perturbações e ameaças, que Slavoj Zizek chama<<strong>br</strong> />
ficção simbólica, que os fazem recorrer a representar atos de violência<<strong>br</strong> />
reais 22 . Depois de assistir Zulu Time em Paris, em 1999, Patrice<<strong>br</strong> />
Pavis declarou que o corpo vivo e a presença humana foram destruídos<<strong>br</strong> />
pelo corpo estranho da tecnologia 23 . Lepage, ao contrário,<<strong>br</strong> />
reafirma sua posição de que o uso de objetos animados e a tecnologia<<strong>br</strong> />
trouxeram uma diferença ao performer vivo, acentuando a presença<<strong>br</strong> />
viva dos performers.<<strong>br</strong> />
REFERêNCIAS BIBLIOGRáFICAS<<strong>br</strong> />
BIRRINGER, Johannes. Theatre, Theory, Posmodernism. Bloomingdale:<<strong>br</strong> />
Indiana University Press, 1993.<<strong>br</strong> />
BRASSARD, Marie. Interview by author. London, 2 October 1996.<<strong>br</strong> />
CHAREST, Remy. Connecting Flight. Trans. Wanda Romer Taylor.<<strong>br</strong> />
London: Methuen, 1998.<<strong>br</strong> />
DIXON, Steve. Digital Performance: A History of New Media in Theatre,<<strong>br</strong> />
Dance, Performance Art and Installation. Cam<strong>br</strong>idge, Massachusetts:<<strong>br</strong> />
MIT Press, 2006.<<strong>br</strong> />
DUNDJEROVIC, Aleksandar The Theatricality of Robert Lesage. Montreal:<<strong>br</strong> />
McGill-Queens’ University Press, 2007.<<strong>br</strong> />
GOFFMAN, Erving. The presentation of self in everyday life. Penguin<<strong>br</strong> />
Books, 1959.<<strong>br</strong> />
GOLDBERG, RoseLee. Performance Art. London: Thames and Hudson,<<strong>br</strong> />
1999.<<strong>br</strong> />
LAVENDER, Andy. Hamlet in Pieces: Shakespeare Reworked: Peter Brook,<<strong>br</strong> />
Robert Lepage, Robert Wilson. Nick Hern Books, 2001.<<strong>br</strong> />
LEPAGE, Robert. Interview by author. Tape recording. Quebec City,<<strong>br</strong> />
January 2002.<<strong>br</strong> />
MIRZOEFF, Nicholas. An Introduction to Visual Culture. London:<<strong>br</strong> />
Routledge, 1999.<<strong>br</strong> />
ODDEY, Allison. Devising Theatre: A Practical and Theoretical Handbook.<<strong>br</strong> />
21 Zizek, The Sublime Object of Ideology.<<strong>br</strong> />
22 Pavis, “Afterword:“, 187-202.<<strong>br</strong> />
MÓIN-MÓIN<<strong>br</strong> />
177<<strong>br</strong> />
Revista de Estudos so<strong>br</strong>e Teatro de Formas Animadas
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